A mother drops her son and husband off at a tropical vacation spot for a little rest and relaxation. The only problem is that the husband has been dead for quite some time, and his wife had... See full summary »
Charley is a surgeon who's recently lost his wife; he embarks on a tragicomic romantic quest with one woman after another until he meets up with Ann, a singular woman, closer to his own age... See full summary »
When the Great Northeast Blackout of 1965 hit, millions of people were left in the dark, including Waldo Zane, a New York executive in the process of stealing a fortune from his company, ... See full summary »
Ed convinces his best friend Paul that he should fool around with other women in order to preserve his happy marriage. Ed illustrates his point with a series of vignettes acted out by a lot of famous celebrities. The joke of it all is that Paul is married to lovely Ruth! Written by
The New York Times critic noted in his review of this film on May 27, 1967, that "? of all the witty demonstrations, one of the most amusing..." in the film was when Jayne Mansfield loses her bra in the home of Terry-Thomas. The sex symbol's two-minute cameo was shot under great personal distress, however. Filmed in mid-December, 1966, at the time, Zoltan Hargitay - Mansfield's youngest son with Mickey Hargitay - was recovering from spinal meningitis at Conjeo Valley Community Hospital, after undergoing brain surgery resulting from his being mauled by a lion in a freak accident at the Jungleland Park in Thousand Oaks, CA, on November 26, 1966. Zoltan spent exactly one month in the hospital, returning home to Jayne's "Pink Palace" on that year's Christmas morning. And though several Mansfield films would be released after her untimely death six months later, the scenes in this one were, as an actress, Jayne Mansfield's final moments before the professional movie cameras. See more »
Basic Principle number one: Never, NEVER say you'll be where you can be found not to be.
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Gene Kelly, who directed this film, was a man that understood clearly timing and movement, as his distinguished career demonstrates. Being behind the camera gives him the opportunity to have his players to put into practice some of his ideas and the result is a film that is a lot of fun and doesn't appear too dated.
What Mr. Kelly accomplished with this film was bringing together two charismatic performers at the top of their form. Walter Matthau had been seen in lots of supporting roles before, but as Paul Manning, the bored husband looking for ways of having fun on the side, he is wonderful. The same could be said about Robert Morse, who had been on the New York stage and in other movies. Mr. Morse makes a fantastic contribution with his take of Ed Stander, the man who knew about how to go after the women he wanted without regard of the consequences.
Ed Stander puts a bug in Paul Manning's brain about how to have fun away from home. The only thing is, Paul is a man with a normal marriage with an adoring wife, who would not even contemplate in reciprocating what he is trying to do if he follows Ed's advice.
The other amazing thing in the film is the different vignettes that are seen throughout the movie. Some of the best and most accomplished actors working in Hollywood have a small part in cameo appearances that illustrate points that Ed would like Paul to put into practice. This way we get to see actors of the caliber of Lucille Ball, Art Carney, Jack Benny, Joey Bishop, Louis Nye, Jayne Mansfield, Phil Silvers, and others playing the dream-like sequences.
"A Guide for the Married Man" is a film worthy of our time since it takes us back to a more innocent period. Thanks to Mr. Kelly's inspired direction, the film will always be a favorite of mature fans.
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