7.3/10
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136 user 72 critic

The Fearless Vampire Killers (1967)

Dance of the Vampires (original title)
Unrated | | Comedy, Horror | 17 November 1967 (Italy)
A noted professor and his dim-witted apprentice fall prey to their inquiring vampires, while on the trail of the ominous damsel in distress.

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1 nomination. See more awards »

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Cast

Complete credited cast:
...
Alfie Bass ...
Shagal, the Inn-Keeper
Jessie Robins ...
Rebecca Shagal
...
Sarah Shagal
...
Iain Quarrier ...
Herbert von Krolock
Terry Downes ...
Koukol, the Servant
Fiona Lewis ...
Magda, the Maid
Ronald Lacey ...
Village Idiot
Sydney Bromley ...
Sleigh Driver
Andreas Malandrinos ...
Otto Diamant ...
Matthew Walters ...
Rest of cast listed alphabetically:
...
Alfred
Vladek Sheybal ...
Herbert (voice)
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Storyline

The elderly bat researcher, professor Abronsius and his assistant, Alfred, go to a remote Transylvanian village looking for vampires. Alfred falls in love with the inn-keeper's young daughter Sarah. However, she has been spotted by the mysterious count Krolock who lives in a dark and creepy castle outside the village... Written by Mattias Thuresson

Plot Summary | Plot Synopsis

Plot Keywords:

vampire | castle | gay | transylvania | bat | See All (77) »

Taglines:

You'll never know what bit you... but you'll love it! See more »

Genres:

Comedy | Horror

Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

17 November 1967 (Italy)  »

Also Known As:

The Fearless Vampire Killers  »

Box Office

Budget:

$2,000,000 (estimated)
 »

Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Amongst the ancestral portraits in the castle is a depiction of an ugly old woman inspired by a sketch of 'Leonardo da Vinci' and since the 18th century frequently connected with Margarete Maultasch, countess of Tyrol (1318-1369). See more »

Goofs

When the Professor is trapped in the window in the crypt, both he and his spectacles move between shots. See more »

Quotes

[last lines]
Narrator: That night, fleeing from Transylvania, Professor Abronsius never guessed he was carrying away with him the very evil he had wished to destroy. Thanks to him, this evil would at last be able to spread across the world.
See more »

Crazy Credits

In the opening credits the MGM-lion transforms into a vampire. See more »

Connections

Featured in Death in Hollywood (1990) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Awesome
5 November 2001 | by (Saint Paul, MN) – See all my reviews

This isn't the best horror/comedy. Mel Brooks' Young Frankenstein is. However, second place has just got to go to this one, and there's no shame in being second here. I don't know too much about Roman Polanski's career (I think I know more about his personal life): I've seen Rosemary's Baby and Chinatown, and FVK is the third of his that I've seen. I would never have imagined from those two movies that he could direct comedy, and thus I came into FVK very skeptical. At first, I thought that the laughs were few and far between. I also thought that Polanski's direction was too showy for a comedy. But as the film went on, the comic moments began to build. And the showy direction ceased seeming showy and began to seem wonderful. If you find yourself not laughing a lot, it's understandable. Just sit back and enjoy Polanski's amazing direction. And the laughs, although, to many, they may seem too few, those that there are are enormous. I'd also like to praise the actors, including Roman Polanski himself. The set design, especially in the castle, is more than amazing. It's simply beautiful. The film has a few slow spots, and the end is particularly disappointing. Polanski himself would probably be angry at me for rejecting his ending, but it's not the finale that I object to so much as the weak climax. The suspense (yes, suspense is plentiful in this comedy) was building so well during that climactic sequence, and it doesn't pay off.

And I really don't want to give too much away, because everything is best experienced freshly (I hadn't even heard of this film before I saw that it was to be on TCM), but, man, watch out for the dance scene. I LOVE Chinatown, but I think, from the three Polanski films that I've seen, that that scene is his crowning achievement. 9/10.


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