IMDb > In the Heat of the Night (1967)
In the Heat of the Night
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In the Heat of the Night (1967) More at IMDbPro »

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Overview

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8.0/10   42,107 votes »
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Director:
Writers:
Stirling Silliphant (screenplay)
John Ball (based on a novel by)
Contact:
View company contact information for In the Heat of the Night on IMDbPro.
Release Date:
14 October 1967 (Japan) See more »
Genre:
Tagline:
They call me Mister Tibbs See more »
Plot:
An African American police detective is asked to investigate a murder in a racially hostile southern town. Full summary » | Full synopsis »
Plot Keywords:
Awards:
Won 5 Oscars. Another 17 wins & 12 nominations See more »
User Reviews:
Once timely, now timeless See more (156 total) »

Cast

  (in credits order) (verified as complete)

Sidney Poitier ... Virgil Tibbs

Rod Steiger ... Gillespie

Warren Oates ... Sam Wood

Lee Grant ... Mrs. Colbert
Larry Gates ... Endicott
James Patterson ... Mr. Purdy

William Schallert ... Mayor Schubert

Beah Richards ... Mama Caleba
Peter Whitney ... Courtney
Kermit Murdock ... Henderson
Larry D. Mann ... Watkins

Matt Clark ... Packy

Arthur Malet ... Ulam
Fred Stewart ... Dr. Stuart
Quentin Dean ... Delores

Scott Wilson ... Harvey Oberst
Timothy Scott ... Shagbag
William Watson ... McNeil (as William C. Watson)
Eldon Quick ... Charles Hawthorne

Stuart Nisbet ... Shuie
Khalil Bezaleel ... Jess

Peter Masterson ... Fryer
Jester Hairston ... Butler
Phil Adams ... 1st Tough
Nikita Knatz ... 2nd Tough
Sam Reese ... Clerk
Anthony James ... Ralph
rest of cast listed alphabetically:
Buzz Barton ... Conductor (uncredited)
Philip Garris ... Engineer (uncredited)
Clegg Hoyt ... Deputy (uncredited)
Warren Kenner ... Undetermined Role (uncredited)
Michael LeGlaire ... City Councilman (uncredited)

Alan Oppenheimer ... Ted Appleton (uncredited)
David Stinehart ... Baggage Master (uncredited)
Jack Teter ... Philip Colbert - Murder Victim (uncredited)

Directed by
Norman Jewison 
 
Writing credits
Stirling Silliphant (screenplay)

John Ball (based on a novel by)

Produced by
Walter Mirisch .... producer
 
Original Music by
Quincy Jones (music by)
 
Cinematography by
Haskell Wexler (director of photography)
 
Film Editing by
Hal Ashby (film editor)
 
Casting by
Lynn Stalmaster 
 
Art Direction by
Paul Groesse 
 
Set Decoration by
Robert Priestley 
 
Costume Design by
Alan Levine (uncredited)
 
Makeup Department
Del Armstrong .... makeup
 
Production Management
Jim Henderling .... production manager (as James E. Henderling)
Howard Joslin .... unit production manager (as J. Howard Joslin)
Allen K. Wood .... production supervisor
 
Second Unit Director or Assistant Director
Newt Arnold .... second assistant director (as Newton Arnold)
Terry Morse Jr. .... first assistant director
 
Art Department
Stephen R. Ferry .... property
Joseph Musso .... production illustrator (uncredited)
 
Sound Department
Walter Goss .... sound
Clem Portman .... rerecordist
James Richard .... sound editor
Kevin F. Cleary .... sound (uncredited)
Charles Cooper .... sound (uncredited)
 
Stunts
John Moio .... stunts (uncredited)
 
Camera and Electrical Department
Ralph Gerling .... camera operator (uncredited)
Ross A. Maehl .... gaffer (uncredited)
Morris Rosen .... key grip (uncredited)
Don Stott .... gaffer (uncredited)
 
Costume and Wardrobe Department
Alan Levine .... costumer: men
 
Editorial Department
Byron 'Buzz' Brandt .... assistant film editor (as Byron Brandt)
 
