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How to Succeed in Business Without Really Trying (1967)

Approved | | Comedy, Musical | 9 March 1967 (USA)
Armed with the titular manual, an ambitious window washer seeks to climb the corporate ladder.

Director:

Writers:

(book), (book) | 3 more credits »
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2 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
...
...
Anthony 'Scooter' Teague ...
Bud Frump (as Anthony Teague)
Maureen Arthur ...
Hedy LaRue
John Myhers ...
Carol Worthington ...
Kathryn Reynolds ...
Miss Smith aka Smitty (as Kay Reynolds)
...
Sammy Smith ...
Twimble - Wally Womper
Jeff DeBenning ...
Gatch (as Jeff Debenning)
Janice Carroll ...
Robert Q. Lewis ...
...
Dan Tobin ...
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Storyline

Twenty-seven year old New York window washer, J. Pierpont Finch, believes he can be a success in the corporate world after he impulsively picks up the book "How to Succeed in Business Without Really Trying". The book promises its reader that he can climb the corporate ladder simply and quickly. The Worldwide Wicket Corporation, the business in the office building whose windows he washes is, according to the book, the perfect type of business. There he meets secretary Rosemary Pilkington, who sees in Ponty (as she calls him) an unassuming man who she believes the corporate world will eat alive. But Ponty, memorizing what the book tells him, does quickly climb the corporate ladder but not by doing any real work. Ponty has a few obstacles along the way such as: Bud Frump who sees Ponty as a rival and is the nephew by marriage of the company president J.B. Biggley; Hedy La Rue, a curvaceous but simple woman who has a secret or not-so-secret tie to someone important in the company; Mr. ... Written by Huggo

Plot Summary | Add Synopsis

Taglines:

Nothing Succeeds Like "Succeed" ! ! See more »

Genres:

Comedy | Musical

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

9 March 1967 (USA)  »

Also Known As:

How to Succeed in Business...  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

All of Rosemary's songs (including "Happy To Keep His Dinner Warm" and "Paris Original") were cut from the movie version. To make up for this "I Believe In You" was given to her for the movie. In the stage play, she does not sing this to him, and the first time it is heard is during the scene where Finch sings it to himself in the executive washroom, but she does a brief reprise of the song after this scene. In the film, she sings the full version in an earlier scene, making Finch's washroom version the reprise. See more »

Goofs

During opening credits number, Robert Morse and a young fellow window washer board an electric scaffolding in exterior rooftop shot, but by next scene when scaffolding has descended a few floors, co-worker is now a much older man with much less hair. See more »

Quotes

J. Pierpont Finch: Mediocrity is not a mortal sin.
See more »

Connections

Referenced in That Girl: Kiss That Girl Goodbye (1969) See more »

Soundtracks

I Believe in You
(uncredited)
Written by Frank Loesser
Performed by Robert Morse, Michelle Lee and executives
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Good Musical, Excellent Score and Great Performance by Rudy Vallee
9 January 2000 | by See all my reviews

I've lived in the Metropolitan New York area all my life but the first musical I ever saw was the revival of How to Succeed in Business with Matthew Broderick in the title role. This prompted me to purchase the original musical with Robert Morse and I was not disappointed. My wife preferred the live musical, however what attracted me to the video was the performance of Rudy Vallee as Mr Bigly. Frank Loesser's score is marvelous, I think that the song "The Company Way" is a humorous parody of those corporate types who risk nothing that will damage their careers. This video is one that I've watched over and over and I can recommend to any musical lovers other than ardent feminists who might be turned off by the 1960s type relationships between the men and women.


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