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Branded to Kill (1967)

Koroshi no rakuin (original title)
Not Rated | | Action, Crime, Drama | 15 June 1967 (Japan)
A hit-man, with a fetish for sniffing boiling rice, fumbles his latest job, putting him into conflict with his treacherous wife, with a mysterious woman eager for death and with the phantom-like hit-man known only as Number One.

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Cast

Cast overview, first billed only:
...
Gorô Hanada
Kôji Nanbara ...
No. 1
Isao Tamagawa ...
Michihiko Yabuhara
Anne Mari ...
Misako Nakajô
Mariko Ogawa ...
Mami Hanada
Hiroshi Minami ...
Gihei Kasuga
Hiroshi Chô
Atsushi Yamatoya
Takashi Nomura
Tokuhei Miyahara
Hiroshi Midorikawa
Akira Hisamatsu ...
(as Kôsuke Hisamatsu)
Iwae Arai
Yû Izumi
Kyôji Mizuki
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Storyline

The number-three-ranked hit-man, with a fetish for sniffing boiling rice, fumbles his latest job, which puts him into conflict with a mysterious woman whose death wish inspires her to surround herself with dead butterflies and dead birds. Worse danger comes from his own treacherous wife and finally with the number-one-ranked hit-man, known only as a phantom to those who fear his unseen presence. Written by J. Spurlin

Plot Summary | Add Synopsis

Genres:

Action | Crime | Drama | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

15 June 1967 (Japan)  »

Also Known As:

Branded to Kill  »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

When Nikkatsu studio executives saw the finished product, they thought it was too terrible to be released, so they shelved it. Director Seijun Suzuki along with others in the film business, film critics, and students protested in unfairness since by contract Nikkatsu was supposed to release the finished film theatrically. It went to court, with a ruling in favor of the director. Nikkatsu had to pay for damages and have the film released. Suzuki's contract with Nikkatsu was terminated, and with the bad reputation, was unable to work on a feature film for the next 10 years. See more »

Connections

Referenced in Oldeuboi (2003) See more »

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User Reviews

 
Dazzling if disorienting crime film packed with goofy quirks - just don't try to make sense of it
2 June 2010 | by (United States) – See all my reviews

The number-three-ranked hit-man (who makes these rankings?), with a fetish for sniffing boiling rice, fumbles his latest job, which puts him into conflict with a mysterious woman whose death wish inspires her to surround herself with dead butterflies and dead birds. Worse danger comes from his own treacherous wife and finally with the number-one-ranked hit-man, known only as a phantom to those who fear his unseen presence. Number One proves to be a nut, willing to go to great lengths to torment his victim, even sleep in the same bed with him. He's also so dedicated to his job that he'll urinate on himself rather than take his eyes off his victim by going to the toilet.

I'm getting used to the idea of a certain type of crime film that is so densely plotted you never quite know what's going on and are forced to give up on it in order to enjoy the picture. American films of this type, such as "The Maltese Falcon," are usually so deftly put together that you don't realize you haven't followed everything until you stop to think about it. Other countries produce films that require a bit more patience. I recently watched the French gangster pic, "Le Doulos" (1962), and learned early to resign myself to semi-confusion.

This film, from the nutty Japanese director, Seijun Suzuki, requires a extra level of resignation. Often I couldn't tell what was happening from shot to shot. Suzuki's disorienting style is sometimes marvelous and sometimes irritating; but I can't say I was ever bored. Many of the effects in this sex-and-violence-packed film are dazzling. I especially liked how the femme fatale, in her early close-ups, is perpetually drenched by a downpour whether she's out in the rain or not.

I enjoyed this film, but any viewer can be forgiven for giving up on it and saying, "I don't get it." There's no deep meaning to get. You either abandon yourself to the goofy entertainment being offered, or you don't.


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