A man in a gleaming white suit comes to a small Southern town on the eve of integration. He calls himself a social reformer. But what he does is stir up trouble--trouble he soon finds he can't control.
Bill, Martha and their little child Hal are spending a quiet winter Sunday in their cosy house when they get an unexpected visit from Mike Nickerson and Tony Rodriguez. Mike and Tony are ... See full summary »
Late 19th century. The young miss Julie lives in a mansion with her father. She has recently broken her engagement but is attracted to one of the servants, Jean. They spend the midsummer ... See full summary »
Eddie is a very rich man who has everything he wants; money, family, success, but a car crash causes him to reevaluate the life he leads. Searching for the happiness he lost, he remembers ... See full summary »
An art director in the 1930s falls in love and attempts to make a young woman an actress despite Hollywood who wants nothing to do with her because of her problems with an estranged man and her alcoholic father.
During the Civil War, a conscientious objector is forced to flee to the woods of West Virginia to avoid being sent into combat where he would be forced to kill, which he is adamantly ... See full summary »
Stark melodrama about two thrill seeking tough guys who terrorize late-night passengers on a New York City train. The random victims are more concerned with their own problems than helping each other and pray that they won't be next. But it's going to take a lot more than prayer to end this nightmare of fear and violence. Film debut of both Martin Sheen and Tony Musante as the hoodlums. Written by
The New York Transit Authority denied permission to film even background shots on its property, but the filmmakers shot them anyway. Cinematographer Gerald Hirschfeld and an assistant rode the subway with a hidden camera, and when its sound was noticed, they stopped and came back later to finish the job. Hirschfeld said in an interview that he filmed in black and white in order to get "the most realistic style of photography possible"; test shots were taken in muted color but they were deemed to distract from the desired "somber" effect. See more »
It's the subway ride we all dread, closed in for many minutes with street hoods. In the early a.m hours, petty criminals (Martin Sheen, Tony Musante) board a crowded subway train after mugging a helpless old man. Inbetween subway stops, the hoods terrorize the passengers in the subway car. They hit upon the women, taunt the male passengers into fights. Finally, a young man in uniform (Beau Bridges) becomes the first to defend themselves, and gets into a harrowing fight with Musante. One of the first attempts at a low budget independent film. Director Larry Pearce gets excellent performances out of the all-star cast. Some of the dialog is a rather forced, cliched, and the time period between subway stops go on way too long. But there are fine moments (Musante verbally tearing apart passenger Brock Peters, Sheen scaring the daylights out of boarding passengers when the subway DOES stop) The film makes one think of the more exciting, and more thought out "Taking Of Pelham One Two Three (1974)"
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