Inspired by a performance of his favorite play, "Volpone," 20th-century millionaire Cecil Fox devises an intricate plan to trick three of his former mistresses into believing he is dying. ... See full summary »
Paul Gregory is sprung from jail in London by his accomplice after getting a stretch as expected for robbing a woman who falls for his charms. Only he knows how to get to the money, but his... See full summary »
Film screenwriter Jake Armitage and his wife Jo Armitage live in London with six of Jo's eight children, with the two eldest boys at boarding school. The children are spread over Jo's three... See full summary »
In New York, after seven years in prison, the lawyer Max Monetti goes to the bank of his brothers Joe, Tony and Pietro Monetti and promises revenge to them. Then he visits his lover Irene ... See full summary »
Joseph L. Mankiewicz
Edward G. Robinson,
At Maria Vargas' funeral, several people recall who she was and the impact she had on them. Harry Dawes was a not very successful writer/director when he and movie producer Kirk Edwards ... See full summary »
Joseph L. Mankiewicz
Broadway star Fitzroy Wynn is thrilled when his wife Lily writes a new script with a brilliant lead role. While ego-centric Fitz thinks himself perfect for the role, Lily dashes his hopes ... See full summary »
George and Catherine Apley of Boston lead a proper life in the proper social circle, as did the Apleys before them. When grown daughter Eleanor falls in love with Howard (from New York!), ... See full summary »
Joseph L. Mankiewicz
After yet another smash-and-grab goes wrong, a bungling trio of small-time crooks flash an idea of using a fire engine as a getaway vehicle. But they keep being mistaken for genuine firemen and it starts to become a flaming nuisance.
Inspired by a performance of his favorite play, "Volpone," 20th-century millionaire Cecil Fox devises an intricate plan to trick three of his former mistresses into believing he is dying. Although the women are wealthy in their own right, all have good reason to covet his fortune. To assist him in his scheme, Fox hires William McFly, a gigolo and sometime actor, to act as his secretary/servant. Fox is soon visited at his "deathbed" by the three former mistresses: Merle McGill, a fading Hollywood sex symbol; Princess Dominique, who once took a cruise on Fox's yacht; and Lone Star Crockett, a Texas hypochondriac who travels with an enigmatic nurse/companion. As Fox and McFly act out the charade, things take an unexpected turn from comical farce to full-blown murder mystery. Written by
After Fox dies, McFly reveals that he was broke and that all his furniture was rented from movie studios. He lifts a chair to show its owner's name under the seat: Cinecittà - where most of The Honey Pot was filmed. See more »
This film is pretty good, but it was a flop in 1967 despite having some good performances by Rex Harrison, Clift Robertson, Susan Hayward, Capucine, Edie Adams, and Maggie Smith. The script and direction of Joseph Mankiewicz were perfect. But it flopped, possibly because the times did not call for a literate murder mystery film.
It's lineage is impeccable since it begins with Ben Jonson's classic Jacobean comedy "Volpone". But actually it is not "Volpone". The film is based on Thomas Sterling's "The Evil of the Day". The story has been changed in one way. Sterling's novel brings together three would-be heirs too, but two are men, and one is Fox's wife (as in the movie - Susan Hayward's role). But the same plot switches go on in the novel as in this film.
I enjoyed the movie, in particular one moment that was rare to see in any film of that period. Harrison has invited his three would-be heirs to come to dinner. Hayward (accompanied by her secretary Smith) comes in first. While they are talking to Harrison and Robertson, both Adams and Capucine show up at the doorway. Neither is willing to let the other go in first. They end up pushing into each other through the door frame into the dining room, thoroughly uncomfortable - but at least neither was forced to wait for the other to make the first move.
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