A hit-man, with a fetish for sniffing boiling rice, fumbles his latest job, putting him into conflict with his treacherous wife, with a mysterious woman eager for death and with the phantom-like hit-man known only as Number One.
After World War II, some Tokyo prostitutes band together with a strict code: no pimps, attack any street walker who comes into our territory, defend the abandoned building we call home, and... See full summary »
In Okayama in the mid-1930s, Kiroku attends high school and boards with a Catholic family whose daughter, Michiko, captures his heart. He must, however, hide his ardor and other aspects of ... See full summary »
The number-three-ranked hit-man, with a fetish for sniffing boiling rice, fumbles his latest job, which puts him into conflict with a mysterious woman whose death wish inspires her to surround herself with dead butterflies and dead birds. Worse danger comes from his own treacherous wife and finally with the number-one-ranked hit-man, known only as a phantom to those who fear his unseen presence. Written by
When Nikkatsu studio executives saw the finished product, they thought it was too terrible to be released, so they shelved it. Director Seijun Suzuki along with others in the film business, film critics, and students protested in unfairness since by contract Nikkatsu was supposed to release the finished film theatrically. It went to court, with a ruling in favor of the director. Nikkatsu had to pay for damages and have the film released. Suzuki's contract with Nikkatsu was terminated, and with the bad reputation, was unable to work on a feature film for the next 10 years. See more »
Branded to Kill is by far Suzuki's best film. It is my personal favorite crime film. Joe Shishido in his role as Hanada Goro, with his dark black sunglasses and Mauser M712 is one of the coolest characters ever created. The movie has everything, violence, shootouts, car chases, sex, and much much more. The film would likely have been shot in color, however Seijun Suzuki was prohibited from shooting in color due his wild use of colors in past films. The film is still a work of art, and looks beautiful in black and white. The best way I can describe this film is maybe a cross between Alfred Hitchcock and Sergio Leone. An excellent crime thriller not to be missed.
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