Japan's Longest Day
(1967)
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Japan's Longest Day
(1967)
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| Cast overview, first billed only: | |||
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Seiji Miyaguchi | ... |
Foreign Minister Shigenori Togo
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Rokko Toura | ... |
Vice-Minister of Foreign Affairs Shunichi Matsumoto
(as Matsuhiro Toura)
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| Chishû Ryû | ... |
Prime Minister Baron Kantaro Suzuki
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| Sô Yamamura | ... |
Navy Minister Admiral Mitsumasa Yonai
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| Toshirô Mifune | ... |
War Minister General Korechika Anami
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Yoshio Kosugi | ... |
Minister of Public Welfare Keisuke Okada
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| Takashi Shimura | ... |
Information Bureau Director Hiroshi Shimomura
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Etsushi Takahashi | ... |
Lt. Colonel Masutaka Ida - Military Affairs Section
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Takao Inoue | ... |
Lt. Colonel Masahiko Takeshita - Military Affairs Section
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Tadao Nakamaru | ... |
Lt. Colonel Jiro Shiizaki - Military Affairs Section
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Toshio Kurosawa | ... |
Major Kenji Hatanaka - Military Affairs Section
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Hikaru Kitchôji | ... |
General Yoshijiro Umezu - Chief of the Army General Staff
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Haruo Yamada | ... |
Admiral Soemu Toyoda - Chief of the Naval General Staff
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Ryôsuke Kagawa | ... |
Minister of Agriculture and Forestry Tadaatsu Ishiguro
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Ushio Akashi | ... |
President of the Privy Council Baron Kiichiro Hiranuma
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Following the detonation of the atomic bombs on Hiroshima and Nagasaki, the Japanese military and the government clash over the demand from the Allies for unconditional surrender. Minister of the Army Anami leads the military officers who propose to fight on, even to the death of every Japanese citizen. Emperor Hirohito, however, joins with his ministers in asking the unthinkable, the peaceful surrender of Japan. When the military plots a coup to overthrow the Emperor's civilian government, Anami must face the choice between his desires and loyalty to his Emperor. Written by Jim Beaver <jumblejim@prodigy.net>
All historical adaptations take a certain artistic license with their source material. JAPAN'S LONGEST DAY is no exception, but for a variety of reasons, this film rises above the norm.
The black and white photography, framed conservatively, has the feeling of reality, as if it were almost documentary. There are distinct emotional highs and lows as Japan's high command wrestles with the concepts of unconditional surrender (the Potsdam agreement) and the army's hopes of keeping the war going indefinitely; but the drama seems more real than posed. And despite that the events depicted here really happened, there's a palpable sense of tension in the narrative.
JAPAN'S LONGEST DAY covers that short period just before the Allied bombings of Hiroshima and Nagasaki to Japan's surrender in August 1945. But the attention to detail is almost documentary in feel, as bureaucrats and politicos spar with each other to save what they feel is the spirit of Japan. This kind of film doesn't get much more compelling, and does a superior job at balancing accuracy with drama.