5 out of 6 people found the following review useful:
JOHNNY YUMA (Romolo Guerrieri, 1966) **1/2, 9 February 2008
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Author:
MARIO GAUCI (marrod@melita.com) from Naxxar, Malta
This is one of several of American actor Mark Damon's European
ventures; he worked in various genres (such as historical epics and
horror films) but also did a number of Spaghetti Westerns including
Sergio Corbucci's light-hearted RINGO AND HIS GOLDEN PISTOL(1966;
originally bearing the similar title JOHNNY ORO) and the politicized
KILL AND PRAY (1967), where he actually played the villain; even so, I
don't feel he exudes the ruggedness which is part and parcel of this
stylized subgenre!
Despite interesting credentials (incidentally, the widescreen German
print on the budget DVD I rented omits the opening titles completely
so
that the sequence where they ought to be merely shows Johnny Yuma
wandering aimlessly on his horse!) director Guerrieri,
co-scriptwriter Fernando Di Leo this is a minor genre effort,
hindered more than anything else by a not very compelling plot line
(drifter Damon battles sultry aunt Rosalba Neri and her gunman lover
Lawrence Dobkin for an inheritance); unsurprisingly, the latter ends up
befriending the hero and is ultimately himself deceived by the femme
fatale.
The film is undecided whether it wants to be serious or approach the
genre with tongue-in-cheek (hinted at by the presence of a greedy
Mexican bum who aids Damon throughout) though sentimentality over the
murder of a child who has harbored the wounded hero (as often happens
in this type of film, the latter receives a thorough beating only to
re-emerge a stronger person for the finale) suggests something deeper
may have been intended. The Mexican pueblo in which the tale unfolds
supplies the requisite Western atmosphere, but also proves the ideal
setting for the climactic gunfight. The score by Nora Orlando isn't bad
and, yet, the lyrics to the title song seem to have been hastily
scribbled down having little to do with the action proper of the
film!
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