To help his divorced neighbor claim a substantial inheritance, a family man poses as her husband. The ruse spills over into his career in advertising, and his recent promotion relies on his wholesome and moral appearance.
Three separate stories concerning relationship issues are presented, each largely taking place in suite 719 of the Plaza Hotel in New York City. In story one, suburban New Yorkers Sam and ... See full summary »
Unassuming and single thirty-three year old Tillie Shlain is at that phase of her life of being known as a soon to be spinster if she doesn't marry soon. She isn't looking forward to ... See full summary »
When the overworked and stressed-out White House presidential shrink runs away, the CEA and the FBR scramble to retrieve him before he could be abducted by various competing foreign intelligence services.
Theodore J. Flicker
Tony Rome, a tough Miami PI living on a houseboat, is hired by a local millionaire to find jewelry stolen from his daughter, and in the process has several encounters with local hoods as well as the Miami Beach PD.
Jill St. John,
Ed convinces his best friend Paul that he should fool around with other women in order to preserve his happy marriage. Ed illustrates his point with a series of vignettes acted out by a lot of famous celebrities. The joke of it all is that Paul is married to lovely Ruth! Written by
Basic principle number one - never say you'll be where you can be proved not to be.
Boy oh boy it just gets more complicated.
Protecting your loved ones is hard work.
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Gene Kelly, who directed this film, was a man that understood clearly timing and movement, as his distinguished career demonstrates. Being behind the camera gives him the opportunity to have his players to put into practice some of his ideas and the result is a film that is a lot of fun and doesn't appear too dated.
What Mr. Kelly accomplished with this film was bringing together two charismatic performers at the top of their form. Walter Matthau had been seen in lots of supporting roles before, but as Paul Manning, the bored husband looking for ways of having fun on the side, he is wonderful. The same could be said about Robert Morse, who had been on the New York stage and in other movies. Mr. Morse makes a fantastic contribution with his take of Ed Stander, the man who knew about how to go after the women he wanted without regard of the consequences.
Ed Stander puts a bug in Paul Manning's brain about how to have fun away from home. The only thing is, Paul is a man with a normal marriage with an adoring wife, who would not even contemplate in reciprocating what he is trying to do if he follows Ed's advice.
The other amazing thing in the film is the different vignettes that are seen throughout the movie. Some of the best and most accomplished actors working in Hollywood have a small part in cameo appearances that illustrate points that Ed would like Paul to put into practice. This way we get to see actors of the caliber of Lucille Ball, Art Carney, Jack Benny, Joey Bishop, Louis Nye, Jayne Mansfield, Phil Silvers, and others playing the dream-like sequences.
"A Guide for the Married Man" is a film worthy of our time since it takes us back to a more innocent period. Thanks to Mr. Kelly's inspired direction, the film will always be a favorite of mature fans.
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