Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the ... See full summary »
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When a shady-looking stranger rides into town to join his old friend it is assumed he is a hired gun. But as the new man comes to realise the unlawful nature of his buddy's business and the... See full summary »
Barbara Bel Geddes,
John 'Hombre' Russell is a white man raised by the Apaches on an Indian reservation and later by a white man in town. As an adult he prefers to live on the reservation. He is informed that he has inherited a lodging-house in the town. He goes to the town and decides to trade the place for a herd. He has to go to another city. The only stagecoach is one being hired for a special trip paid by Faver and his wife Audra. As there are several seats others join the stagecoach making seven very different passengers in all. During the journey they are robbed. With the leadership of John Russell they escape with little water and the money that the bandits want. They are pursued by the bandits. As they try to evade the bandits they reveal their true nature in a life threatening situation. Written by
Claudio Carvalho, Rio de Janeiro, Brazil and Bill G. Walsall England
Filming on "Hombre" coincided with that year's Academy Awards. Co-star Martin Balsam was a Best Supporting Actor nominee for A Thousand Clowns (1965), and not having received permission to leave the set, Balsam sneaked off to attend the ceremony. He won the Oscar. See more »
John Russell's sidearm during the film is a Colt Single Action Army revolver with a 7" barrel. However, in the final scene where Russell is on the ground exchanging shots with the vaquero the revolver has changed to a modern (and not yet invented) large frame double action revolver. See more »
Mister, you've got alot of hard bark on you walkin' down here like this. Now, I owe you. You put two holes in me.
Usually enough for most of 'em.
Don't try it again, that Vaquero is more than a fair hand.
You got the money?
Guess I brought my dirty laundry down by mistake.
Let me see it.
Look for yourself.
[opens bag, pulls out a handful of clothes]
Well now, what'ya suppose hell's gonna look like?
We all die, just a question of when.
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Is this movie not a micro-view of society? We have a certain class structure. We have heroes and villains. We have one man, who, perhaps by virtue of his Apache affinity, is essentially "at one" with himself. He tells the person who comments that they had mistakenly believed that he was taking the money for himself, "What you think is your business." He is unaffected. He knows who he is, what he's about, and is not "on the string," dancing to the tune that others would call for him. He has his own code; his own values, and he demonstrates them -- in action -- throughout this fine film. Richard Boone is great as Grimes, and the overall cast is very good. This movie, in some ways, could be taken apart, viewed, and reviewed much the same way as Henry Fonda's "12 Angry Men." There is much to admire about this movie . . . much to admire in the character, John Russell.
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