IMDb > Branded to Kill (1967)
Koroshi no rakuin
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Branded to Kill (1967) More at IMDbPro »Koroshi no rakuin (original title)

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Branded to Kill -- When Japanese New Wave bad boy Seijun Suzuki delivered this brutal, hilarious, and visually inspired masterpiece to the executives at his studio, he was promptly fired. Branded to Kill tells the ecstatically bent story of a yakuza assassin with a fetish for sniffing steamed rice (the chipmunk-cheeked superstar Joe Shishido) who botches a job and ends up a target himself.

Overview

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Release Date:
15 June 1967 (Japan) See more »
Genre:
Plot:
A hit-man, with a fetish for sniffing boiling rice, fumbles his latest job, putting him into conflict with his treacherous wife, with a mysterious woman eager for death and with the phantom-like hit-man known only as Number One. Full summary » | Add synopsis »
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NewsDesk:
(43 articles)
User Reviews:
Dazzling if disorienting crime film packed with goofy quirks - just don't try to make sense of it See more (38 total) »

Cast

  (in credits order)

Directed by
Seijun Suzuki 
 
Writing credits
(in alphabetical order)
Hachiro Guryu 
Mitsutoshi Ishigami  screenplay (uncredited)
Takeo Kimura  uncredited
Chûsei Sone  uncredited
Atsushi Yamatoya  uncredited

Produced by
Kaneo Iwai .... producer
Takiko Mizunoe .... producer (uncredited)
 
Original Music by
Naozumi Yamamoto 
 
Cinematography by
Kazue Nagatsuka 
 
Film Editing by
Akira Suzuki 
 
Art Direction by
Motozô Kawahara 
 
Production Management
Akira Yamashita .... executive in charge of production
 
Second Unit Director or Assistant Director
Masami Kuzû .... assistant director
 
Sound Department
Yoshinobu Akino .... sound
 
Stunts
Kakuo Watai .... fight choreographer
 
Camera and Electrical Department
Saburô Mio .... gaffer (as S. Mio)
 

Production CompaniesDistributors

Additional Details

Also Known As:
"Koroshi no rakuin" - Japan (original title)
See more »
Runtime:
91 min | Argentina:99 min
Country:
Language:
Aspect Ratio:
2.35 : 1 See more »
Sound Mix:
Mono (Westrex Recording System)
Company:

Did You Know?

Trivia:
When Nikkatsu studio executives saw the finished product, they thought it was too terrible to be released, so they shelved it. Director Seijun Suzuki along with others in the film business, film critics, and students protested in unfairness since by contract Nikkatsu was supposed to release the finished film theatrically. It went to court, with a ruling in favor of the director. Nikkatsu had to pay for damages and have the film released. Suzuki's contract with Nikkatsu was terminated, and with the bad reputation, was unable to work on a feature film for the next 10 years.See more »
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FAQ

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4 out of 4 people found the following review useful.
Dazzling if disorienting crime film packed with goofy quirks - just don't try to make sense of it, 2 June 2010
Author: J. Spurlin from United States

The number-three-ranked hit-man (who makes these rankings?), with a fetish for sniffing boiling rice, fumbles his latest job, which puts him into conflict with a mysterious woman whose death wish inspires her to surround herself with dead butterflies and dead birds. Worse danger comes from his own treacherous wife and finally with the number-one-ranked hit-man, known only as a phantom to those who fear his unseen presence. Number One proves to be a nut, willing to go to great lengths to torment his victim, even sleep in the same bed with him. He's also so dedicated to his job that he'll urinate on himself rather than take his eyes off his victim by going to the toilet.

I'm getting used to the idea of a certain type of crime film that is so densely plotted you never quite know what's going on and are forced to give up on it in order to enjoy the picture. American films of this type, such as "The Maltese Falcon," are usually so deftly put together that you don't realize you haven't followed everything until you stop to think about it. Other countries produce films that require a bit more patience. I recently watched the French gangster pic, "Le Doulos" (1962), and learned early to resign myself to semi-confusion.

This film, from the nutty Japanese director, Seijun Suzuki, requires a extra level of resignation. Often I couldn't tell what was happening from shot to shot. Suzuki's disorienting style is sometimes marvelous and sometimes irritating; but I can't say I was ever bored. Many of the effects in this sex-and-violence-packed film are dazzling. I especially liked how the femme fatale, in her early close-ups, is perpetually drenched by a downpour whether she's out in the rain or not.

I enjoyed this film, but any viewer can be forgiven for giving up on it and saying, "I don't get it." There's no deep meaning to get. You either abandon yourself to the goofy entertainment being offered, or you don't.

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