| Photos (See all 17 | slideshow) |
| Robert Blake | ... | Perry | |
| Scott Wilson | ... | Dick | |
| John Forsythe | ... | Alvin Dewey | |
| Paul Stewart | ... | Jensen | |
| Gerald S. O'Loughlin | ... | Harold Nye | |
| Jeff Corey | ... | Mr. Hickock | |
| John Gallaudet | ... | Roy Church | |
| James Flavin | ... | Clarence Duntz | |
| Charles McGraw | ... | Tex Smith | |
| Will Geer | ... | Prosecutor | |
| John McLiam | ... | Herbert Clutter | |
| Ruth Storey | ... | Bonnie Clutter | |
| Brenda Currin | ... | Nancy Clutter (as Brenda C. Currin) | |
| Paul Hough | ... | Kenyon Clutter | |
| Vaughn Taylor | ... | Good Samaritan | |
| Duke Hobbie | ... | Young Reporter | |
| Sheldon Allman | ... | Rev. Jim Post | |
| Sammy Thurman | ... | Flo Smith | |
| Raymond Hatton | ... | Elderly Hitchhiker | |
| Sadie Truitt | ... | Herself | |
| Myrtle Clare | ... | Herself | |
| Ted Eccles | ... | Young Hitchhiker (as Teddy Eccles) | |
| Al Christy | ... | Sheriff | |
| Don Sollars | ... | Luke Sharpe | |
| Harriet Levitt | ... | Mrs. Hartman | |
| Rhonda Fultz | ... | Nancy's Friend (as Ronda Fultz) | |
| Mary Linda Rapelye | ... | Susan Kidwell (as Mary-Linda Rapelye) | |
| rest of cast listed alphabetically: | |||
| John Collins | ... | Judge Roland Tate (uncredited) | |
| Pamela Crosley | ... | Secretary (uncredited) | |
| Nick Dimitri | ... | Las Vegas Cop (uncredited) | |
| John C. Flinn III | ... | Policeman (uncredited) | |
| Paul Frees | ... | Radio Announcer / Officer Asking for Rap Sheet (voice) (uncredited) | |
| Roosevelt Grier | ... | Driver (uncredited) | |
| Bobby Johnson | ... | Prison Guard (uncredited) | |
| Richard Kelton | ... | Nancy's Boyfriend (uncredited) | |
| James Lantz | ... | Officer Rohleder (uncredited) | |
| Stan Levitt | ... | Insurance Man (uncredited) | |
| Gerry Okuneff | ... | Policeman (uncredited) | |
| Bowman Upchurch | ... | Andy (uncredited) | |
| Guy Way | ... | Prison Guard (uncredited) | |
| Darlene Williams | ... | Little Girl on Bus (uncredited) | |
| Odd Williams | ... | Defense Attorney (uncredited) | |
Directed by | |||
| Richard Brooks | |||
Writing credits | ||
| Truman Capote | (based on the book by) | |
| Richard Brooks | (written for the screen by) | |
Produced by | |||
| Richard Brooks | .... | producer (uncredited) | |
Original Music by | |||
| Quincy Jones | |||
Cinematography by | |||
| Conrad L. Hall | (director of photography) (as Conrad Hall) | ||
Film Editing by | |||
| Peter Zinner | |||
Art Direction by | |||
| Robert F. Boyle | (as Robert Boyle) | ||
Set Decoration by | |||
| Jack H. Ahern | (as Jack Ahern) | ||
Makeup Department | |||
| Gary Morris | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Tom Shaw | .... | assistant director | |
| John Anderson Jr. | .... | assistant director (uncredited) | |
| Carl Beringer | .... | assistant director (uncredited) | |
Art Department | |||
| Robert Eaton | .... | property master (as Bob Eaton) | |
| Joe LaBella | .... | property master | |
Sound Department | |||
| John H. Newman | .... | sound effects | |
| Arthur Piantadosi | .... | sound (as A. Piantadosi) | |
| William Randall | .... | sound (as Wm. Randall Jr.) | |
| Dick Tyler Sr. | .... | sound (as Dick Tyler) | |
| Jack Haynes | .... | sound (uncredited) | |
| Joe Henrie | .... | sound effects (uncredited) | |
| Charles J. Rice | .... | sound effects (uncredited) | |
Special Effects by | |||
| Chuck Gaspar | .... | special effects | |
Stunts | |||
| Jerry Brutsche | .... | stunt double (uncredited) | |
| Lee Faulkner | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Harry Sundby | .... | chief electrician | |
| Bernie Abramson | .... | still photographer (uncredited) | |
| Eugene Barragy | .... | grip (uncredited) | |
| Arthur Brooker | .... | key grip (uncredited) | |
| Jordan Cronenweth | .... | camera operator (uncredited) | |
| Michael A. Jones | .... | best boy (uncredited) | |
| Emile Sauer | .... | assistant camera (uncredited) | |
| Robert C. Thomas | .... | first assistant camera (uncredited) | |
Costume and Wardrobe Department | |||
| Jack Martell | .... | wardrobe | |
Editorial Department | |||
| Earle Herdan | .... | assistant editor (as Earl Herdan) | |
Music Department | |||
| Jack Hayes | .... | orchestrator | |
| Leo Shuken | .... | orchestrator | |
Other crew | |||
| John Franco | .... | script supervisor | |
| Al Horwits | .... | public relations | |
| Alvin Dewey | .... | technical advisor (uncredited) | |
| James Post | .... | technical advisor (uncredited) | |
| Dominic Santarone | .... | caterer (uncredited) | |
| Ruth Santarone | .... | caterer (uncredited) | |
Thanks | |||
| Joseph Satten | .... | acknowledgement: for technical assistance (as Dr. Joseph Satten) | |
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| Capote | Infamous | The Best of Youth | Freeway | The Night of the Hunter |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
Imagine turning out the lights in your remote farmhouse on a cold night, and then going to bed. There's no need to lock the doors. The only sound is the wind whistling through the trees. Sometime after midnight a car with lights off inches up the driveway. Moments later an intruder beams a flashlight into your darkened living room.
What makes this image so scary is the setting: a remote farmhouse ... at night. Based on Truman Capote's best-selling book, and with B&W lighting comparable to the best 1940's noir films, "In Cold Blood" presents a terrifying story, especially in that first Act, as the plot takes place largely at night and on rain drenched country roads. It's the stuff of nightmares. But this is no dream. The events really happened, in 1959.
Two con men with heads full of delusions kill an entire Kansas family, looking for a stash of cash that doesn't exist. Director Richard Brooks used the actual locations where the real-life events occurred, even the farmhouse ... and its interior! It makes for a memorable, and haunting, film.
Both of the lead actors closely resemble the two real-life killers. Robert Blake is more than convincing as Perry Smith, short and stocky with a bum leg, who dreams of finding Cortez' buried treasure. Scott Wilson is almost as good as Dick Hickock, the smooth-talking con artist with an all-American smile.
After their killing spree, the duo head to Mexico. Things go awry there, so they come back to the U.S., stealing cars, hitchhiking, and generally being miserable as they roam from place to place. But it's a fool's life, and the two outlaws soon regret their actions. The film's final twenty minutes are mesmerizing, as the rain falls, the rope tightens, and all we hear is the pounding of a beating heart.
Even with its somewhat mundane middle Act, "In Cold Blood" stages in riveting detail a real-life story that still hypnotizes, nearly half a century later. It's that setting that does it. Do you suppose people in rural Kansas still leave their doors unlocked ... at night?