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Death Laid an Egg (1968)
"La morte ha fatto l'uovo" (original title)

6.3
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Ratings: 6.3/10 from 562 users  
Reviews: 16 user | 22 critic

A love triangle develops between three people who run a high tech chicken farm. It involves Anna (who owns the farm), her husband Marco (who kills prostitutes in his spare time) and ... See full summary »

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Title: Death Laid an Egg (1968)

Death Laid an Egg (1968) on IMDb 6.3/10

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Cast

Cast overview, first billed only:
...
Anna
...
Marco (as Jean Louis Trintignant)
...
Gabrielle
Jean Sobieski ...
Mondaini
...
Luigi
Vittorio André
Giulio Donnini ...
Hotel Manager
Biagio Pelligra ...
Chemical operator
Cleofe Del Cile ...
Prostitute #1
Monica Millesi
Ugo Adinolfi
Conrad Andersen
Aldo Bonamano ...
Police Inspector
Rina De Filippo
Livio Ferraro
Edit

Storyline

A love triangle develops between three people who run a high tech chicken farm. It involves Anna (who owns the farm), her husband Marco (who kills prostitutes in his spare time) and Gabriella (the very beautiful secretary). Marco continues to kill as jealousy becomes more prevalent on the farm. Written by Count_Fistfuldollars

Plot Summary | Add Synopsis

Taglines:

See them tear each other apart. Then see what they do with the pieces.

Genres:

Thriller

Certificate:

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Details

Country:

|

Language:

Release Date:

9 January 1968 (Italy)  »

Also Known As:

Death Laid an Egg  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Connections

Referenced in The Laughing Woman (1969) See more »

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User Reviews

 
'Guigli's aesthetic is far more oblique and cerebral than the average black gloves of death approach'
23 January 2014 | by See all my reviews

Jean-Louis Trintignant's character finds himself at the center of a bizarre conundrum, an idiosyncratic thriller laden with obscure Freudian motifs, art house posturing, and bravura camera styling's; but it's the film's gleeful lack of conformity that engenders 'Death laid An Egg' with such a rabid cult following. While the film contains the requisite murder, squabbling in-laws, micro-skirted dolly birds, and it is a giallo in only the broadest sense, as Guigli's aesthetic is far more oblique and cerebral than the average black gloves of death approach. Naturally, thriller convention plays a part here, but it cowers betwixt layer-upon-layer of psychedelic absurdity. 'Morte Ha fatto L'uovo' might be a Bunuel-esque satire of middle-class malaise and big business avarice, but in point of fact this glorious oddity remains too enigmatic for simple reductionism, and remains forever that most precious of cinematic artifacts a genuine cult movie deserving of the highest praises indeed.


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