| Photos (See all 10 | slideshow) |
| Jô Shishido | ... | Goro Hanada | |
| Kôji Nanbara | ... | No. 1 | |
| Isao Tamagawa | ... | Michihiko Yabuhara | |
| Anne Mari | ... | Misako Nakajo | |
| Mariko Ogawa | ... | Mami Hanada | |
| Hiroshi Minami | ... | Gihei Kasuga | |
| rest of cast listed alphabetically: | |||
| Iwae Arai | |||
| Franz Gruber | ... | Western man | |
| Akira Hisamatsu | (as Kosuke Hisamatsu) | ||
| Hiroshi Midorikawa | |||
| Tokuhei Miyahara | |||
| Hiroshi Naga | |||
| Takashi Nomura | |||
| Atsushi Yamatoya | |||
Directed by | |||
| Seijun Suzuki | |||
Writing credits(in alphabetical order) | ||
| Hachiro Guryu | ||
| Mitsutoshi Ishigami | screenplay (uncredited) | |
| Takeo Kimura | ||
| Chûsei Sone | ||
| Atsushi Yamatoya | ||
Produced by | |||
| Kaneo Iwai | .... | producer | |
| Takiko Mizunoe | .... | producer | |
Original Music by | |||
| Naozumi Yamamoto | |||
Cinematography by | |||
| Kazue Nagatsuka | |||
Film Editing by | |||
| Mutsuo Tanji | |||
Art Direction by | |||
| Sukezo Kawahara | |||
Second Unit Director or Assistant Director | |||
| Masami Kuzuu | .... | assistant director | |
Sound Department | |||
| Yoshinobu Akino | .... | sound recordist (as Y. Akino) | |
Camera and Electrical Department | |||
| S. Mio | .... | gaffer | |
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| Munich | The Departed | The Girl with the Dragon Tattoo | Toto the Hero | Mr. & Mrs. Smith |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb Japan section |
Seijun Suzuki refers to his films as "entertainment" and without critical merit. Yet, this was somewhat tongue in cheek as he stated that critics feel a movie must have a "moral or some social commentary" to be worthy of attention. Be that as it may, "Branded to Kill" is simply a fantastic achievement. Suzuki was working with both a lead man and a script provided to him by the Nikkatsu Corporation. As such, when you evaluate his films, you do so by focusing on the technical merits. Personally, I find his disconnected editing, and surreal lighting styles to be amazing. Suzuki's skill turns what is otherwise a laughable boiler plate film noir into something more. The lighting and editing make the exclamations that the script doesn't, and the decision to shoot the final scene in a boxing ring is brilliant.
It was entertaining to watch person after person jump up and down about the originality of "Ghost Dog" with no mention of the fact that Jarmusch lifted one of the assassination sequences unchanged from "Branded to Kill". Hopefully as more of Suzuki's work comes to DVD, people and critics alike will recognize a blatant tribute when it is given. Suzuki deserves them all.