A young newlywed couple from America returns to Geneva to visit Marcel's home town. Once there he is informed of his former lover's suicide and in turn is subjected to threats that accuse ... See full summary »
Inspector Tellini investigates serial crimes where victims are paralyzed while having their bellies ripped open with a sharp knife, much in the same way tarantulas are killed by the black ... See full summary »
When a possessive narcotics detective strongly suspects that his young beautiful wife is cheating on him, he hires a professional hitman to bump her off. All the while trying to solve a string of strange murders.
In this allegory on capitalism, director of a known car corporation invites one of his employees to his country villa to give him the good news. He just got promoted. However, the old man is not what he seems and promotion has a price.
The Case of the Scorpion's Tail begins with the mysterious death of a millionaire and spirals into the murder of his suddenly rich wife, which draws the attention of a dogged investigator, who follows a trail of blood to the bitter end.
Alberto de Mendoza
A triangle of friendship, love, sex, and, perhaps, murder. Minou is newly married to Peter, a businessman in debt as he works to bring a new product to market. They met through Dominique, ... See full summary »
Pier Paolo Capponi,
Ernesto Gastaldi's first contribution to the Giallo genre
The great Mario Bava is often credited with introducing the Giallo genre with The Girl Who Knew Too Much, and then refining it two years later with his masterpiece Blood and Black Lace; but Ernesto Gastaldi would go on to become one of the premier Giallo screenwriters with such classics as The Strange Vice of Mrs Wardh and The Case of the Bloody Iris under his belt; and this little film is his first contribution to the genre. Libido is certainly not as 'Giallo' as Blood and Black Lace; but many of the genre trademarks are present, and it is a very nice little thriller. The film begins with a sequence that sees a young boy witness his father kill his mother inside a room lined with mirrors. His father later kills himself and the boy winds up in a mental hospital; his estate entrusted to his lawyer until the boy turns twenty five. Its years later and the boy is a man and married. He goes to stay in the old house (not really sure why) along with his wife and the lawyer and his wife. However, it's not long before he starts finding clues that maybe his father has returned...
The surreal, dreamlike quality is a feature of many Giallo's - and it's a big part of this one too. The screenplay ensures that the audience is always kept guessing and we're never sure of exactly what is going on; and this ensures that the proceedings are always interesting. The film is shot in black and white and obviously very cheaply too (the film was allegedly shot in just eighteen days for a bet), plus the fact that the copy I saw was extremely poor quality means that the cinematography is not particularly nice looking; and so the film may not appeal to the fans of the some of the higher quality genre entries. The cast is very small and features just four performers; and all of them perform well enough. Giancarlo Giannini is the lead actor and is decent in the role; although he would go on to much bigger and better things, while Dominique Boschero and Mara Maryl provide eye candy and the cast is rounded off by Luciano Pigozzi. The film is good for the duration and then things are really kicked up a gear in the final third when the twists start to come into play. Overall, Libido is a very good, if not quite brilliant Giallo, and is recommended to fans of the genre.
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