While on a business trip just before Christmas, Tom Phillips gets into a car accident, which was caused by the reckless driving of the other car involved. Although Tom suffered no paralysis... See full summary »
A police captain (Aldo Ray) is caught between businesses operating on the Los Angeles Sunset Strip who don't like the punks hanging out, and his belief in allowing the kids their rights. ... See full summary »
A routine flight turns into a major emergency as passengers and crew succumb to food poisoning - is there anyone on board who knows how to fly a plane? If that sounds vaguely familiar, it's... See full summary »
When his sister Betsy packs up and leaves the family's Montana cattle ranch to find fame and fortune in Hollywood, her brother Jim decides to follow after her to make sure she doesn't get ... See full summary »
While on a business trip just before Christmas, Tom Phillips gets into a car accident, which was caused by the reckless driving of the other car involved. Although Tom suffered no paralysis from his back injury, he did come out of the accident with a chronic back problem which results in him not being able to continue with his current work, and a mental block having anything to do with the accident, including Christmas music, driving in general and the sounds of screeching tires and breaking glass. The Phillips - Tom, his wife Peg, and their two children, teenager Tina and pre-teen Jamie - end up moving from their Boston home and buying a motel in Mayville in the California desert. Tom would be physically able to do the work required running a motel, and the dry heat is good for his back. But as they approach Mayville, they encounter a bunch of reckless hot rodders named Duke, Ernie and Gloria. Since Tom scolds them about their reckless behavior, they decide to make the Phillips' ... Written by
This film was originally announced by MGM in July 1955 as another juvenile delinquent drama to follow up on the box-office success of Blackboard Jungle (1955). The studio had purchased the short story "The Red Car" by Alex Gaby prior to its publication (as "Fifty-Two Miles to Terror") in the January 14, 1956, issue of "The Saturday Evening Post". The January 20, 1956, New York Times reported that Richard Thorpe was set to direct the screenplay by Rod Serling, with studio head Dore Schary personally producing the picture. On March 24 the Times reported that the project was "postponed indefinitely" and "casting difficulties were cited as the reason for the decision to halt preparations." See more »
It's Christmas in Massachusetts, yet the tress, shrubs and grass outside the hospital after Dana Andrew's accident are lush & green. See more »
Well, I didn't find this is a "so-bad-it's great-film" to the degree I was hoping, but it still was fast-moving enough to keep my interest and laugh out a few times.
Not one of the characters in here was anyone you could root for, mainly because they were just too stupid or a bit annoying.
The cast is headed by two fairly-famous actors from the 1940s: Dana Andrews ("Laura,") and Jeanne Crain ("State Fair"). Halfway through the movie, we are "treated" to a couple of songs by Mickey Rooney and His Combo, who obviously got the gig because of his famous dad.
Andrews was nearing 60 when he made the film. He had just finished serving three years as President of the Screen Actors Guild. He has a long resume, which includes film and television work, but not many memorable films outside of a few in his early days.
Both he and Crain were in 1945's "State Fair," a film that put her "on the map," so to speak. In the same year, she had a good role in "Leave Her To Heaven," but after those two movies here notable films were very few. However, she retained her gorgeous looks and a lady over 40, as she was in this movie, she still looked darned good. The problem was, she wasn't much of an actress. Andrews does a far better job in here than Crain, who overacts or - in her defense - was directed to act hysterically and stupidly in parts of the story. Whatever, it was still interesting to see two "name" actors in this "B" movie.
It also was a bit odd seeing "punks" who looked very clean-cut. Hey, I know by 1967, longer hair coming into style, thanks to the "British Invasion" (Beatles, Rolling Stones, etc.) but these guys all looked straight out of the '50s, short hair, straight clothes, etc.
In fact, all the major characters in this movie, looked extremely straight. The Philips family, the ones tormented by a couple of hot-rodders, was so straight they made "Ward and June Cleaver" look like pot-smoking hippies. Their daughter "Tina" (Laurie Mock) was hot; very sultry, but she wound up being all talk/no action and the little brother was an annoying "Larry Mondello" type (see "Leave It To Beaver").
They may not have been Bette Davis-like in acting talents but the three women in here: Crain, Mock and Mismey Farmer (one of the punks fickle girlfriends) - certainly had the looks and played people who got your attention....as did the film in general. Yes, the dialog is stupid, the characters even dumber and the storyline worse than the other two but, all in all, it's watchable. You don't get bored with it. That's about as kind as I can be about it.
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