Inspired by a performance of his favorite play, "Volpone," 20th-century millionaire Cecil Fox devises an intricate plan to trick three of his former mistresses into believing he is dying. ...
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At Maria Vargas' funeral, several people recall who she was and the impact she had on them. Harry Dawes was a not very successful writer/director when he and movie producer Kirk Edwards ... See full summary »
Joseph L. Mankiewicz
A successful London ad-exec hires a beautiful Hungarian girl to pose for some modeling shots, little realising that she has overheard an assassination plot and is now being hunted by some ... See full summary »
The only son of wealthy widow Violet Venable dies while on vacation with his cousin Catherine. What the girl saw was so horrible that she went insane; now Mrs. Venable wants Catherine lobotomized to cover up the truth.
Joseph L. Mankiewicz
After yet another smash-and-grab goes wrong, a bungling trio of small-time crooks flash an idea of using a fire engine as a getaway vehicle. But they keep being mistaken for genuine firemen and it starts to become a flaming nuisance.
Inspired by a performance of his favorite play, "Volpone," 20th-century millionaire Cecil Fox devises an intricate plan to trick three of his former mistresses into believing he is dying. Although the women are wealthy in their own right, all have good reason to covet his fortune. To assist him in his scheme, Fox hires William McFly, a gigolo and sometime actor, to act as his secretary/servant. Fox is soon visited at his "deathbed" by the three former mistresses: Merle McGill, a fading Hollywood sex symbol; Princess Dominique, who once took a cruise on Fox's yacht; and Lone Star Crockett, a Texas hypochondriac who travels with an enigmatic nurse/companion. As Fox and McFly act out the charade, things take an unexpected turn from comical farce to full-blown murder mystery. Written by
The film opened first in London, some two months before its American opening. At its premiere, it ran to 150 minutes, and almost all British reviews commented on its being overlong. By the time it went on general release in Britain, it had been cut by 18 minutes, and this version is the one shown on television and released on DVD. Herschel Bernardi, prominently billed in the original advertising, had had his role deleted entirely, whilst Massimo Serato appears only for a second or two in Capucine's first scene. (There is a brief and now-inexplicable reference to the Bernardi character late in the film.) Both actors are, however, featured in the cast-list at the end of the film, although Serato's surname is mis-spelled as "Serrato". See more »
Nothing like gold to pass the time. It is even the color of time... Gold. How little most people value time, little people. Like everything else, they will choose what's more, not what's better. Even time, they will pray to live 100, long, miserable years and feel cheated if they had say 50 of the best. Quantity yes, quality no. Venice is tiny and precious. Los Angeles is gigantic and terrifying. Who wants it? Most people, that's who. There's good time and bad time, you know, the clocks don't ...
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This film is pretty good, but it was a flop in 1967 despite having some good performances by Rex Harrison, Clift Robertson, Susan Hayward, Capucine, Edie Adams, and Maggie Smith. The script and direction of Joseph Mankiewicz were perfect. But it flopped, possibly because the times did not call for a literate murder mystery film.
It's lineage is impeccable since it begins with Ben Jonson's classic Jacobean comedy "Volpone". But actually it is not "Volpone". The film is based on Thomas Sterling's "The Evil of the Day". The story has been changed in one way. Sterling's novel brings together three would-be heirs too, but two are men, and one is Fox's wife (as in the movie - Susan Hayward's role). But the same plot switches go on in the novel as in this film.
I enjoyed the movie, in particular one moment that was rare to see in any film of that period. Harrison has invited his three would-be heirs to come to dinner. Hayward (accompanied by her secretary Smith) comes in first. While they are talking to Harrison and Robertson, both Adams and Capucine show up at the doorway. Neither is willing to let the other go in first. They end up pushing into each other through the door frame into the dining room, thoroughly uncomfortable - but at least neither was forced to wait for the other to make the first move.
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