| Photos (See all 35 | slideshow) |
| Sidney Poitier | ... | Virgil Tibbs | |
| Rod Steiger | ... | Gillespie | |
| Warren Oates | ... | Sam Wood | |
| Lee Grant | ... | Mrs. Colbert | |
| Larry Gates | ... | Endicott | |
| James Patterson | ... | Mr. Purdy | |
| William Schallert | ... | Mayor Schubert | |
| Beah Richards | ... | Mama Caleba | |
| Peter Whitney | ... | Courtney | |
| Kermit Murdock | ... | Henderson | |
| Larry D. Mann | ... | Watkins | |
| Matt Clark | ... | Packy | |
| Arthur Malet | ... | Ulam | |
| Fred Stewart | ... | Dr. Stuart | |
| Quentin Dean | ... | Delores | |
| Scott Wilson | ... | Harvey Oberst | |
| Timothy Scott | ... | Shagbag | |
| William Watson | ... | McNeil (as William C. Watson) | |
| Eldon Quick | ... | Charles Hawthorne | |
| Stuart Nisbet | ... | Shuie | |
| Khalil Bezaleel | ... | Jess | |
| Peter Masterson | ... | Fryer | |
| Jester Hairston | ... | Butler | |
| Phil Adams | ... | 1st Tough | |
| Nikita Knatz | ... | 2nd Tough | |
| Sammy Reese | ... | Clerk (as Sam Reese) | |
| Anthony James | ... | Ralph | |
| rest of cast listed alphabetically: | |||
| Buzz Barton | ... | Conductor (uncredited) | |
| Philip Garris | ... | Engineer (uncredited) | |
| Clegg Hoyt | ... | Deputy (uncredited) | |
| Warren Kenner | ... | Undetermined Role (uncredited) | |
| Michael LeGlaire | ... | City Councilman (uncredited) | |
| Alan Oppenheimer | ... | Ted Appleton (uncredited) | |
| David Stinehart | ... | Baggage Master (uncredited) | |
| Jack Teter | ... | Philip Colbert - Murder Victim (uncredited) | |
Directed by | |||
| Norman Jewison | |||
Writing credits | ||
| Stirling Silliphant | (screenplay) | |
| John Ball | (based on a novel by) | |
Produced by | |||
| Walter Mirisch | .... | producer | |
Original Music by | |||
| Quincy Jones | (music by) | ||
Cinematography by | |||
| Haskell Wexler | (director of photography) | ||
Film Editing by | |||
| Hal Ashby | |||
Casting by | |||
| Lynn Stalmaster | |||
Art Direction by | |||
| Paul Groesse | |||
Set Decoration by | |||
| Robert Priestley | |||
Costume Design by | |||
| Alan Levine | (uncredited) | ||
Makeup Department | |||
| Del Armstrong | .... | make-up | |
Production Management | |||
| Jim Henderling | .... | production manager (as James E. Henderling) | |
| Howard Joslin | .... | unit production manager (as J. Howard Joslin) | |
| Allen K. Wood | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Newt Arnold | .... | second assistant director (as Newton Arnold) | |
| Terry Morse Jr. | .... | first assistant director | |
Art Department | |||
| Stephen R. Ferry | .... | property | |
| Joseph Musso | .... | production illustrator (uncredited) | |
Sound Department | |||
| Walter Goss | .... | sound | |
| Clem Portman | .... | re-recordist | |
| James Richard | .... | sound editor | |
| Kevin F. Cleary | .... | sound (uncredited) | |
| Charles Cooper | .... | sound (uncredited) | |
Stunts | |||
| John Moio | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Ralph Gerling | .... | camera operator (uncredited) | |
| Ross A. Maehl | .... | gaffer (uncredited) | |
| Morris Rosen | .... | key grip (uncredited) | |
| Don Stott | .... | gaffer (uncredited) | |
Costume and Wardrobe Department | |||
| Alan Levine | .... | costumer: men | |
Editorial Department | |||
| Byron 'Buzz' Brandt | .... | assistant film editor (as Byron Brandt) | |
Music Department | |||
| Alan Bergman | .... | lyricist: songs | |
| Marilyn Bergman | .... | lyricist: songs | |
| Richard Carruth | .... | music editor | |
Other crew | |||
| Hal Ashby | .... | assistant to producer | |
| Murray Naidich | .... | titles | |
| Meta Rebner | .... | script supervisor | |
| Wayne Fitzgerald | .... | title designer (uncredited) | |
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| Intruder in the Dust | The Liberation of L.B. Jones | The Departed | Crossfire | So Sweet, So Dead |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
One of the best films of all time, a Best Picture Oscar winner, and a highly deserved one at that. After reading a plot summary, it would be easy for someone to classify Norman Jewison's IN THE HEAT OF THE NIGHT as a simple buddy-cop movie, but it is so much more - this is film-making at it's finest. An absolutely merciless mystery, NIGHT contains some incredibly intense scenes that might make some viewers uncomfortable (the garage confrontation comes immediately to mind).
The film is expertly put together, with the feel of heady film noir. The performances are first rate: both Poitier and Rod Steiger were nominated for Best Actor, with the Oscar actually going home to Steiger (the film won four other Oscars as well). The Poitier-Steiger pairing is one of the most potent in film history, and their slowly growing friendship is one of the most touching. is a glowing example of what happens when an excellent cast, director, and screenplay combine to make an exceptional film.