6 items from 2017
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not likely to see in a theater again anytime soon, and many of which are, also, on 35mm. If you have a chance to attend any of these, we’re of the mind that it’s time extremely well-spent.
Film Society of Lincoln Center
“Il Bello Marcello” highlights Italy’s greatest actor and, in turn, its greatest filmmakers.
Stalker continues its run.
Museum of the Moving Image
The Caan Film Festival is underway! Films from Michael Mann, Coppola, Hawks, and more kick it off.
The Cabinet of Dr. Caligari plays on Sunday.
- Nick Newman
Not so fast Savant — with the help of correspondent input, DVD Savant presents more information on David Swift’s adaptation of How to Succeed in Business Without Really Trying — correcting and modifying some assumptions in my first review. Don’t worry — it’s good reading.
A Savant article
This is an odd circumstance. I routinely update, modify, correct and de-stupidify DVD Savant reviews, but this time I’m taking a more radical step. In my March 25 coverage of Twilight Time’s Blu-ray of How to Succeed in Business Without Really Trying, I made a big point of the fact that David Swift’s film adaptation had not made many changes. Several songs were dropped, but that would seem the right thing to do considering that the movie wasn’t planned as a Road Show — it’s only 121 minutes in duration and has no break for an intermission. The much missed »
- Glenn Erickson
Chicago – In one of the most natural pieces of voice casting in cartoon history, Alec Baldwin portrays the title character in Dreamworks Animation’s “The Boss Baby.” The director is animation veteran Tom McGrath (“Madagascar”), and the producer is Ramsey Ann Naito, and they were both in Chicago to promote the film.
“The Boss Baby” is fast, loose, funny and full of heart. Based on a children’s book by Marla Frazee, the animated version combines baby brother jealousy with Mad Men-era business self help, in a crazy visual landscape. Alec Baldwin is at his “30 Rock” best as the Boss Baby, delivering lines like the parody of his famous movie quote, “cookies are for closers.” There are many layers in the film, but mostly it is a hilarious metaphor on how families adjust when new siblings are added to the mix.
- email@example.com (Adam Fendelman)
Broadway’s delightful — but wickedly accurate — satire of big business was brought to movie screens almost intact, with the story, the stars, the styles and dances kept as they were in the long-running show that won a Pulitzer Prize. This is the place to see Robert Morse and Michele Lee at their best — it’s one of the best, and least appreciated movie musicals of the 1960s.
1967 / Color / 2:35 widescreen / 121 min. / Street Date March 14, 2017 / Available from the Twilight Time Movies Store 29.95
Starring: Robert Morse, Michele Lee, Rudy Vallee, Anthony Teague, Maureen Arthur, Sammy Smith, Robert Q. Lewis, Carol Worthington, Kathryn Reynolds, Ruth Kobart, George Fennemann, Tucker Smith, David Swift.
Cinematography: Burnett Guffey
Original Music: Nelson Riddle
Art Direction: Robert Boyle
Visual Gags: Virgil Partch
- Glenn Erickson
Get ready for a throwback to the year 2000. Before Nick Jonas kicked off his solo career, before he was even Jonas Brother (the band, not the family), and way before he starred on Broadway in “How to Succeed in Business Without Really Trying,” he acted in commercials. The brown-eyed star appears in this Chuck E. Cheese's commercial from the early 2000s. Sporting a baseball cap and T-shirt, Jonas looks happily surprised when he enters the kid-friendly world of Chuck E. Cheese's. He immediately explores the arcade and plays all of the games we’ve come to know and love. Watch the commercial below to see young Jonas in all his glory. Check out our commercial audition listings! »
Actor John Larroquette didn’t start out in the acting business . In fact, he was a DJ in New Orleans in the 1960s, then worked at a San Diego record label, and it was there that acting drew his passion. He moved to Los Angeles in 1974 and has been steadily employed by the theater, TV, and films ever since. He’s won Emmys, and a Tony for “How to Succeed in Business Without Really Trying.” Larroquette can be seen in TNT’s action adventure series “The Librarians.” But in 1974, Larroquette had just arrived in L.A., didn’t have an agent, but landed a role in “The Crucible” at the Odyssey Theater, which launched his own Hollywood odyssey.
What was it like in L.A. in 1974 for an aspiring actor?
- Carole Horst
6 items from 2017
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