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A man in a gleaming white suit comes to a small Southern town on the eve of integration. He calls himself a social reformer. But what he does is stir up trouble--trouble he soon finds he can't control.
Bill, Martha and their little child Hal are spending a quiet winter Sunday in their cosy house when they get an unexpected visit from Mike Nickerson and Tony Rodriguez. Mike and Tony are ... See full summary »
An art director in the 1930s falls in love and attempts to make a young woman an actress despite Hollywood who wants nothing to do with her because of her problems with an estranged man and her alcoholic father.
Eddie is a very rich man who has everything he wants; money, family, success, but a car crash causes him to reevaluate the life he leads. Searching for the happiness he lost, he remembers ... See full summary »
Late 19th century. The young miss Julie lives in a mansion with her father. She has recently broken her engagement but is attracted to one of the servants, Jean. They spend the midsummer ... See full summary »
Lucienne Delamare and Pierre Maury are having an affair. Lucienne's husband Paul is the mayor, and a French deputy. Pierre's wife Clotilde has been weak and sickly for years. Lucienne's ... See full summary »
A man named Salem escapes from an insane asylum where he was confined for an axe-murder. Falsely convicted under a plea of "guilty due to insanity", he does not plan to let his sister and ... See full summary »
Stark melodrama about two thrill seeking tough guys who terrorize late-night passengers on a New York City train. The random victims are more concerned with their own problems than helping each other and pray that they won't be next. But it's going to take a lot more than prayer to end this nightmare of fear and violence. Film debut of both Martin Sheen and Tony Musante as the hoodlums. Written by
I caught this movie on AMC at 3 o'clock this morning (or so), and was blown away! What a tense, gritty drama - and what a cast! I was trying to figure out who was who, as they were all so young (Ed McMahon? Donna Mills? Ruby Dee without Ossie Davis? Wow!) Martin Sheen's baby face made his psycho character all the more frightening. To me, the movie is a great time capsule of the sixties, and of New York. I do have a complaint to register regarding the AMC channel - instead of squeezing the end credits to make room for commercials for the next movie, how about staying true to your movie fans who have a compulsive need to read the credits, and show them full-screen to the end? Who's with me on this one? Thank goodness for IMDb to get us through!
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