| Photos (See all 16 | slideshow) |
| Adam Roarke | ... | Buddy | |
| Jack Nicholson | ... | Poet | |
| Sabrina Scharf | ... | Shill | |
| Jana Taylor | ... | Abigale | |
| Richard Anders | ... | Bull | |
| John Garwood | ... | Jocko | |
| Mireille Machu | ... | Pearl (as I.J. Jefferson) | |
| James Oliver | ... | Darrell 'Gypsy' Whitman | |
| Jack Starrett | ... | Sgt. Bingham | |
| Bruno VeSota | ... | Episcopal Priest (as Bruno Vesota) | |
| Bob Kelljan | ... | Artist (as Robert Kelljan) | |
| Kathryn Harrow | ... | Lori | |
| John 'Bud' Cardos | (as Bud Cardos) | ||
| Tex Hall | |||
| Gary Littlejohn | ... | Moley | |
| The Oakland Hells Angels | (as The Hells Angels of Oakland) | ||
| The Hells Angels of San Francisco | |||
| The Hells Angels of Daly City | |||
| The Hells Angels of Richmond | |||
| The Nomads of Sacramento California | |||
| Sonny Barger | ... | President of the Hells Angels | |
| rest of cast listed alphabetically: | |||
| Robert Allen | ... | Dr. Carstairs | |
| Corri Burt | ... | Michelle | |
| Leonard Corman | ... | Dr. Kopek | |
| C. Dumas | ... | Plainclothes Officer | |
| Mark Elliot | ... | Axton | |
| Christine Farish | ... | Karen | |
| Robert Fausak | ... | Policeman | |
| Virgil Frye | ... | Biker | |
| Robert Huber | ... | SWAT Officer | |
| Mark Kjelle | ... | Plainclothes Officer | |
| Roger E. Lake | ... | Biker | |
| Kevin Long | ... | SWAT Officer | |
| Barbara Patterson | ... | Mrs. Levitt | |
| Nino Rigali | ... | Det. Kruger | |
| Bob Sacchetti | ... | Man in Black | |
| Tex Tuttle | ... | Truck Driver | |
| Dirty Denny | ... | Biker (uncredited) | |
| Randee Lynne Jensen | ... | Extra (uncredited) | |
| Paul Wilmoth | ... | Biker (uncredited) | |
| Rod Wilmoth | ... | Policeman (uncredited) | |
Directed by | |||
| Richard Rush | |||
Writing credits | ||
| R. Wright Campbell | (screenplay) | |
Produced by | |||
| Joe Solomon | .... | producer | |
Original Music by | |||
| Stu Phillips | |||
Cinematography by | |||
| László Kovács | (director of photography) (as Leslie Kovacs) | ||
Film Editing by | |||
| William Martin | |||
Art Direction by | |||
| Jeremy Kay | (uncredited) | ||
Set Decoration by | |||
| Wally Moon | |||
Makeup Department | |||
| Louis Lane | .... | makeup artist | |
Production Management | |||
| Igo Kantor | .... | post-production supervisor | |
| Paul Lewis | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Willard Kirkham | .... | first assistant director | |
| Bruce Satterlee | .... | second assistant director | |
Sound Department | |||
| Sam Kopetzky | .... | boom operator | |
| John Post | .... | sound effects editor | |
| Le Roy Robbins | .... | sound mixer (as Leroy Robbins) | |
| Robert Glenn | .... | sound effects editor (uncredited) | |
Stunts | |||
| Gary Kent | .... | stunt coordinator | |
| Charles Bail | .... | stunts (uncredited) | |
| John 'Bud' Cardos | .... | stunts (uncredited) | |
| Bobby Clark | .... | stunts (uncredited) | |
| Gary Littlejohn | .... | stunts (uncredited) | |
| Hal Needham | .... | stunts (uncredited) | |
| Walter Robles | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Don L. Carstensen | .... | gaffer (as Don Carstensen) | |
| Foster K. Denker | .... | grip (as Foster Denker) | |
| James R. Field | .... | gaffer (as James Field) | |
| John Oliver | .... | grip | |
| Bill Pecchi | .... | key grip | |
| Frank Ruttencutter | .... | assistant camera | |
| Peter Sorel | .... | still photographer | |
Casting Department | |||
| Dirty Denny | .... | casting associate (uncredited) | |
Costume and Wardrobe Department | |||
| Roy Vanderleelie | .... | wardrobe | |
Music Department | |||
| Stu Phillips | .... | conductor | |
Other crew | |||
| Sonny Barger | .... | technical advisor | |
| Joyce King | .... | script supervisor | |
| Sheila Scott | .... | production secretary | |
| Tommy Thomas | .... | technical advisor | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
This one is shelved in the 'cult' section of my favorite independent video rental shop, and for good reason. It's ludicrous!
Jack Nicholson is 'Poet,' a bad-ass gas-station attendant who gets fired after mouthing off at a customer and then rides off with the Hell's Angels, chasing after a piece of the macho life and a shot at making it with Shill (Sabrina Scharf), who rides bitch behind club chapter president Buddy (Adam Roarke), the king bad-ass of them all.
A confessed example of the B-movie 'exploitation' genre, 'Hell's Angels on Wheels' plays on every possible cliché: chair-smashing barroom brawls, bikers harassing carnival-goers and helpless drivers, cops harassing the bikers, heavy drinking and smoking of the evil weed by the violent Angels, etc. It's all too hilarious to be believed. The acting is adequate--Jack is great as Poet, making the most out of the stilted, silly dialogue, and Adam Roarke, a B-movie leading man if there ever was one, seems to be relishing every bit of his character's corny, macho posturing. Sabrina Schraff as Shill is a tough, sexy leading lady, though her hip outfits and perfectly coiffed bouffant don't much fit the look and style of an actual biker chick, even in 1967. As a matter of fact, the whole gang is a little too clean and well-groomed to resemble actual motorcycle outlaws, and the soundtrack consists of some of the most hilariously bad sixties-era 'muzak' you'll ever hear. Real Angels wouldn't be caught dead listening to such crappy pap.
The film is most interesting for its trivia value: Included are brief appearances by a host of actual Hell's Angels led by Sonny Barger, who to this day remains President of the infamous motorcycle gang. Apparently the Angels traded the use of their name and insignia for a cameo and a mention in the credits (though one wonders if they would have agreed to do so had they seen the film's final cut beforehand). Sabrina Schraff, the main love interest, was a former Playboy Bunny and later appeared in 'Easyrider', which, of course, also featured Jack Nicholson in his breakout role. Schraff, interestingly enough, went on to become a California state senator.
This is a silly little time capsule--a nice example of the sixties-era exploitation flick and a reasonable indicator of the widespread paranoia surrounding the motorcycle gang phenomena popularized in the early sixties. The Angels obviously enjoy being romanticized as fun-loving but fierce rebels against mainstream culture in the tradition of the frontier outlaws of the nineteenth century and the gangsters of the roaring twenties, but trust me, this movie is no history lesson.