7.8/10
31,780
349 user 60 critic

Guess Who's Coming to Dinner (1967)

Unrated | | Comedy, Drama | 12 December 1967 (USA)
A couple's attitudes are challenged when their daughter introduces them to her African American fiancé.

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3,774 ( 6)

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Won 2 Oscars. Another 7 wins & 22 nominations. See more awards »

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A traveling handyman becomes the answer to the prayers of nuns who wish to build a chapel in the desert.

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Cast

Cast overview, first billed only:
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Roy Glenn ...
Mr. Prentice (as Roy E. Glenn Sr.)
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Tillie (as Isabell Sanford)
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Alexandra Hay ...
Barbara Randolph ...
Dorothy
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Frankie
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Peter
Grace Gaynor ...
Judith
Skip Martin ...
Delivery Boy
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Storyline

After a period of vacation in Hawaii, Joanna "Joey" Drayton returns to her parents' home in San Francisco bringing her fiancé, the high-qualified Dr. John Prentice, to introduce him to her mother Christina Drayton that owns an art gallery and her father Matt Drayton that is the publisher editor of the newspaper The Guardian. Joey was raised with a liberal education and intends to get married with Dr. John Prentice that is a black widower and needs to fly on that night to Geneva to work with the World Health Organization. Joey invites John's parents Mr. Prentice and Mrs. Prentice to have dinner with her family and the couple flies from Los Angeles to San Francisco without knowing that Joey is white. Christina invites also the liberal Monsignor Ryan, who is friend of her family. Along the day and night, the families discuss the problems of their son and daughter. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

a love story of today

Genres:

Comedy | Drama

Certificate:

Unrated | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

12 December 1967 (USA)  »

Also Known As:

Rat mal, wer zum Essen kommt  »

Box Office

Budget:

$4,000,000 (estimated)

Gross:

$56,700,000 (USA)
 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor) (as Technicolor®)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Due to Spencer Tracy's health, the cast was always working from two shooting scripts, one with Tracy, one without. Typically, Katharine Hepburn brought Tracy in the morning, they worked until she decided he was too tired, then Tracy and Hepburn left. Sidney Poitier, who already had received a Best Actor Oscar for Lilies of the Field (1963), was intimidated by working with two legends, and preferred to perform to empty high backed chairs. See more »

Goofs

The way Poitier hold/talks on the phone with his father, inviting him to dinner is inconsistent between shots. See more »

Quotes

[first lines]
John: You know, I just had a thought. Why don't I go check into a hotel and get some rest, and you go find your folks?
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Connections

Featured in And the Oscar Goes To... (2014) See more »

Soundtracks

Glory of Love
(1936)
by Billy Hill
Sung by Jacqueline Fontaine at the restaurant
Sung offscreen by a chorus during opening and closing credits
Played in the score often
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Surprisingly fresh for a thirty year old, and still relevant
9 May 1999 | by (Toronto, Canada) – See all my reviews

Seeing this film for the first time more than thirty years after it was made, I was struck by the theme's endurance in time. It remains relevant today, even if not to the same degree. And even though I'm almost thirty years old, I can say with mixed emotions of embarrassment and vindication, that Spencer Tracy taught me a better way to tie a tie. Who's says movies don't teach you anything?

The film is dated, to be sure, by many things, from clothing to music, cars and expressions. At times the dialogue seemed a bit hokey, and others, simply brilliant. I swear, I half expected an entourage of go-go dancers to spontaneously burst through the streets of San Francisco. And if I never hear the "Story Of Love" ever again in my life, it would be too soon.

But I can't help but think that the more things change in thirty years, sometimes they remain the same. Certainly there's more examples of interracial couples today than thirty years ago, and therefore a greater degree of tolerance, but for a lot of narrow-minded individuals, it's still as controversial or "appalling" as it was thirty years ago.

Some of the lines actually had me laughing out loud, enjoying the moment as it follows into another well complimented scene. I'm speaking in particular of the scene where Katharine Hepburn fires her employee for her prejudicial views, and basically everything that follows that scene for the next five minutes.

I try my best to imagine what it would be like to be in the shoes of any character in the film, to appreciate what it might've been like for them, in that time, and while I think I can muster an inkling, I don't think my creativity is up to a challenge of that nature. And I think that ultimately, that's a good thing, and I'm grateful to those who came before.


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