Inspired by a performance of his favorite play, "Volpone," 20th-century millionaire Cecil Fox devises an intricate plan to trick three of his former mistresses into believing he is dying. ... See full summary »
Paul Gregory is sprung from jail in London by his accomplice after getting a stretch as expected for robbing a woman who falls for his charms. Only he knows how to get to the money, but his... See full summary »
A Cockney con-artist just out of prison replaces an insurance company's computer programmer and sends claim checks to himself in various guises at addresses all over Europe. Meanwhile, he ... See full summary »
In New York, after seven years in prison, the lawyer Max Monetti goes to the bank of his brothers Joe, Tony and Pietro Monetti and promises revenge to them. Then he visits his lover Irene ... See full summary »
Joseph L. Mankiewicz
Edward G. Robinson,
Lydia Garth meets Paul de Vandiere, a French nobleman, but their romance is plagued by Lydia's complaint of recurring spells of blurred vision. Paul leaves for France, promising to return ... See full summary »
George and Catherine Apley of Boston lead a proper life in the proper social circle, as did the Apleys before them. When grown daughter Eleanor falls in love with Howard (from New York!), ... See full summary »
Joseph L. Mankiewicz
Matt Denant, ex-RAF flier, sentenced to three years in Dartmoor for striking and accidentally killing a detective who was attempting to arrest a lady of the evening to whom Denant had been ... See full synopsis »
Joseph L. Mankiewicz
Inspired by a performance of his favorite play, "Volpone," 20th-century millionaire Cecil Fox devises an intricate plan to trick three of his former mistresses into believing he is dying. Although the women are wealthy in their own right, all have good reason to covet his fortune. To assist him in his scheme, Fox hires William McFly, a gigolo and sometime actor, to act as his secretary/servant. Fox is soon visited at his "deathbed" by the three former mistresses: Merle McGill, a fading Hollywood sex symbol; Princess Dominique, who once took a cruise on Fox's yacht; and Lone Star Crockett, a Texas hypochondriac who travels with an enigmatic nurse/companion. As Fox and McFly act out the charade, things take an unexpected turn from comical farce to full-blown murder mystery. Written by
After Fox dies, McFly reveals that he was broke and that all his furniture was rented from movie studios. He lifts a chair to show its owner's name under the seat: Cinecittà - where most of The Honey Pot was filmed. See more »
Nothing like gold to pass the time. It is even the color of time... Gold. How little most people value time, little people. Like everything else, they will choose what's more, not what's better. Even time, they will pray to live 100, long, miserable years and feel cheated if they had say 50 of the best. Quantity yes, quality no. Venice is tiny and precious. Los Angeles is gigantic and terrifying. Who wants it? Most people, that's who. There's good time and bad time, you know, the clocks don't ...
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This film is pretty good, but it was a flop in 1967 despite having some good performances by Rex Harrison, Clift Robertson, Susan Hayward, Capucine, Edie Adams, and Maggie Smith. The script and direction of Joseph Mankiewicz were perfect. But it flopped, possibly because the times did not call for a literate murder mystery film.
It's lineage is impeccable since it begins with Ben Jonson's classic Jacobean comedy "Volpone". But actually it is not "Volpone". The film is based on Thomas Sterling's "The Evil of the Day". The story has been changed in one way. Sterling's novel brings together three would-be heirs too, but two are men, and one is Fox's wife (as in the movie - Susan Hayward's role). But the same plot switches go on in the novel as in this film.
I enjoyed the movie, in particular one moment that was rare to see in any film of that period. Harrison has invited his three would-be heirs to come to dinner. Hayward (accompanied by her secretary Smith) comes in first. While they are talking to Harrison and Robertson, both Adams and Capucine show up at the doorway. Neither is willing to let the other go in first. They end up pushing into each other through the door frame into the dining room, thoroughly uncomfortable - but at least neither was forced to wait for the other to make the first move.
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