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John 'Hombre' Russell is a white man raised by the Apaches on an Indian reservation and later by a white man in town. As an adult he prefers to live on the reservation. He is informed that he has inherited a lodging-house in the town. He goes to the town and decides to trade the place for a herd. He has to go to another city. The only stagecoach is one being hired for a special trip paid by Faver and his wife Audra. As there are several seats others join the stagecoach making seven very different passengers in all. During the journey they are robbed. With the leadership of John Russell they escape with little water and the money that the bandits want. They are pursued by the bandits. As they try to evade the bandits they reveal their true nature in a life threatening situation. Written by
Claudio Carvalho, Rio de Janeiro, Brazil and Bill G. Walsall England
The photo in the closing credits of the film was taken in 1886 by Camillus Fly, the famous Tombstone (AZ) photographer. The white boy in the photo is Jimmy (Santiago) McKinn, captured by the Apaches in 1885. Like the Paul Newman character in the film, McKinn was totally assimilated in the tribe and was rescued against his will when Geronimo surrendered in 1886. See more »
In the first scene in the stagecoach station Hombre (Newman) is sitting at a table drinking mescal with owner of the way station. Two of Hombre's Apache friends are standing at the middle of the bar drinking mescal when two cowboys come into the station and stand at the bar between the two Apaches and Hombre's table. The camera angle from the right of the two Apaches pointed to the two cowboys clearly shows Hombre's table empty. When the camera angle switches from Hombre's table toward the cowboys and Apaches at the bar Hombre's table is clearly occupied. See more »
Billy Lee Blake:
[Notices Jessie standing by Braden's body after Russell kills him]
Uh, Jessie; you want something to cover Braden up?
[Shaking her head ruefully]
No, just let him lie there.
See more »
Outstanding direction, writing, acting, and cinematography make this film perhaps the best western ever made, and certainly outstanding in it's genre. The good guys aren't all that good, and the bad guys are despicable. The dialogue is from Elmore Leonard, and is some of the best dialogue ever written, western or not. Example: Early in the film Diane Cilento has retreated to the privacy of a shack to remove her petticoat because of the heat. Paul Newman is in the room, and watches her silently as she bears her legs. Then he says, "You'd better stop right there lady, or I'm gonna know all there is to know about you." Ms Cilento's character Jessie (a hard frontier woman who runs a boarding house and sleeps with the town sheriff) retorts, "You might have cleared your throat." Newman says, "I couldn't, my heart was in it." The minor part cast is also outstanding: Martin Balsam, Richard Boone, Cameron Mitchell, David Canary. I also mention the cinematographer, often overlooked, because it was James Wong Howe (Molly McGuires, This Property is Condemned, Hud, Fantasia) who was one of the greatest cinematographers that has ever lived.
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