Music Department
Alan Bergman .... song lyrics
Marilyn Bergman .... song lyrics
Richard Carruth .... music editor
 
Other crew
Hal Ashby .... assistant to the producer
Murray Naidich .... titles
Meta Rebner .... script supervisor
Wayne Fitzgerald .... title designer (uncredited)
 
Crew verified as complete


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Additional Details

Also Known As:
Runtime:
109 min
Country:
Language:
Color:
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:
Mono (Westrex Sound)
Certification:
Argentina:13 | Australia:M | Brazil:12 | Canada:PG (Manitoba/Ontario) | Canada:A (Nova Scotia) | Canada:G (Quebec) | Finland:K-16 | France:U | Iceland:16 | Netherlands:14 (orginal rating) | Norway:16 (1968) | Singapore:PG | South Africa:(Banned) | South Africa:A (re-rating) | Spain:18 | Sweden:15 | UK:12 | USA:Approved (Suggested for Mature Audiences) | USA:TV-14 (TV rating) | West Germany:12
Filming Locations:

Did You Know?

Trivia:
When Norman Jewison and his editor Hal Ashby attended a sneak preview for the film, they found that the young audience was laughing uproariously at the dialogue. Although Jewison was upset that his dramatic film was not being taken seriously, Ashby assured him that the audience was laughing in approval of the southern sheriff being put in his place by the confident and urbane Det. Virgil Tibbs. Jewison did not agree until the film got to the famous slapping scene; when the white audience was stunned at seeing an African American man physically fight back against a white man for the first time in a modern mainstream American film, Jewison was convinced the film was effective as drama.See more »
Goofs:
Continuity: Calendars in diner and sheriff's office differ by many months.See more »
Quotes:
[first lines]
Ofcr. Sam Wood:Where you keeping the pie tonight?
Ralph Henshaw, diner counterman:I ate the last piece just before you came in.
See more »
Movie Connections:
Soundtrack:
Bowlegged PollySee more »

FAQ

Is 'In the Heat of the Night' based on a book?
How was the final scene shot?
Where was "In the Heat of the Night" filmed?
See more »
86 out of 97 people found the following review useful.
Once timely, now timeless, 23 September 2005

One of the great films of the 60s, "In the Heat of the Night" hasn't aged a bit in the four decades since its release and now deserves to be ranked with the great films of all time. Beautifully atmospheric, Haskell Wexler's brilliant cinematography and Norman Jewison's first rate direction make you feel the humidity of the small Mississippi town in which a black detective teams with the redneck sheriff to solve the murder of an important industrialist.

As sheriff Bill Gillespie, Rod Steiger is superb in his Oscar winning role, and this film provides Sidney Poitier with some of his greatest screen moments, including his famous admonition to Steiger that became the title of the less impressive 1970 spin off: "They call me MISTER Tibbs!"

This is one of the few politically correct films to make its point without resorting to heavy-handed, sanctimonious preaching. Stirling Silliphant's Oscar winning screenplay never hits a false note, and the change that occurs in the relationship between the leading characters is subtle, and, therefore, believable. The two stars are ably supported by an outstanding cast of both veterans (Lee Grant, Warren Oates, Beah Richards) and newcomers (Scott Wilson, Quentin Dean, and the delightfully creepy Anthony James). The score by Quincy Jones, featuring Ray Charles' rendition of the title song, captures the proper mood throughout.

In a year when the odds-makers were predicting an Oscar victory for "Bonnie and Clyde" or "The Graduate," "In the Heat of the Night" surprised the prognosticators by taking the Best Picture prize and four other Oscars. Considering its theme of racial tolerance, it seemed an appropriate choice at an Oscar ceremony that was postponed following the assassination of Martin Luther King, Jr. The film's theme made it timely, but its artistry makes it timeless.

The Academy made the right choice.

Brian W. Fairbanks

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Message Boards

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Lee Grant's hair vikkisings
Endicott's servant fnj2002
Where did Portier go after this film? kag2-1
homosexual overtones?? terref
Sam Wood working for Gillespie. curlew-2
favourite scene Stampsfightclub
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