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The Honey Pot (1967)

Not Rated | | Comedy, Crime | 29 September 1967 (Italy)
Inspired by a performance of his favorite play, "Volpone," 20th-century millionaire Cecil Fox devises an intricate plan to trick three of his former mistresses into believing he is dying. ... See full summary »


(play), (novel) | 2 more credits »

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Complete credited cast:
Mrs. Lone Star Crockett Sheridan
William McFly
Princess Dominique
Merle McGill
Sarah Watkins
Inspector Rizzi
Hugh Manning ...
David Dodimead ...
Rest of cast listed alphabetically:
Oscar Ludwig (scenes deleted)
Antonio Corevi ...
Tailor (scenes deleted)
Cy Grant ...
Revenue Agent (scenes deleted)
Frank Latimore ...
Revenue Agent (scenes deleted)
Massimo Serato ...
The Pretender (scenes deleted)
Carlos Alberto Valles ...
Assistant Tailor (scenes deleted)


Inspired by a performance of his favorite play, "Volpone," 20th-century millionaire Cecil Fox devises an intricate plan to trick three of his former mistresses into believing he is dying. Although the women are wealthy in their own right, all have good reason to covet his fortune. To assist him in his scheme, Fox hires William McFly, a gigolo and sometime actor, to act as his secretary/servant. Fox is soon visited at his "deathbed" by the three former mistresses: Merle McGill, a fading Hollywood sex symbol; Princess Dominique, who once took a cruise on Fox's yacht; and Lone Star Crockett, a Texas hypochondriac who travels with an enigmatic nurse/companion. As Fox and McFly act out the charade, things take an unexpected turn from comical farce to full-blown murder mystery. Written by alfiehitchie

Plot Summary | Plot Synopsis


You are cordially invited to enjoy a perfectly elegant case of murder!


Comedy | Crime


Not Rated | See all certifications »




Release Date:

29 September 1967 (Italy)  »

Also Known As:

Anyone for Venice?  »

Box Office


$6,000,000 (estimated)

Company Credits

Show detailed on  »

Technical Specs


(TCM print)

Sound Mix:

(RCA Sound Recording)



Aspect Ratio:

1.85 : 1
See  »

Did You Know?


The film opened first in London, some two months before its American opening. At its premiere, it ran to 150 minutes, and almost all British reviews commented on its being overlong. By the time it went on general release in Britain, it had been cut by 18 minutes, and this version is the one shown on television and released on DVD. Herschel Bernardi, prominently billed in the original advertising, had had his role deleted entirely, whilst Massimo Serato appears only for a second or two in Capucine's first scene. (There is a brief and now-inexplicable reference to the Bernardi character late in the film.) Both actors are, however, featured in the cast-list at the end of the film, although Serato's surname is mis-spelled as "Serrato". See more »


Sarah Watkins: [when asked about her lovelife] Truthfully, there isn't a man whose face I can remember.
See more »


Referenced in Schlock! The Secret History of American Movies (2001) See more »

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User Reviews

The original novel
26 February 2005 | by (United States) – See all my reviews

This film is pretty good, but it was a flop in 1967 despite having some good performances by Rex Harrison, Clift Robertson, Susan Hayward, Capucine, Edie Adams, and Maggie Smith. The script and direction of Joseph Mankiewicz were perfect. But it flopped, possibly because the times did not call for a literate murder mystery film.

It's lineage is impeccable since it begins with Ben Jonson's classic Jacobean comedy "Volpone". But actually it is not "Volpone". The film is based on Thomas Sterling's "The Evil of the Day". The story has been changed in one way. Sterling's novel brings together three would-be heirs too, but two are men, and one is Fox's wife (as in the movie - Susan Hayward's role). But the same plot switches go on in the novel as in this film.

I enjoyed the movie, in particular one moment that was rare to see in any film of that period. Harrison has invited his three would-be heirs to come to dinner. Hayward (accompanied by her secretary Smith) comes in first. While they are talking to Harrison and Robertson, both Adams and Capucine show up at the doorway. Neither is willing to let the other go in first. They end up pushing into each other through the door frame into the dining room, thoroughly uncomfortable - but at least neither was forced to wait for the other to make the first move.

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