| Photos (see all 4 | slideshow) |
| Ken Clark | ... | Captain Fritz Schoeller | |
| Horst Frank | ... | Lt. Roland Wolf | |
| Jeanne Valérie | ... | Faddja Hassen | |
| Carlo Hinterman | ... | Sgt. Erich Huber | |
| Howard Ross | ... | Willy Mainz | |
| Franco Fantasia | ... | Major Dalio | |
| Hardy Reichelt | ... | Corporal Hans Ludwig | |
| Fabienne Dali | ... | Simone | |
| Tom Felleghy | ... | Colonel Ross | |
| John Stacy | ... | Sir Bryan | |
| Giovanni Ivan Scratuglia | (as Ivan Scratuglia) | ||
| Gianni Rizzo | ... | Perrier |
Directed by | |||
| Umberto Lenzi | |||
Writing credits(in alphabetical order) | ||
| Umberto Lenzi | screenplay | |
| Umberto Lenzi | story | |
Produced by | |||
| Alberto Grimaldi | .... | producer | |
Original Music by | |||
| Angelo Francesco Lavagnino | |||
Cinematography by | |||
| Carlo Carlini | |||
Film Editing by | |||
| Eugenio Alabiso | |||
Art Direction by | |||
| Nicola Tamburo | |||
Production Management | |||
| Thomas Sagone | .... | production manager (as Tommy Sagone) | |
Second Unit Director or Assistant Director | |||
| Franco Fantasia | .... | assistant director | |
Art Department | |||
| Carlo Leva | .... | set dresser | |
Sound Department | |||
| Claudio Maielli | .... | sound | |
Special Effects by | |||
| Aldo Gasparri | .... | special effects | |
Camera and Electrical Department | |||
| Sergio Bergamini | .... | camera operator | |
| Ruggero Radicchi | .... | assistant camera | |
Costume and Wardrobe Department | |||
| Italia Scandariato | .... | wardrobe | |
Other crew | |||
| Patrizia Zulini | .... | continuity | |
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| Il grande attacco | Die Hölle von Macao | The Call of the Wild | Ein unbekannter rechnet ab | Triple Cross |
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| Full cast and crew | Company credits | External reviews |
| IMDb Adventure section | IMDb Italy section | Add this title to MyMovies |
Splendid plot idea, but a little more work on it might have made the difference: some scenes are just too simplistic; when they enter the house of the French officer's mistress, it doesn't ring "true". The desert scenes are nice but a little more camera and light work might have made them beautiful. WW II movie directors who use modern hardware are killing me: for obvious financial reasons, he probably rented the equipment on the site from the Moroccan army: the aircraft, a Max Holste Broussard, was designed in the fifties; there wasn't a single WWII vintage tank: they were either Creusot-Loire AMX-13 or Panhard armored vehicles, designed in the fifties. It's a pity.