Day of Anger (1967) I giorni dell'ira (original title)

Director:

Tonino Valerii

Writers:

Ron Barker (based on the novel "Der tod Ritt Dienstags" by)
Ernesto Gastaldi (screenplay) ...
(more)

Release Date:

November 1969 (USA)

Genre:

Western

Tagline:

Lee Van Cleef has been dirty, "ugly" and downright mean... now watch him get violent.

Plot:

Amiable, unassertive Scott Mary picks up the trash, cleans the toilets, sweeps the floors in the town of Clifton...

Plot Keywords:

Arson | Dance Hall | Pipe Smoking | Burning Building | Stagecoach

Cast

Lee Van Cleef	...	Frank Talby
Giuliano Gemma	...	Scott Mary
Walter Rilla	...	Murph Allan Short
Christa Linder	...	Gwen
Yvonne Sanson	...	Vivien Skill
Lukas Ammann	...	Judge Cutchell
Andrea Bosic	...	Abel Murray
Ennio Balbo	...	Turner - the banker
José Calvo	...	Blind Bill (as Pepe Calvo)
Giorgio Gargiullo	...	Killer
Anna Orso	...	Eileen (Judge Cutchell's daughter)
Karl-Otto Alberty	...	Sam Corbitt (as Hans Otto Alberty)
Nino Nini	...	Marshall / Sheriff Nigel
Virgilio Gazzolo	...	Mr. Barton - Owner of Arms Shop
Eleonora Morana	...	Mrs. Barton - Woman sending a letter
Benito Stefanelli	...	Owen White - The Hired Killer
Franco Balducci	...	Slim
Christian Consola
Nazzareno Natale	...	Wild Jack's Henchmen (as Natale Nazareno)
Ferruccio Viotti
Paolo Magalotti	...	Deputy Cross
Gianni Di Segni
rest of cast listed alphabetically:
Paul Naschy
Román Ariznavarreta	...	Wild Jack's Henchmen (uncredited)
Giancarlo Bastianoni	...	Talby's Gang Member hired to kill Scott (uncredited)
Omero Capanna	...	Cameo (uncredited)
Álvaro de Luna	...	Wild Jack's Henchmen (uncredited)
Margherita Horowitz	...	Beautiful Middle-Aged Card Player in Talby's saloon (uncredited)
Mauro Mannatrizio	...	Mackenzie Perkins (uncredited)
Vladimir Medar	...	Old Man Perkins (uncredited)
Fulvio Mingozzi	...	Turner's Assistant (uncredited)
Al Mulock	...	Wild Jack (uncredited)
Ricardo Palacios	...	Bowie Cantina Owner (uncredited)
Fulvio Pellegrino	...	Waiter in Talby's saloon (uncredited)
Romano Puppo	...	Hart Perkins (uncredited)

Directed by
Tonino Valerii

Writing credits
Ron Barker		(based on the novel "Der tod Ritt Dienstags" by)
Ernesto Gastaldi		(screenplay) and
Tonino Valerii		(screenplay) and
Renzo Genta		(screenplay)

Produced by
Henryk Chrosicki	....	producer (as Sansone e Chrosciky)
Alfonso Sansone	....	producer (as Sansone e Chrosciky)

Original Music by
Riz Ortolani

Cinematography by
Enzo Serafin		(director of photography)

Film Editing by
Franco Fraticelli

Production Design by
Piero Filippone

Set Decoration by
Piero Filippone

Costume Design by
Maria Baroni

Production Management
Nino Milano	....	production manager
Nicolò Pomilia	....	unit manager

Art Department
Carlo Simi	....	property master

Stunts
Giancarlo Bastianoni	....	stunts (uncredited)
Omero Capanna	....	stunts (uncredited)
Romano Puppo	....	stunts (uncredited)

Camera and Electrical Department
Silvio Fraschetti	....	camera operator

Music Department
Riz Ortolani	....	conductor
Christa Linder	....	singer (uncredited)

