A bounty hunter arrives in a mining town and is hired to track down the missing daughter of the town's crippled mayor and learns she has been kidnapped by the mayor's corrupt right-hand-man and a band of outlaws he is secretly working for.
The Stranger, a half-breed bandit, is part of a band of thieves that steal a cargo of gold from a stagecoach. However, the Americans in the band betray him, and shoot all the Mexicans. The Stranger is not completely dead though, and crawls his way out of his shallow grave, continuing his pursuit of the gold, and exacting a bloody vengeance. Written by
David Gibson <firstname.lastname@example.org>
Offbeat, But Not As Surreal As Others Will Have You Believe
Bandit Tomas Milian survives an impromptu execution by double-crossing partners. Crawling out of a pit, he's nursed by two Indians who ascribe mystical reasons for his not dying. Soon he tracks the others to a strange town where inhabitants strung up the gang and took the gold, which another violent big shot is willing to kill to possess.
I don't quite get what others say about this being "surreal" or "hallucinatory", as the film appears to be pretty straight-forward to me. It's weird, but it's not Eraserhead or Alejandro Jodorowsky weird.
It's more along the lines of an artiste tying to make a political statement about capitalism, using shocking, violent imagery to attract the attention of the bourgeois and perhaps make the movie attractive to the art-house and grind-house crowds.
Although pretentious, this stays interesting throughout, with a good performance by Milian. However, teen-aged Ray Lovelock's implied gang-rape by Zorro's (Yeah, that's the villain's name!) horribly-dressed goons was a bit silly and gratuitous.
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