Harry is a barely functional human. He meets an old friend who is having marital problems as Harry is about to leap off of a bridge. His friend decides that Harry is the man to take his ... See full summary »
To help his divorced neighbor claim a substantial inheritance, a family man poses as her husband. The ruse spills over into his career in advertising, and his recent promotion relies on his wholesome and moral appearance.
Private Hogan must raise his ability to scheme and plot to a new level to put on a madcap dance to celebrate the closing of an Army surgical hospital in post WWII France while evading the ... See full summary »
After eight years of marriage, Robert and Nina divorce. He takes up with his womanising Navy buddy Charlie Nelson while she looks to her interfering mother for guidance. Both start dating ... See full summary »
This musical reworking of TOO MANY HUSBANDS (1940), features Grable as a top singer and dancer who's been widowed by WW II. She marries her late husband's songwriting partner, Gower ... See full summary »
Newly-promoted if none too happily married Howard Brubaker leaves a rowdy Company party early with the stunning Catherine, whom it turns out is herself unhappily married - to the boss. They... See full summary »
Harry is a barely functional human. He meets an old friend who is having marital problems as Harry is about to leap off of a bridge. His friend decides that Harry is the man to take his wife away from him so that Milt can be with his girlfriend. Ellen and Harry have an instant attraction and in a short while Harry is wearing Milt's suits and Milt is free. But, Ellen soon discovers that Harry is the world's worst roommate. Written by
John Vogel <firstname.lastname@example.org>
The original Broadway production of "Luv" by Murray Schisgal opened at the Booth Theater in New York on 11/11/64, ran for 901 performances and was nominated for the 1965 Tony Award for the Best Play. See more »
Disasterous film version of the Murray Schisgal Broadway hit from the word go. Too dark and moody of an approach by director Donner and an obvious distaste in the material from leads Lemmon, Falk and May, who do their best, but in the end it comes down to the fact that they are badly miscast. Luv became one of those Hollywood oddities - the picture that gets produced despite the fact that everyone agrees it is certain to bomb. It did.
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