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Gunlaw (1967)
"I giorni dell'ira" (original title)

M  -  Western  -  November 1969 (USA)
7.2
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Ratings: 7.2/10 from 1,700 users  
Reviews: 19 user | 7 critic

Amiable, unassertive Scott Mary picks up the trash, cleans the toilets, sweeps the floors in the town of Clifton. Then a gunfighter comes to town. He offers advice and guidance to Scott who... See full summary »

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(based on the novel "Der tod Ritt Dienstags" by), (screenplay), 2 more credits »
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Title: Gunlaw (1967)

Gunlaw (1967) on IMDb 7.2/10

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Cast

Cast overview, first billed only:
...
Giuliano Gemma ...
Walter Rilla ...
Murph Allan Short
Christa Linder ...
Gwen
Yvonne Sanson ...
Vivien Skill
Lukas Ammann ...
Judge Cutchell
Andrea Bosic ...
Abel Murray
Ennio Balbo ...
Turner - the banker
José Calvo ...
Blind Bill (as Pepe Calvo)
Giorgio Gargiullo ...
Killer
Anna Orso ...
Eileen (Judge Cutchell's daughter)
Karl-Otto Alberty ...
Sam Corbitt (as Hans Otto Alberty)
Nino Nini ...
Marshall / Sheriff Nigel
Virgilio Gazzolo ...
Mr. Barton - Owner of Arms Shop
Eleonora Morana ...
Mrs. Barton - Woman sending a letter
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Storyline

Amiable, unassertive Scott Mary picks up the trash, cleans the toilets, sweeps the floors in the town of Clifton. Then a gunfighter comes to town. He offers advice and guidance to Scott who quickly begins to toughen and mature, thus upsetting the balance of power in the town. Written by dinky-4 of Minneapolis

Plot Summary | Add Synopsis

Taglines:

Lee Van Cleef has been dirty, "ugly" and downright mean... now watch him get violent.

Genres:

Western

Certificate:

M | See all certifications »
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Details

Country:

|

Language:

Release Date:

November 1969 (USA)  »

Also Known As:

Gunlaw  »

Filming Locations:


Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

In the film, Scott Mary's mule is called Sartana; a common name for a gunslinger character in other spaghetti western films. See more »

Quotes

Scott Mary: Doc Holliday was the best shot in all the west. Him... not his pistol.
Murph Allan Short: Him... and his pistol! There can be an experience of a lifetime in a gun. But it's not enough to be able to draw faster than the other guy if the other guy knows a trick that you don't know. In my day, we had to either learn the tricks... or we gave work to the gravediggers.
See more »

Connections

References If You Meet Sartana Pray for Your Death (1968) See more »

Soundtracks

""Violence, Hatred [Violenza, Odio (#3)]"
Composed by Riz Ortolani
See more »

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User Reviews

 
Day of Anger (1967)
18 November 2007 | by (Greece) – See all my reviews

I've been trawling through the spaghetti western back catalogue lately, and it seems I've missed quite a few hidden gems. Day of Anger is one of them. Tonino Valleni's western is more American in its approach, although the staples of the spaghetti genre are still here. Close ups, violence (altough not as glorifying as you'd expect from your typical spag), a languid jazzy score by Riz Ortolani (a departure from the typical operatic Morricone scores), and great performances by Lee Van Cleef and Giulliano Gemma.

Giulliano Gemma is Scott, the garbage boy for the quite peaceful town of Clifton, a town where the sheriff wanders about without his gun and residents are surprised to hear the sound of gunshots. Scott is constantly pushed around and ridiculed, until gunslinger extraordinaire Talby strides into town. Van Cleef is typically superb as Talby, who takes Scott under his wing and teaches him the art of gunslinging by laying out the 9 rules of the gunfigher. Talby and Scott will come back into Clifton to get the 50,000$ a crook called Wild Jack owed him. Wild Jack was sold short by Clifton's higher class citizens, so Talby will have to get the money back in his own way.

The story follows both Talby's gradual usurping of the city and Scott's progress from a green boy to a man who stands his ground. The interaction between old experienced gunslinger and enthusiastic apprentice is executed very well. All in all a solid, if a little predictable, spaghetti western, that eschews the conventions of your typical spag for characterization. It's well worth tracking down in its uncut 109 minutes version. It's a shame that quite a few spags were lost amidst the truckloads of similar flicks churned out by the Italian studios in the genre's hayday. This is among the best. And it's one, even the American horse opera fans, will love.


4 of 5 people found this review helpful.  Was this review helpful to you?

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