| Photos (See all 16 | slideshow) | Videos (see all 2) |
| Paul Newman | ... | John Russell | |
| Fredric March | ... | Favor | |
| Richard Boone | ... | Grimes | |
| Diane Cilento | ... | Jessie | |
| Cameron Mitchell | ... | Braden | |
| Barbara Rush | ... | Audra Favor | |
| Peter Lazer | ... | Billy Lee | |
| Margaret Blye | ... | Doris | |
| Martin Balsam | ... | Mendez | |
| Skip Ward | ... | Steve Early | |
| Frank Silvera | ... | Mexican Bandit | |
| David Canary | ... | Lamar Dean | |
| Val Avery | ... | Delgado | |
| Larry Ward | ... | Soldier | |
| rest of cast listed alphabetically: | |||
| Linda Cordova | ... | Mrs. Delgado (uncredited) | |
| Pete Hernandez | ... | Apache (uncredited) | |
| Merrill C. Isbell | ... | Apache (uncredited) | |
Directed by | |||
| Martin Ritt | |||
Writing credits | ||
| Irving Ravetch | (screenplay) and | |
| Harriet Frank Jr. | (screenplay) | |
| Elmore Leonard | (novel) | |
Produced by | |||
| Irving Ravetch | .... | producer | |
| Martin Ritt | .... | producer | |
Original Music by | |||
| David Rose | |||
Cinematography by | |||
| James Wong Howe | (director of photography) | ||
Film Editing by | |||
| Frank Bracht | |||
Art Direction by | |||
| Jack Martin Smith | |||
| Robert Emmet Smith | (as Robert E. Smith) | ||
Set Decoration by | |||
| Raphael Bretton | (set decorations) | ||
| Walter M. Scott | (set decorations) | ||
Costume Design by | |||
| Donfeld | (costumes designed by) | ||
Makeup Department | |||
| Margaret Donovan | .... | hair stylist | |
| Ben Nye | .... | makeup artist | |
Production Management | |||
| Harry Caplan | .... | unit production manager (as Harry A. Caplan) | |
Second Unit Director or Assistant Director | |||
| William McGarry | .... | assistant director | |
| Christopher Seitz | .... | assistant director (uncredited) | |
Sound Department | |||
| John R. Carter | .... | sound | |
| David Dockendorf | .... | sound | |
Stunts | |||
| Terry Leonard | .... | stunts (uncredited) | |
| Danny Sands | .... | stunts (uncredited) | |
| George P. Wilbur | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| James Mitchell | .... | still photographer (uncredited) | |
Music Department | |||
| Jack Hayes | .... | orchestrator | |
| David Rose | .... | conductor | |
| Leo Shuken | .... | orchestrator | |
Other crew | |||
| Meta Rebner | .... | script supervisor | |
| Tim Burstall | .... | attachment (uncredited) | |
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| Appaloosa | The Phantom Rider | The Phantom Rider | The Treasure of the Sierra Madre | The Searchers |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Western section | IMDb USA section |
Paul Newman did a whole bunch of films with Director Martin Ritt and Hombre, one lean and mean western ranks as one of the best.
Newman is John Russell, the ultimate in the Stockholm Syndrome in the western film. He's a man who was kidnapped by the Apaches as a child, raised among them, and then when he was rescued from the Apaches, turned his back on his rescuers and went back to live among them. The opening of the film has some closeup shots of Newman as an Apache and he does look like a figure of interest with those baby blue eyes of his. The viewer is already involved, this is a person of interest, there's a story here, let's find out about him.
Circumstance has put him on a coach with several other passengers, including the Indian agent at the San Carlos Reservation, Fredric March and his wife Barbara Rush. Unbeknownst to everyone else, March has embezzled a whole stash of money from the tribe and is on the run, like Berton Churchill in Stagecoach. Of course Churchill is not taking his young pretty wife along with him.
The outlaws led by Richard Boone know about the loot and they ambush the coach, but the holdup is unsuccessful. Nevertheless the passengers are left afoot with the loot, but limited water on the Arizona desert.
It falls to Newman to lead them to safety, a guy they had previously snubbed. Hombre gets deliciously ironic that way.
Next to Newman, I'd say the best performance in the film is easily that of Diane Cilento, the very wise and earthy boarding house keeper. She's one experienced with life woman who if everyone heeded it would have been better all around.
Why are they with Newman, cause he can cut it. And as a film, Hombre definitely cuts it.