April 1945: Gregor Hecker, 19 years of age, reaches the outskirts of Berlin as part of the Red Army's scouting team. Having fled Germany with his family when he was eight, he is confronted ... See full summary »
Sunny is the singer of band trying to establish itself in the music-scene of East-Berlin. They play regular gigs in small towns, but Sunny feels out of touch with the audience and her life ... See full summary »
The last film of Andrzej Munk, who died in a crash during the filming. A German woman on a ship coming back to Europe notices a face of another woman which brings recollections from the ... See full summary »
The mechanic Behnke wants to join the Nazi party to secure a good living. However, after his Jewish neighbors have been taken away, he changes his views. Trying to remain "a non-political ... See full summary »
Karl Heinz Deickert
In Hungary, the national movement led by Kossuth has been crushed and the Austrian hegemony re-established, but partisans carry on with violent actions. In order to root out the guerilla, ... See full summary »
German film in which a sensitive girl is sent to an all-girls boarding school and develops a romantic attachment to one of her teachers. One of the earliest narrative films to explicitly ... See full summary »
In this film, Wolf and scriptwriter Wolfgang Kohlhaase explore the role of art and the artist in socialist society. A sculptor questions the reception and value of his work, in a delicately... See full summary »
April 1945: Gregor Hecker, 19 years of age, reaches the outskirts of Berlin as part of the Red Army's scouting team. Having fled Germany with his family when he was eight, he is confronted with the dilemma of having to fight men from the very country he was born in. Through dealing with challenging situations (e.g. he is appointed commander of Bernau, talks to many disillusioned Germans, and is once and again attacked by scattered groups of German soldiers), he grows more confident that not all hope is lost for post-war Germany. Based on the diary entries of director Konrad Wolf, the episodic movie authentically portrays the protagonist's struggle to come to terms with his own past and identity. Written by
The film reaches a grim climax by featuring a short clip from the DEFA-documentary "Todeslager Sachsenhausen" ("Deathcamp Sachsenhausen") (1946), detailing the technical proceedings in a death-chamber. See more »
The main problem with Ich war 19 is that glosses over several essential realities. It seems like a Soviet propaganda movie trying to white wash the past. The invasion of Germany by Soviet troops in 1944/5 was nothing short of barbaric. 18 million people were driven from their ancestral lands - over 2 million civilians were brutally murdered. More than a million POW's were liquidated and another 2 million Ukrainians, Poles and White Russians of German descent were also exterminated by the Soviets.
The landscape was almost completely destroyed by allied bombing and soviet artillery. 80% of the buildings were destroyed. Women (and boys) were frequently raped on the spot. The boys were lucky - they were invariably bayoneted after-wards - but the women were passed to next comrade. Of course we can argue that this was justified because of the Holocaust and the German barbarism in Russia and Poland. But women and children?
The film does not even suggest this was happening. It represents the war as a sort of part time activity in which a few unlucky people got killed. The buildings are all intact. The people all look well fed. The faces look completely undramatized. It doesn't bring home the reality of truth.
1945 was truly horrific for everyone between Berlin and Konigsberg (Kaliningrad)It is an indelible scar on the memory of everyone old enough to remember it. This film does not convey that horror.
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