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Dead Run (1967)
"Geheimnisse in goldenen Nylons" (original title)

 -  Drama  -  March 1969 (USA)
5.5
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Ratings: 5.5/10 from 36 users  
Reviews: 5 user

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Title: Dead Run (1967)

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Cast

Credited cast:
...
Stephen Daine
Ira von Fürstenberg ...
Suzanne Belmont
Georges Géret ...
Carlos
Maria Grazia Buccella ...
Anna (as Maria Bucella)
Werner Peters ...
Bardieff
...
Noland
Siegfried Wischnewski ...
Klaas
Eva Pflug ...
Lili Manchingen
Jean Tissier ...
Adelgate
Luciano Pigozzi ...
Van Joost (as Alan Collins)
Herbert Fux ...
Herbert
Hans Heyde
Wolfgang Kieling ...
Wolfgang
Horst Frank ...
Manganne
Rest of cast listed alphabetically:
Christian Brocard ...
Drink seller
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Storyline

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Taglines:

He innocently steals an envelope...And it turns into his death certificate!

Genres:

Drama

Certificate:

R | See all certifications »
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Release Date:

March 1969 (USA)  »

Also Known As:

Dead Run  »

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Aspect Ratio:

1.66 : 1
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Did You Know?

Crazy Credits

The MPAA seal appears on the Universal logo instead of during the credits where it usually appears. See more »

Connections

References The Third Man (1949) See more »

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User Reviews

One of the seven Eurospy classics
13 January 2003 | by (Seattle) – See all my reviews

Berlin in winter. The days are wet and dark, the deeds darker. Thus the scene is set for one of the genre's most enjoyable serious entries. Yes, it's a simple story; there are no madmen with visions of world domination, no fancy gadgets to distract but it's a story told with flair and the swift pace is that of the petty thief on the run, drawn into a high-stakes game of espionage.

Christian-Jaque, director of one of the segments of The Dirty Game, pulls all the elements together this time; a first rate score by Gerard Calvi, a great and varied cast, an excellent script, and appealing locations result in a minor gem. Dutch camera angles abound as we chase the European winter in Berlin, Lucerne, Paris, and Vienna. The look of the film manages to stay just this side of drab, the natural light is weak but the feeling isn't one of hopelessness, rather it's a sort of dignified gloom.

If you're looking for a well-crafted piece of espionage drama that treads the fine line between humor and bleakness, and features a stellar cast at their best, you just found it. As Georges Geret remarks halfway through the film `Spying is no job, it's a profession,' and this is a very professional look at it indeed.


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