Following the Second World War, a northern cannery combine negotiates for the purchase of a large tract of uncultivated Georgia farmland. The major portion of the land is owned by Julie Ann...
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Following the Second World War, a northern cannery combine negotiates for the purchase of a large tract of uncultivated Georgia farmland. The major portion of the land is owned by Julie Ann Warren and has already been optioned by her unscrupulous, draft dodging husband, Henry. Now the combine must also obtain two smaller plots - one owned by Henry's cousin Rad McDowell, a combat veteran with a wife and family; the other by Reeve Scott, a young black man whose mother had been Julie's childhood Mammy. But neither Rad nor Reeve is interested in selling and they form an unprecedented black and white partnership to improve their land. Although infuriated by the turn of events, Henry remains determined to push through the big land deal. And when Reeve's mother Rose dies, Henry tries to persuade his wife to charge Reeve with illegal ownership of his property, confident the the bigoted Judge Purcell will rule against a Negro. Written by
When Henry calls Higgins at the general store to stop the dynamiting of Rad and Reeve's land, the lighting in the store changes. When Higgins answers the phone, the store is dimly lit. When the camera cuts to Henry and then back to Higgins, the lighting is almost bright daylight. After the camera cuts to Henry and then a final time to Higgins, the lighting has dimmed again. See more »
Julie Ann Warren:
It wasn't until I was ten years old that I realized that "damn" and "Yankee" were two separate words!
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If Otto Preminger's "Hurry Sundown" is guilty of anything, it's biting off more than it can chew. With a 146 minute running time, a clutter of stars and characters, and what seems like a jumble of conflicting themes, "Hurry Sundown" has been seen by many critics as opportunistic rabble-rousing, overtly melodramatic and clunky. But if you look past Preminger's drive to get attention and Michael Caine's questionable southern accent, you may find a wholly entertaining film or failing that, a period piece that encapsulates the feelings of its maker/s at a time when such issues as racism ran rampant.
When a cannery looks to buy large plots of uncultivated farmland, local big cheese Henry Warren (Michael Caine) enthusiastically becomes partners to the plan selling his wife Julie's (Jane Fonda) family's land at a profit. However, to make the deal he must convince his cousin Rad (John Phillip Law) and his wife's old mammy Rose (Beah Richards) to sell their plots as well. When Rose dies of a heart attack, her son Reeve (Robert Hooks) becomes landowner but is then sued for ownership by Henry. Reeve and Rad must then work together to fight battles both real and legal to keep their homes from being destroyed.
The lack of tact in this film is stupefyingly brilliant. With the bluntness of TNT, "Hurry Sundown" creates not characters but caricatures. George Kennedy makes an appearance as a bumbling Sheriff, Burgess Meredith as a bigoted judge and Madeleine Sherwood as the saintly teacher who eggs Reeves on. All you need is a snooty butler and a buxom blonde bimbo and you got yourself a stock character Christmas. Still it's in their simplicity that you find the true virtue of the film. Their is no nuance in racism, nor is their any when you're exploiting friends and family like Henry does. The good guys are good, the bad guys are bad, their is no in-between and for better or worse, Preminger seems to feel very strongly about that fact.
Racism is the primary theme and focus of "Hurry Sundown" but it is by no means the only theme, nor the only controversy during release. sexuality and fidelity have their time in the sun as well. Rad and his wife Lou (Faye Dunaway) enjoy a healthy sex life while Henry and Julie sexually frustrate each other to the point of violence. Preminger really does seem to take delight in toying with the emotions of his characters (as well as taking suggestive camera shots), as shown when Fonda attempts to seduce Henry with his own saxophone. In addition, family relationships, greed, corruption, religion are also expanded on, creating a solid if hyperbolic worldview. Like a splatter painting its messy yet colorful.
All in all, "Hurry Sundown" has the pulpy sensationalism you can expect from an Otto Preminger production. His passion for the material shines through even when the story strays into melodrama. While filming in Louisiana, locals attempted to sabotage filming to the point of sniping a convoy of cast and crew members. It reminds me of an adage I once heard; "If they're shooting at you, you're doing something right."
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