Mordecai Jones (George C. Scott) is a rural con artist (a 'flim flam man') who takes on a young army deserter Curley (Michael Sarrazin) as his protégé and teaches him the tricks of the ... See full summary »
Brooks Wilson is in crisis. He is torn between his wife Selma and two daughters and his mistress Grace, and also between his career as a successful illustrator and his feeling that he might... See full summary »
Eva Marie Saint,
In 1974, flanked by such filmic monuments to paranoia and corruption as Chinatown and The Parallax View, Elliott Gould and Donald Sutherland tried to re-create the screwball nonchalance of ... See full summary »
A young wife and mother, bored with day-to-day life in New York City and neglected by her husband, slips into increasingly outrageous fantasies: her mother breaking into the apartment, an ... See full summary »
A bank temporarily housed in a mobile home while a new building is built, looks like an easy target to break into. On the other hand, why not steal the whole bank, and rob it in a safer ... See full summary »
George C. Scott,
Three teenagers find a briefcase with a beat-up old can in it. They throw away the can and pawn the suitcase. When they read in the papers that the can was full of uncut heroin and belonged... See full summary »
Mordecai Jones (George C. Scott) is a rural con artist (a 'flim flam man') who takes on a young army deserter Curley (Michael Sarrazin) as his protégé and teaches him the tricks of the trade. Sheriff Slade (Harry Morgan) is in hot pursuit of the pair and rich girl Bonnie Lee Packard (Sue Lyon) becomes romantically involved with Curley and helps the fleeing duo stay one step ahead of the sheriff. The film features a great automobile chase scene for those who appreciate this kind of cinema hijinks. Screenplay by William Rose ("It's a Mad, Mad, Mad, Mad World"). Written by
Wry comedy-drama with an appropriately larger-than-life performance by George C. Scott. The great supporting cast includes Henry Morgan and Slim Pickens, excellent as always, plus Michael Sarrazin in a more animated performance than usual. Expert use of some off-the-beaten-path Southern locales. The script is quite perceptive in its view of mankind's flaws and foibles. A fun, slapsticky car chase, too. If you can convince your viewing companions to pass up the usual "New Releases" drivel and take a chance on this one, you'll be well-rewarded.
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