| Photos (See all 13 | slideshow) |
| Toshirô Mifune | ... | Isaburo Sasahara | |
| Yôko Tsukasa | ... | Ichi Sasahara | |
| Gô Katô | ... | Yogoro Sasahara | |
| Tatsuyoshi Ehara | ... | Bunzo Sasahara | |
| Etsuko Ichihara | ... | Kiku | |
| Isao Yamagata | ... | Shobei Tsuchiya | |
| Tatsuya Nakadai | ... | Tatewaki Asano | |
| Shigeru Kôyama | ... | Geki Takahashi | |
| Michiko Otsuka | ... | Suga Sasahara | |
| Tatsuo Matsumura | ... | Lord Masakata Matsudaira | |
| Masao Mishima | ... | Sanzaemon Yanase | |
| Jun Hamamura | ... | Hyoemon Shiomi | |
| Emi Yamada | ... | Shiomi's wife | |
| Takamaru Sasaki | ... | Kenmotsu Sasahara | |
| Hideo Fukuhara | ... | Sahei | |
| Noriko Kawajiri | ... | Nui | |
| Tetsuko Kobayashi | ... | Otama | |
| Hisano Yamaoka | ... | Sannojo Kasai's mother | |
| Tomoko Hito | ... | Yoshino | |
| Yoshirô Aoki | ... | Takazo Komiya |
Directed by | |||
| Masaki Kobayashi | |||
Writing credits(in alphabetical order) | ||
| Shinobu Hashimoto | ||
| Yasuhiko Takiguchi | novel "Hairyozuma Shimatsu" | |
Produced by | |||
| Toshirô Mifune | .... | producer | |
| Tomoyuki Tanaka | .... | producer | |
Original Music by | |||
| Tôru Takemitsu | |||
Cinematography by | |||
| Kazuo Yamada | |||
Film Editing by | |||
| Hisashi Sagara | |||
Production Design by | |||
| Yoshirô Muraki | |||
Production Management | |||
| Yasuyoshi Tajitsu | .... | executive in charge of production | |
Sound Department | |||
| Shigenosuke Okuyama | .... | sound | |
Camera and Electrical Department | |||
| Yasuo Konishi | .... | lighting technician | |
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| Harakiri | Seven Samurai | Rashomon | The Hidden Blade | Samurai Assassin |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Japan section |
If there is one thing to be said about this film, it is excellent in every detail - story, direction, cinematography, music, action, I could go on and on. There are few film makers who can turn a simple tale of feudal injustice into such a moving drama.
As the movie progresses, Toshiro Mifune's character slowly transforms into an epic hero - for his sense of honour and his love for his Son for which he is ready to defy his own honour-bound Samurai's oath, to rebel against the very world he lives in. The heroism and integrity of his sacrifice are presented in exquisite detail with poignant dialogue (even in subtitles). This in itself is an amazing achievement when the compared to the trend nowadays is to try to impress the viewer with visual trickery or mind-numbing fight sequences with excessive violence.
I truly appreciate Masaki Kobayashi for the respect he shows to his viewer's intelligence, for intelligently presenting the true heroism of a human standing up against impossible odds.As an exercise, you may compare this movie with the over-budgeted disaster of a Hollywood movie called "The Last Samurai" to know what I am talking about. With an excellent story and great characters with potential for true heroism, "The Last Samurai" is one of the dumbest movies ever made.
This is also no dumb "You killed my master so I will kill you" Hong Kong movie or a "Lone Wolf" movie with it's absurd and senseless blood-spilling. All of you Action movie fans, this is also not a beat-each-other-to-pulp or chop-you-up-like-a-fish movie.
The fight sequences are excellently executed and are almost the best that I have seen so far (The fight sequences in Harakiri must be THE BEST ever).The character of Tatsuya Nakadai is interesting as well in that it is not really clear what his true intentions are - he seems torn between his selfish desire to better Mifune's character in a duel bound up with his loyalty to his clan against his honour as a friend. Warning: So watch it if you enjoy an excellently told social drama and you will see what makes a masterly piece of art.