The Fearless Vampire Killers
(1967)
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The Fearless Vampire Killers
(1967)
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| Complete credited cast: | |||
| Jack MacGowran | ... | ||
| Roman Polanski | ... |
Alfred, Abronsius' Assistant
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Alfie Bass | ... |
Shagal, the Inn-Keeper
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Jessie Robins | ... |
Rebecca Shagal
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| Sharon Tate | ... |
Sarah Shagal
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Ferdy Mayne | ... | |
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Iain Quarrier | ... |
Herbert von Krolock
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Terry Downes | ... |
Koukol, the Servant
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Fiona Lewis | ... |
Magda, the Maid
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Ronald Lacey | ... |
Village Idiot
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Sydney Bromley | ... |
Sleigh Driver
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Andreas Malandrinos | ... |
Woodcutter
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Otto Diamant | ... |
Woodcutter
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Matthew Walters | ... |
Woodcutter
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The elderly bat researcher, professor Abronsius and his assistant, Alfred, go to a remote Transylvanian village looking for vampires. Alfred falls in love with the inn-keeper's young daughter Sarah. However, she has been spotted by the mysterious count Krolock who lives in a dark and creepy castle outside the village... Written by Mattias Thuresson
This isn't the best horror/comedy. Mel Brooks' Young Frankenstein is. However, second place has just got to go to this one, and there's no shame in being second here. I don't know too much about Roman Polanski's career (I think I know more about his personal life): I've seen Rosemary's Baby and Chinatown, and FVK is the third of his that I've seen. I would never have imagined from those two movies that he could direct comedy, and thus I came into FVK very skeptical. At first, I thought that the laughs were few and far between. I also thought that Polanski's direction was too showy for a comedy. But as the film went on, the comic moments began to build. And the showy direction ceased seeming showy and began to seem wonderful. If you find yourself not laughing a lot, it's understandable. Just sit back and enjoy Polanski's amazing direction. And the laughs, although, to many, they may seem too few, those that there are are enormous. I'd also like to praise the actors, including Roman Polanski himself. The set design, especially in the castle, is more than amazing. It's simply beautiful. The film has a few slow spots, and the end is particularly disappointing. Polanski himself would probably be angry at me for rejecting his ending, but it's not the finale that I object to so much as the weak climax. The suspense (yes, suspense is plentiful in this comedy) was building so well during that climactic sequence, and it doesn't pay off.
And I really don't want to give too much away, because everything is best experienced freshly (I hadn't even heard of this film before I saw that it was to be on TCM), but, man, watch out for the dance scene. I LOVE Chinatown, but I think, from the three Polanski films that I've seen, that that scene is his crowning achievement. 9/10.