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Mariée était en noir, La (1968)
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Overview
Release Date:
25 June 1968 (USA) moreTagline:
She was a bride when the violence happened... Now she's a widow and it's going to happen againPlot:
Julie Kohler is prevented from suicide by her mother. She leaves the town. She will track down, charm and kill five men who do not know her... more | add synopsisPlot Keywords:
Murder Plot | Multiple Murder | Nylon Stockings | Silk Stockings | Color In Title moreAwards:
Nominated for Golden Globe. Another 1 nomination moreUser Comments:
probably the best cinematic argument against private gun ownership moreCast
(Cast overview, first billed only)| Jeanne Moreau | ... | Julie Kohler | |
| Michel Bouquet | ... | Coral | |
| Jean-Claude Brialy | ... | Corey | |
| Charles Denner | ... | Fergus | |
| Claude Rich | ... | Bliss | |
| Michael Lonsdale | ... | Rene Morane (as Michel Lonsdale) | |
| Daniel Boulanger | ... | Delvaux | |
| Alexandra Stewart | ... | Mlle Becker | |
| Sylvine Delannoy | ... | Mme Morane | |
| Luce Fabiole | ... | Julie's mother | |
| Michèle Montfort | ... | Fergus's model | |
| Jacqueline Rouillard | |||
| Paul Pavel | ... | Mechanic | |
| Gilles Quéant | ... | Examining judge (as Gilles Queant) | |
| Serge Rousseau | ... | David |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
107 minLanguage:
FrenchColor:
Color (Eastmancolor)Aspect Ratio:
1.66 : 1 moreSound Mix:
MonoCertification:
Portugal:M/12 | UK:12 | Argentina:13 | Canada:G (video rating) | Finland:K-16 | Sweden:15 | USA:Unrated | West Germany:16 (nf)MOVIEmeter: 
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Fun Stuff
Goofs:
Continuity: When Julie goes to Fergus's studio the second time to model, he has her wear a special bracelet by Calder. But seconds before, when she is in the bathroom changing, she is clearly already wearing the bracelet. moreFAQ
This FAQ is empty. Add the first question.more
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A tight, albeit contrived, cinematic argument against private gun ownership, this film follows the irreversible psychological and philosophical ricochets of a gun accident. For to those who've lost a loved one, imprisonment of the bullet-wielder is not enough justice. The story does cover the silent emotionalism of even the intelligent when the spirit of revenge calls on her sense of logic. It doesn't matter that the lady's murders are too perfect to be realistic; as assumptions they serve their purpose in this screen essay. Now, the five murder-targets may be worth killing to certain vigilante eyes in our multicultural society---the despicable rich, the hateful womanizing hedonist, the criminal, the disgusting politician, what else? But who are we to put justice in our own hands? As a cinematic quote on Hitchcock, this movie seems to be Truffaut's acknowledgment of the master's genius in bringing a sort of academic intelligence into thrilling cinematic situations.