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Guess Who's Coming to Dinner (1967)

 -  Drama  -  12 December 1967 (USA)
7.7
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Ratings: 7.7/10 from 19,020 users  
Reviews: 246 user | 48 critic

Matt and Christina Drayton are a couple whose attitudes are challenged when their daughter brings home a fiancé who is black.

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Title: Guess Who's Coming to Dinner (1967)

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Cast

Cast overview, first billed only:
...
...
...
...
Cecil Kellaway ...
Monsignor Ryan
...
Mrs. Prentice
Roy Glenn ...
Mr. Prentice (as Roy E. Glenn Sr.)
...
Tillie (as Isabell Sanford)
Virginia Christine ...
Hilary St. George
Alexandra Hay ...
Carhop
Barbara Randolph ...
Dorothy
D'Urville Martin ...
Frankie
Tom Heaton ...
Peter
Grace Gaynor ...
Judith
Skip Martin ...
Delivery Boy
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Storyline

Joey Drayton brings her fiancé, Dr. John Prentice, home to sunny San Francisco to meet her affluent parents. Their liberal persuasions are now put to the test, for although the young man is an ideal choice (he's highly and internationally respected in the medical field, and he's impeccably mannered, handsome, well dressed and of a respectable California family), he's black. The film, which covers one busy day in the Drayton home, is essentially a drawing-room comedy, a series of cross-conversations between the young doctor and the girl's parents, and finally between all sets of parents and offspring. A simple dinner is extended to include the doctor's parents, who fly up from Los Angeles for the evening, and the crusty but benevolent old Irish priest, a friend of the family. Thus, the title of the film . . . Written by filmfactsman

Plot Summary | Plot Synopsis

Taglines:

a love story of today

Genres:

Drama

Certificate:

TV-PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

12 December 1967 (USA)  »

Also Known As:

Rat mal, wer zum Essen kommt  »

Box Office

Budget:

$4,000,000 (estimated)

Gross:

$56,700,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Katharine Houghton's feature film debut. See more »

Goofs

The way Poitier hold/talks on the phone with his father, inviting him to dinner is inconsistent between shots. See more »

Quotes

[first lines]
John: You know, I just had a thought. Why don't I go check into a hotel and get some rest, and you go find your folks?
See more »

Connections

Featured in Classified X (1998) See more »

Soundtracks

"Glory of Love"
(1936)
Written by Billy Hill
Sung by Jacqueline Fontaine at the restaurant
Sung offscreen by a chorus during opening and closing credits
Played in the score often
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
One of the must see movies of all time...
27 November 2005 | by (Western PA) – See all my reviews

Here's a great way to spend an afternoon: watching some of the greatest actors of all time in a film that still has relevance today. Such a cast! Hepburn is wonderful as always, very energetic, with no trace of the shakiness of her later years.

Tracy, gruff, the way most probably remember him - sort of a ratcheted up version of the roles he played with Hepburn in earlier years. His ill health is obvious though to the careful observer: voice a little weak at times, and Tracy's step missing the "spring" of his earlier films. The fact that this his last film was so memorable, and of such quality just adds to his legend.

Potier of course turns in a great performance, impeccable as always.

Watch for Isabel Sanford, ("The Jefferson's") particularly the one memorable scene where she explains to Potier's character just what "black power" really is.

Cecil Kellaway sparkles as Monsignor Ryan, and Beah Richards and Roy Glenn, as the parents to Potier's character, mirror Hepburn and Tracy.

Indeed, there is so much real honest-to-god acting talent concentrated in this movie, it seems almost unfair, what I'm about to say: Katharine Houghton, as 'Joey' is the only character with only 2 dimensions. She's the ever-smiling, but clueless daughter and object of Dr. Prentice' affection. She's such a Pollyanna, and remains oblivious to the drama going on all around her, and everyone else conspires to keep her in the dark throughout the entire film. (No wonder her father is concerned.) I think it's fair to say that Houghton's character is the one weak spot in this otherwise excellent film.

That said, this is a wonderful film that I will always watch when it comes on. It's such a treat to watch these legendary actors at work. I highly recommend it.

By the way, there's no glass in Spencer's eyeglasses during the ending monologue, is there – he's wearing only frames, right?


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