| Eva Ras | ... | Izabela, telefonistkinja | |
| Slobodan Aligrudic | ... | Ahmed, sanitarni inspektor | |
| Ruzica Sokic | ... | Ruza, Izabelina koleginica | |
| Miodrag Andric | ... | Mica, postar i zavodnik | |
| Aleksander Kostic | ... | Ekspert za seksualna pitanja (as Dr Aleksandat Dj Kostic) | |
| Zivojin Aleksic | ... | Ekspert za kriminalistiku (as Dr Zivojin L Aleksic) | |
| Dragan Obradovic | ... | Obducent (as Dr Dragan Obradovic) | |
| Rade Ljubisavljevic | ... | Vodoinstalater | |
| Aca Tadic | ... | Jorgandzija |
Directed by | |||
| Dusan Makavejev | |||
Writing credits(in alphabetical order) | ||
| Dusan Makavejev | ||
| Branko Vucicevic | ||
Cinematography by | |||
| Aleksandar Petkovic | |||
Film Editing by | |||
| Katarina Stojanovic | |||
Production Design by | |||
| Vladislav Lasic | |||
Costume Design by | |||
| Jelisaveta Gobecki | |||
Makeup Department | |||
| Dragica Milivojevic | .... | makeup artist | |
Production Management | |||
| Aleksandar Krstic | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Branko Vucicevic | .... | assistant director | |
| Zelimir Zilnik | .... | assistant director | |
Sound Department | |||
| Dusan Aleksic | .... | sound | |
| Miodrag Petrovic-Sarlo | .... | sound editor | |
Costume and Wardrobe Department | |||
| Milanka Sultanovic | .... | wardrobe | |
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| The Holy Mountain | My Own Private Idaho | So Sweet, So Dead | Gummo | The Girlfriend Experience |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Yugoslavia section |
That European cinema did things differently in the 1960s is not in doubt, as even directors from little-renowned cinematic cultures such as Yugoslavia delighted in new-found freedom. On one hand, "Switchboard Operator" is a simple tale of love, betrayal and tragedy in Belgrade, and as such captures some touching details about trapped lives in a totalitarian society. However, director Dusan Makavejev, clearly under the influence of Godard, adopts an offhand approach to his narrative, and introduces extraneous material at tangents to the main story. Most of this stuff is fascinating, particularly when he uses archive footage of Yugoslav history. Less successful are the interjections of two tedious academics, a sexologist and a criminologist, whose stern pronouncements jar against the film's capricious tone. Nonetheless, this is invigorating film-making which reaches into some strange regions. Despite an economical running time of 69 minutes, the film even finds time for a brief history of how the grey rat infested Europe!