The world in the late 19th century: A scientist and his team are held as "guests" of Robur on his airship, that he want to use to ensure peace on earth. Peace with all, even if he has to ... See full summary »
Dr. Goldfoot has invented an army of bikini-clad robots who are programmed to seek out wealthy men and charm them into signing over their assets. Craig Gamble and Todd Armstrong set out to foil the fiendish plot.
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Dr. Warren Chapin is a pathologist who regularly conducts autopsies on executed prisoners at the State prison. He has a theory that fear is the result of a creature that inhabits all of us.... See full summary »
Bandits target a gold miner and his granddaughter in 19th century South Africa. Robert Gunnar is the bandit with a heart of gold, who is after Price's cache of gold, but falls in love with Diana Ivarson, who has hair of gold (bleach). Written by
Opening narration - During the latter half of the last century, in the rugged hills and ridges of South Africa's Transvaal, gold was discovered. The result was a rushing, roaring tide of wealth seekers from all corners of the globe. First came the prospectors, high of hope, simple of purpose; and in their wake swept the next group: the speculators, the adventurers. Then, as inevitable as nature itself, there came the final ones: the scavengers, the jackals. See more »
Willie intermittently wears eye makeup. See more »
My main reason for seeing The Jackals was Vincent Price. And while he has given better performances before, he still gives amusement and sometimes creepiness to the role of the grizzled grandfather figure. Other redeeming qualities are the final gunfight, the most exciting and original of the fight scenes in the film, Diana Ivarson's beauty and the striking photography and scenery. There are however major debits with The Jackals, which I think outweigh the good things. The rest of the cast(particularly from tall and ruggedly handsome Robert Gunnar), and actually Ivarson is the same, are very stiff and do nothing with their cardboard characters, who are to me little more than Western cliché bookends. The violence is more at home in a network television programme from the mid-1960s, while the story is overall dull and bland as well as playing it far too safe. The dialogue, of which is very faithful to Yellow Sky, word-for-word often actually, because of the blandness of the pacing and story seemed very wordy and stilted here. While the score is really out-of-place, it is difficult to take seriously a jazzy xylophone-like score that adds nothing to the mood in a Western. Overall, has some bright spots like Price and the scenery but because of the story, the rest of the acting and the music especially The Jackals did little for me. 4/10 Bethany Cox
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