With the help of a smooth talking tomcat, a family of Parisian felines set to inherit a fortune from their owner try to make it back home after a jealous butler kidnaps them and leaves them in the country.
Abandoned after an accident, baby Mowgli is taken and raised by a family of panthers. As the boy grows older, the wise panther Bagheera realizes he must be returned to his own kind in the nearby man-village. Baloo the bear however thinks differently taking the young Mowgli under his wing and teaching that living in the jungle is the best life there is. Bagheera realizes that Mowgli is in danger, particularly from Shere Khan the tiger who hates all people. When Baloo finally comes around, Mowgli runs off into the jungle where he survives a second encounter with Kaa the snake and finally, with Shere Khan. It's the sight of a pretty girl however that gets Mowgli to go the nearby man-village. Written by
The xerographic system, which had been used since 101 Dalmatians (1961), was further refined to combine both Xeroxed cels with hand inked details. For example, while the basic animation on the village girl at the end of the movie was with Xeroxed cels, her mouth was inked by hand. The backgrounds also moved back towards the more traditional look of earlier films. See more »
Colonel Hathi breaks his stick; in the next scene it is intact, then broken again. See more »
Many strange legends are told of these jungles of India, but none so strange as the story of a small boy named Mowgli. It all began when the silence of the jungle was broken by an unfamiliar sound.
[Sound of baby crying]
It was a sound like one never heard before in this part of the jungle. It was a man cub! Had I known how deeply I was to be involved, I would've obeyed my first impulse and walked away.
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There are no end credits for this feature film. However, the credits are at the beginning. See more »
When I was a little boy growing up in St. Louis, I loved the Jungle Book. I used to watch it every day. You hear that? EVERY SINGLE DAY!!! I have seen nearly every Disney film, and not one of them has beaten out Uncle Walt's last supervised animated motion picture. The only one that I believe comes close is Aladdin (And no, I haven't forgotten about The Little Mermaid, Beauty and the Beast or The Lion King). The musical score is probably the best ever. The Bare Necessities, I Wanna Be Like You, Trust In Me, I could go on and on. I wish Disney would make films like they did in 1967 rather than today (I mean Atlantis: The Lost Empire? Please!!!). In conclusion, this is by far the best Disney film ever made, period! 1000000000000000000/10
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