Production Companies

• Sancrosiap (as SANCROSIAP S.p.A. - Roma)
• Corona Filmproduktion (as CORONA FILM e KG DAVINA FILM Monaco)
• Divina-Film (as CORONA FILM e KG DAVINA FILM Monaco)

Distributors

• Gloria (1968) (West Germany) (theatrical) (dubbed)
• National General Pictures (1969) (USA) (theatrical) (dubbed)
• Imperial Entertainment (1996) (USA) (VHS)
• Poletel (19??) (Brazil) (VHS)
• Sinister Cinema (1998) (USA) (VHS)
• Something Weird Video (SWV) (199?) (USA) (VHS)
• StudioCanal (2012) (Germany) (DVD)
• Wild East Productions (2002) (USA) (DVD)

Other Companies

• Technicolor  color by
• Techniscope  color by
• RCA Italiana  music edition (as R.C.A. Italiana)

Also Known As:

"I giorni dell'ira" - Italy (original title)

Runtime:

95 min | Australia:111 min

Country:

Italy | West Germany

Language:

Italian

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

Mono

Certification:

Finland:K-16 | Italy:VM18 | Norway:16 | Spain:18 | Sweden:15 | USA:M | Canada:G (Quebec) | Canada:PG (Ontario) | UK:15 (1986) | West Germany:16 (nf) | Germany:16 (DVD rating)

Filming Locations:

Almería, Andalucía, Spain

Company:

Sancrosiap

Trivia:

In the film, Scott Mary's mule is called Sartana; a common name for a gunslinger character in other spaghetti western films.

Quotes:

Scott Mary:Talby, now it's your turn. There's nobody out here left to take your place.

Movie Connections:

Referenced in Django Unchained (2012)

Soundtrack:

Serene Night [Una Notte Serena (#4)]

Tonino Valerii's masterpiece

"Day of Anger" is an incredible western. Not only is it one of the 3 or 4 best non-Leone spaghetti westerns, It also has just about the best non-Morricone music score I have heard.

Lee Van Cleef is at his very best in this movie as Talby, the slick, intelligent, and ruthless gunfighter. As is the case with many spaghetti westerns, this movie draws a very thin line between "good" and "evil." Talby is a killing machine who is out for his own personal gain, yet he is also very likable in many ways. When he takes Scott under his wing and teaches him not to put up with being treated with disrespect from the "good" citizens of Clifton, Talby actually becomes the only person who represents any real sort of "justice" in the whole town. Then we find out that the pillars of the community have something to hide, and Talby delivers his own brand of justice to them also.

Giuliano Gemma always delivers a great spaghetti western performance, and he is at the top of his game here as well. In the role of Scott Mary he has to play a character who goes through a lot of different emotions, and a couple of life-changing events. When Scott becomes a gunfighter like Talby, we relate to him and like him even more as he demands and gets respect from the people who used to spit on him. Talby's comment to the townsfolk of Clifton sums up why: "He was born a wolf, but you made him rabid." What a great line! The final showdown at the end is one of the classics. It is wonderfully choreographed with the film's music, and has that artistic, operatic quality that the very best spaghetti westerns possess. There's lots of emotion going on in this one, as it is plain to see that the two men squaring off still have respect and admiration for each other. On some level, it even still seems like they are friends, but this moment was inevitable, like an uncontrollable force of nature. As Talby says, "once you start killing, you can't stop." Talby's killing finally draws that thin line, Scott ends up on the other side of it, and the final showdown begins. I will say no more.

Riz Ortolani's score is awesome. I love the opening theme, and the pictures and movements on the screen that accompany it. It pulls you right into this film before the story even begins. Not only is the music great, it is very original as well. It is not a Morricone rip-off at all. Ortolani's style here is all his own. It is much more of a swinging 60's sound that retains just enough western flavor to make it appropriate for this type of film. This is a soundtrack I would like to have on CD.

This is one of those movies that I just can't say enough about. I would recommend it to anyone, and if you like spaghetti westerns you really need to own it.