Harry is a barely functional human. He meets an old friend who is having marital problems as Harry is about to leap off of a bridge. His friend decides that Harry is the man to take his ...
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To help his divorced neighbor claim a substantial inheritance, a family man poses as her husband. The ruse spills over into his career in advertising, and his recent promotion relies on his wholesome and moral appearance.
2 quirky Manhattanites crash into each other cute at an ophthalmologist's office. Peter is a grouchy cartoonist/author whose vision is failing, divorced mother Theresa is also reluctant to ... See full summary »
Ellen (June Allyson) is kidnapped by father (Charles Bickford) after she ran off and got married to someone he thinks is a gold digger. She escapes and starts an adventurous trip back to ... See full summary »
Harry is a barely functional human. He meets an old friend who is having marital problems as Harry is about to leap off of a bridge. His friend decides that Harry is the man to take his wife away from him so that Milt can be with his girlfriend. Ellen and Harry have an instant attraction and in a short while Harry is wearing Milt's suits and Milt is free. But, Ellen soon discovers that Harry is the world's worst roommate. Written by
John Vogel <email@example.com>
Way before Woody Allen laid claim to the same people and the same territory, this 1967 film based on a 1964 play by Murray Schisgal, directed on Broadway by the young Mike Nichols (who had been Elaine May's partner in Chicago) may be the first Hollywood film ever to feature a group of highly neurotic, overly articulate, and -although never named as such apparently middle-class Jewish urban characters. Unfortunately, as funny and satirical as the film is at times, opening it up to the real world with naturalistic settings did not help support its weak story structure. When push comes to shove, the movie is no more than a series of sketches, the sort that Nichols & May did so brilliantly on records and stage. Irishman Jack Lemmon seems miscast; he does his best, however, to sustain the frenetic shtick, mugging outrageously at times. On the plus side, the brilliant and then beautiful Elaine May (future director and writer of many a film flop) may be the greatest crazy Jewish American Princess ever portrayed on film. Try as she might, Woody Allen's second wife, Louise Lasser, understudy in the original Broadway production, could never quite match Elaine May when it came to sheer J. A. P. nuttiness.
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