When the overworked and stressed-out White House presidential shrink runs away, the CEA and the FBR scramble to retrieve him before he could be abducted by various competing foreign intelligence services.
Theodore J. Flicker
A government space saucer is hijacked mid-flight by a powerful laser beam under the control of Jose Ortega, who then proceeds to rape the female pilot, Sheila Sommars. ICE sends agent Matt ... See full summary »
In this, the first Matt Helm movie, we see Matt Helm coaxed out of semi-retirement by an attractive ex-partner. It seems that the evil Big O organization has a nefarious plan called "... See full summary »
The count has stolen enough gold to cause a financial crisis in the world markets so I.C.E. sends in ace spy Matt Helm to stop him. As Matt works alone, the British send in Freya to aid ... See full summary »
In Southern Spain with a U.S. team, skydiver Fathom Harvill is approached by a Scottish colonel working for a top-secret Western agency. He's after a vital lost atomic device, and wants her... See full summary »
Leslie H. Martinson
After a professional gambler kills a Confederate soldier, he finds a map pinpointing the location in the desert where stolen army gold bullion is buried and he plans to retrieve it but others are searching for it too.
William A. Graham
Duffy is a cunning aristocrat of criminals who is hired by Stefane, a young playboy, to hijack a boat carrying several million dollars of his father's fortune. The plot succeeds, with a ... See full summary »
Tony Rome, a tough Miami PI living on a houseboat, is hired by a local millionaire to find jewelry stolen from his daughter, and in the process has several encounters with local hoods as well as the Miami Beach PD.
Jill St. John,
Oil company executive Wendell Runsler gets abducted by a liberation army group from the Middle East. Shrewd, handsome, and dashing private eye Derek Flint is hired to find Runsler. Flint ... See full summary »
Flint is again called out of retirement when his old boss finds that he seems to have missed three minutes while golfing with the president. Flint finds that the president has been replaced by an actor (Flint's line [with a wistful look] is "An Actor as President?") Flint finds that a group of women have banded together to take over the world through subliminal brainwashing in beauty salons they own. Written by
John Vogel <email@example.com>
According to the audio commentary on the DVD, Fox wanted to do another Flint movie but James Coburn turned them down. See more »
In the final scenes with General Carter and Derek Flint in the space capsule, their helmet visors are down and locked until they reach orbit, then they both rotate their clear visors upward to where they can breathe cabin air. Then during the fight, both mens' visors mysteriously work their way back down and latched, just before Flint opens the air lock and leaves the capsule. See more »
[Flint prepares to board the plane to go to the desert]
Empty all the ashtrays?
Nah, I got you a new plane.
Ah, beautiful! Let's go.
See more »
MASTER PLAN: take over an orbiting space platform, have the nukes ready and use mind control - again. In this sequel to "Our Man Flint," a further parody of the James Bond films, the threat is again a weird organization which plans to rule the world. In the previous Flinter, 3 scientists led the new way; here, it's 3 captains of industry who happen to be female. They also have an island base, somewhere in the Caribbean (the Virgin Islands?) - females, females everywhere! Flint is again played by Coburn as a super-smooth genius who seems to play the secret agent as a side job, called away from his Hugh Hefner-style existence into spy activity when something really unusual rears its nasty head. In this case, he doesn't show up until 15 minutes in, to save the bacon of his former boss (Cobb), who has been discredited and embarrassed in a scheme perpetrated by traitors within the U.S. government. All of this sounds kind of serious and some of it is, especially in the final act, where-in straightforward action goes against the grain of the overall satirical tone. A lot of it is still silly, of course, especially the scenes of Coburn imitating dolphin sounds (I can't believe Coburn was talked into these). The pace is a bit slower than the first film, mostly with all the stuff revolving around Cobb's character getting bamboozled in the early going. It takes awhile for the action to get going. The main femme fatale (Hale) lacks some spark, sort of playing the role as if this was a dull daytime soap opera. The actress Craig, known for her Batgirl role, pops up briefly as another femme fatale, Russian in her case. No sign of Adam West, who would've fit in well here.
The premise proposed by the villains, as in the first film, is that the world needs to be run better; in this case, they feel the planet needs a more feminine touch - a new matriarchy. Though there's the expected glitz and camp of sixties psychedelia, the femme fatales (and there are many of them) are not a total joke; they're pretty well organized and make some valid points, though even Flint appears to sneer at their goals. This is ironic since he, at one point, says he doesn't compete with women, the inferred downside of most men. This foreshadows the reveal of the actual threat, a rogue military - male, of course. The main traitor turns out to be a general (played by actor Ihnat, who would soon be seen as the crazed Garth in the Star Trek episode "Whom Gods Destroy" with actress Craig). None of this is a surprise - the general looked suspicious in his first scene. The President of the U.S., who kept calling on a red phone in the previous pic, is now revealed (Duggan), but is quickly replaced by a double early in the story. Some of this also recalls the "Seven Days in May" thriller done up as comedy. The film is a bit too long, having a padded feel at some points: Flint has an exciting running fight with the soldiers towards the end, but he's captured anyway, so the whole thing was just an excuse to show off his martial arts. The ending is awkward, unlike the explosive conclusion in the first one: the filmmakers had to figure out a way to get Flint into outer space and it's done clumsily. The outer space theme, reflecting the space race between the U.S. and the Soviets of that time, was also prevalent in that same year's Bonder "You Only Live Twice." Flint would return in another incarnation in a TV Movie in the seventies. Hero:7 Villains:6 Femme Fatales:6 Henchmen:5 Fights:7 Stunts/Chases:7 Gadgets:6 Auto:4 Locations:6 Pace:6 overall:6
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