A young girl is brutally murdered somewhere in France. Sometime later, the same thing happens to the daughter of a well-known sculptor. This time the parents (the sculptor and his wife) ... See full summary »
A race-car driver whose life, both personal and professional, is in a rapid downfall is invited by her ex-husband's new wife to stay at their plush estate. The two women form a bond, and ... See full summary »
Four notorious bank robbers - Klaus from Germany, Albert from France, Juan from Spain and Carina from Tangiers meet up in an isolated Castle to divide a large number of diamonds hidden ... See full summary »
Maria Luisa Geisberger,
A triangle of friendship, love, sex, and, perhaps, murder. Minou is newly married to Peter, a businessman in debt as he works to bring a new product to market. They met through Dominique, ... See full summary »
Pier Paolo Capponi,
When a possessive narcotics detective strongly suspects that his young beautiful wife is cheating on him, he hires a professional hitman to bump her off. All the while trying to solve a string of strange murders.
When two sisters inherit their family castle, a string of murders committed by a mysterious dark haired woman in a red cloak decimates their circle of friends. Is the killer their ancestor,... See full summary »
The Case of the Scorpion's Tail begins with the mysterious death of a millionaire and spirals into the murder of his suddenly rich wife, which draws the attention of a dogged investigator, who follows a trail of blood to the bitter end.
Alberto de Mendoza
This thriller by renowned Italian screenwriter Ernesto Gastaldi is a very early Giallo - made just shortly after Mario Bava's first modern Italian thriller SEI DONNE PER L'ASSASSINO (1964) that is considered being the first real Giallo at all. But LIBIDO, shot in black and white, is not only one of the earliest Gialli. It is also one of the most accomplished - even though it was made in less than three weeks according to Gastaldi.
Christian (Giancarlo Giannini in his first movie) returns to the house by the sea where he grew up. He's accompanied by his fiancée and a befriended couple. As a child, he witnessed his father killing his mistress before jumping over a cliff. With the return, Christian should finally overcome his childhood trauma that emerged. As soon as he is back in his old home, though, Christian sees strange things that lead him to the assumption his father must still be alive.
Only one location (the house and the immediate environment), only four actors for most of the time - plus plenty of thrills and psychological terror make this one a winner. LIBIDO starts with a quote by Sigmund Freud. It can't get much more appropriate than that, because of all Gialli, this is the most Freudian one (and there are quite a bunch). Towards the climax, the plot twists pile up, of course, and they all do not only work, but are also clever and surprising (and try to do that with only a quartet of characters).
LIBIDO is a classic of its genre - essential viewing for Giallo fans and thus not to be missed.
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