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A no account outlaw establishes his own particular brand of law and order and builds a town on the edges of civilization in this farcical western. With the aid of an old law text and ... See full summary »
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When 5 allied generals are captured in Italy in WW II, it is a propaganda nightmare for the Allies. The generals are all 1 star and refuse to take orders from each other in order to plan an... See full summary »
John 'Hombre' Russell is a white man raised by the Apaches on an Indian reservation and later by a white man in town. As an adult he prefers to live on the reservation. He is informed that he has inherited a lodging-house in the town. He goes to the town and decides to trade the place for a herd. He has to go to another city. The only stagecoach is one being hired for a special trip paid by Faver and his wife Audra. As there are several seats others join the stagecoach making seven very different passengers in all. During the journey they are robbed. With the leadership of John Russell they escape with little water and the money that the bandits want. They are pursued by the bandits. As they try to evade the bandits they reveal their true nature in a life threatening situation. Written by
Claudio Carvalho, Rio de Janeiro, Brazil and Bill G. Walsall England
The photo in the closing credits of the film was taken in 1886 by Camillus Fly, the famous Tombstone (AZ) photographer. The white boy in the photo is Jimmy (Santiago) McKinn, captured by the Apaches in 1885. Like the Paul Newman character in the film, McKinn was totally assimilated in the tribe and was rescued against his will when Geronimo surrendered in 1886. See more »
At the end of the movie, when Hombre shoots and wounds Grimes from the top of the hill, 2 goons shoot back at him, the Mexican that later dies and a guy with a blue vest. After Hombre, Grimes and the Mexican are dead, the goon in the blue vest is nowhere to be found. He is not dead, he didn't escape, he is not hiding...they apparently forgot about him. See more »
Hit something, Mendez, first the men, then the horses.
I don't know. Just to sit here and wait to kill them?
If there was some other way, we'd do it.
Maybe we can keep going and try to outrun them.
If you run, they're gonna catch you, they're gonna kill you. You believe that more than you believe anything.
And try not to puke. You may have to lie in it for a long time.
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This was a great production, with a fantastic cast, unforgettable script and an excellent director and cinematographer. My hat goes off to Paul Newman for taking a role that goes against his normally expected "cutesy" performances and portraying a character we all wish we could be more like. I will also applaud the performances of Diane Cilento, Frederick March, and Richard Boone. You all "can cut it".
When "Hombre" was released, it received mixed reviews especially in the foreign markets. I really have a hard time believing this considering it's competition. I love a good western and I have always had a problem with foreign made "spahgetti westerns" and never understood the popularity of "Fistful of Dollars" or "The Good, Bad and the Ugly". Not taking anything away from Clint Eastwood (because his presence was the only thing that saved those films), but there was no credible dialog or memorable cliché's to ever make me want to watch them more than once.
In my mind this has to be one of the top five westerns ever made and ranks up there with "High Noon" or "Stagecoach". It always amazes me that people can criticize the performance of Paul Newman. I have a hard time envisioning anyone else that could have delivered as good a performance. (Possibly Gary Cooper} Newman has made many great films and just because he is so handsome, we have a hard time relating to him as the cold, unpretentious, supporter of the weak as was John Russell.
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