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Violated Angels (1967)
"Okasareta hakui" (original title)

 |  Drama, Thriller  |  March 1967 (Japan)
8.2
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Ratings: 8.2/10 from 1,128 users  
Reviews: 6 user | 6 critic

A man penetrates by night in a nurse dormitory planning to kill them all. While he accomplishes to his self imposed task thoughts and obsessions come to his mind revealing his love deficits... See full synopsis »

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Title: Violated Angels (1967)

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Cast

Cast overview:
Juro Kara ...
Pretty boy
Keiko Koyanagi ...
Head nurse
Miki Hayashi ...
Nurse A
Ayako Kidowaki ...
Nurse B
Makiko Saegusa ...
Nurse C
Kyôko Yayoi ...
Nurse D
Junko Natsu ...
Young woman (as Michiko Sakamoto)
Gusaku Satô ...
Riot policeman
Shûzô Tanaka ...
Riot policeman
Matajûrô Arafune ...
Riot policeman
Kentarô Aichi ...
Riot policeman
Edit

Storyline

A man penetrates by night in a nurse dormitory planning to kill them all. While he accomplishes to his self imposed task thoughts and obsessions come to his mind revealing his love deficits... See full synopsis »

Add Full Plot | Plot Synopsis

Genres:

Drama | Thriller

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Release Date:

March 1967 (Japan)  »

Also Known As:

Violated Angels  »

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Sound Mix:

Color:

| (Eastmancolor)

Aspect Ratio:

2.35 : 1
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Connections

Referenced in Chicago Massacre: Richard Speck (2007) See more »

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User Reviews

 
A sincere study of misanthropy
23 October 2005 | by (Mountains of Madness) – See all my reviews

A voyeur, invited into a dormitory for nurses, remains behind to violate and murder close to a dozen of them. Some of the nurses attempt to talk him out of ending their lives and much of the film is comprised of these conversations, but the talk doesn't do much good.

Most of the film is black and white and quite murky, but there are selected snippets of color to illustrate the aftermath of the killer's work.

Bleak and slow moving, Wakamatsu attempts to provide a political subtext for the nastiness, but it comes across as pretentious.

The stabbings, rapes and beatings are shot mostly at a distance, but the tone is upsetting and the constant screaming and general air of misery is palpable.

The score, by Wakamatsu, is hypnotic.

Not great cinema, but a sincere study of misanthropy.


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