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Branded to Kill (1967)

Koroshi no rakuin (original title)
Not Rated | | Action, Crime, Drama | 15 June 1967 (Japan)
After a badly done assignment, a hitman finds himself in conflict with his organisation, and one mysterious and dangerous fellow-hitman in particular.

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Writers:

(screenplay), | 3 more credits »
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Cast

Cast overview, first billed only:
...
Gorô Hanada (as Joe Shishido)
Mariko Ogawa ...
...
Misako Nakajô (as Anne Mari)
Kôji Nanbara ...
Isao Tamagawa ...
Michihiko Yabuhara
Hiroshi Minami ...
Gihei Kasuga
Hiroshi Chô
Atsushi Yamatoya
Takashi Nomura
Tokuhei Miyahara
Hiroshi Midorikawa
Akira Hisamatsu ...
(as Kôsuke Hisamatsu)
Iwae Arai
Yû Izumi
Kyôji Mizuki
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Storyline

The number-three-ranked hit-man, with a fetish for sniffing boiling rice, fumbles his latest job, which puts him into conflict with a mysterious woman whose death wish inspires her to surround herself with dead butterflies and dead birds. Worse danger comes from his own treacherous wife and finally with the number-one-ranked hit-man, known only as a phantom to those who fear his unseen presence. Written by J. Spurlin

Plot Summary | Add Synopsis


Certificate:

Not Rated | See all certifications »

Parents Guide:

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Details

Country:

Language:

|

Release Date:

15 June 1967 (Japan)  »

Also Known As:

Branded to Kill  »

Company Credits

Production Co:

 »
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Technical Specs

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

For nude scenes the actors wore adhesive strips over their genitals, in accordance with censorship practices. See more »

Quotes

Misako Nakajô: [deadpan] I love you.
Gorô Hanada: Don't despise me!
See more »

Connections

Referenced in Long-Distance Runners: A Cross-Cultural Love Story (2014) See more »

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User Reviews

 
So cool Jarmusch ripped it off
17 June 2001 | by See all my reviews

Seijun Suzuki refers to his films as "entertainment" and without critical merit. Yet, this was somewhat tongue in cheek as he stated that critics feel a movie must have a "moral or some social commentary" to be worthy of attention. Be that as it may, "Branded to Kill" is simply a fantastic achievement. Suzuki was working with both a lead man and a script provided to him by the Nikkatsu Corporation. As such, when you evaluate his films, you do so by focusing on the technical merits. Personally, I find his disconnected editing, and surreal lighting styles to be amazing. Suzuki's skill turns what is otherwise a laughable boiler plate film noir into something more. The lighting and editing make the exclamations that the script doesn't, and the decision to shoot the final scene in a boxing ring is brilliant.

It was entertaining to watch person after person jump up and down about the originality of "Ghost Dog" with no mention of the fact that Jarmusch lifted one of the assassination sequences unchanged from "Branded to Kill". Hopefully as more of Suzuki's work comes to DVD, people and critics alike will recognize a blatant tribute when it is given. Suzuki deserves them all.


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