7.2/10
224
9 user 9 critic

Herostratus (1967)

| Drama | June 1967 (UK)
When Max, a young poet hires a marketing company to turn his suicide-by-jumping into a mass-media spectacle, he finds that his subversive intentions are quickly diluted into a reactionary ... See full summary »

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(idea), (original idea) | 1 more credit »
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Cast

Credited cast:
...
Max
Gabriella Licudi ...
Clio
Peter Stephens ...
Farson
Antony Paul ...
Pointer
Mona Chin ...
Sandy
...
Advert Woman
Brigitte St. John ...
Dancer
Malcolm Muggeridge ...
Radio Presenter (voice)
Hilda Marvin
Vivienne Myles
Ines Levy
Charlotte Bremer-Wolff ...
(as Charlotte Wolff)
Max Latimer
Richard Huggett
Rest of cast listed alphabetically:
...
Poet (voice)
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Storyline

When Max, a young poet hires a marketing company to turn his suicide-by-jumping into a mass-media spectacle, he finds that his subversive intentions are quickly diluted into a reactionary gesture, and his motivations are revealed as a desperate attempt to seek attention through celebrity. Written by Anonymous

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Genres:

Drama

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Release Date:

June 1967 (UK)  »

Also Known As:

Det sköna livet  »

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Color:

| (Eastmancolor)

Aspect Ratio:

1.33 : 1
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Connections

Edited from Nazi Concentration and Prison Camps (1945) See more »

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User Reviews

 
An extraordinary film, in a category of its own.
1 April 2003 | by (Boston, Massachusetts) – See all my reviews

Herostratus screened at the Orson Welles theatre in Cambridge (Mass.) for two weeks in (I think) 1968. At a party in New York a few years later, I met the owner of a theatre (I can't recall any names, alas) where it played for three days; he said he detested it and withdrew it.

I have never been more moved by a film. I can compare it only to such transforming experiences as seeing L'Avventura in the early 'sixties, although the art of Herostratus is far more mysterious. The mystery is compounded by the great gulf of years that separates me from that screening, by the fact that almost nobody I meet has seen it or even heard of it, and by the apparent lack of any body of explication and commentary.

Without seeing it again I wouldn't attempt a precis of the plot, but what remains in memory is the cool classicism of the narrative(innocence vs. worldliness and levels of manipulativeness that Henry James might have appreciated) as mediated through an unobtrusive but arresting surrealism of technique.

It's been 35 years--I'd really like to revisit Herostratus.


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