Harry is a barely functional human. He meets an old friend who is having marital problems as Harry is about to leap off of a bridge. His friend decides that Harry is the man to take his ... See full summary »
After eight years of marriage, Robert and Nina divorce. He takes up with his womanising Navy buddy Charlie Nelson while she looks to her interfering mother for guidance. Both start dating ... See full summary »
2 quirky Manhattanites crash into each other cute at an ophthalmologist's office. Peter is a grouchy cartoonist/author whose vision is failing, divorced mother Theresa is also reluctant to ... See full summary »
Newly-promoted if none too happily married Howard Brubaker leaves a rowdy Company party early with the stunning Catherine, whom it turns out is herself unhappily married - to the boss. They... See full summary »
Harry is a barely functional human. He meets an old friend who is having marital problems as Harry is about to leap off of a bridge. His friend decides that Harry is the man to take his wife away from him so that Milt can be with his girlfriend. Ellen and Harry have an instant attraction and in a short while Harry is wearing Milt's suits and Milt is free. But, Ellen soon discovers that Harry is the world's worst roommate. Written by
John Vogel <email@example.com>
...and so is "Luv". What might've been a mod, madcap romantic comedy is just an exercise in shouting (you'll never forget that Jack Lemmon plays "Harry"--it's all you hear from the other performers). A suicidal man is brought down from a bridge-railing by an old school friend who has other plans for the guy: fix him up with his unhappy wife so he can marry a fitness enthusiast. Had possibilities, few of which are realized. One is tempted to put some of the blame for this mess on Lemmon (who does some uncharacteristically sloppy slapstick here), but Clive Donner's direction should bear the brunt of it--he has no clue how to present this story. Based on the play, "Luv" has bright opening moments but soon sinks into theatrical clichés, the kind that creak and wheeze with age. Worse, it's a visual insult, with tatty color photography that only serves to expose the cheap production. What a shame! Lemmon and Peter Falk (so good together in the earlier "Great Race") make no music together, and Elaine May struggles for dignity. I struggled through "Luv" and laughed maybe three times. *1/2 from ****
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