A wounded criminal and his dying partner take refuge at a beachfront castle. The owners of the castle, a meek Englishman and his willful French wife, are initially the unwilling hosts to ... See full summary »
A young American woman (Sydne Rome) traveling through Italy finds herself in a strange Mediterranean villa where nothing seems right. Her visit becomes an absurd, decadent, oversexed ... See full summary »
British couple Fiona and Nigel Dobson are sailing to Istanbul en route to India. They encounter a beautiful French woman, and that night Nigel meets her while dancing alone in the ship's ... See full summary »
Kristin Scott Thomas,
A young couple move into a new apartment, only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins controlling her life.
The elderly bat researcher, professor Abronsius and his assistant, Alfred, go to a remote Transylvanian village looking for vampires. Alfred falls in love with the inn-keeper's young daughter Sarah. However, she has been spotted by the mysterious count Krolock who lives in a dark and creepy castle outside the village... Written by
Originally Roman Polanski wanted to shoot his film on location in and around a castle in Switzerland which he saw during a vacation, but as this was impossible, other locations in the Alps were found, along with studio shoots in England. While on location, Polanski employed dozens of local artisans to make the large numbers of coffins needed in the film. Unfortunately tourists were rather unnerved by the sight of these, and hotels had to erect signs to assure their guests that the area hadn't been struck by plague. See more »
When the Professor first enters Count von Krolock's library, he puts his spectacles on at the tip of his nose, so that he can read some of the books' titles. He nevertheless looks right above his glasses, thus making no use of them. See more »
I love Roman Polanski's "The Fearless Vampire Killers," which is surprising to me now because for most of my life I thought it was dreadful. I missed the original release back in 1967, but I was only eight years old then, and the version released in the U.S. was a truncated travesty of what Polanski intended. I've read that the movie was considered an almost complete fiasco because the executive producer, Martin Ransohoff, best known for "The Beverly Hillbillies," wanted a very different film and cut 16 minutes out of Polanski's 107 minute cut, inserted a short cartoon before the titles (so people would know it was supposed to be a comedy; Ransohoff thought Polanski botched it that badly), and even re-dubbed some of the actors. He also added the awful tag line to the title, "Or, Pardon Me, But Your Teeth Are in My Neck." This must have been the version I saw on TV in the early seventies and thought so terrible. Thankfully this abomination doesn't seem to be in circulation anymore. However, despite its flaws "The Fearless Vampire Killers" gained a cult following over the years, to a degree due to the morbid fascination with the murder of Sharon Tate, but also because the movie is really very good. Paramount's Robert Evans recognized this back in '67 and thought Polanski the right director for "Rosemary's Baby." He was right and the success of that film showed Hollywood what a master of the language of film Polanski is.
In 1983 MGM/UA Home Video released Polanski's original cut on cassette and on laserdisc (remember those?). On laserdisc it was letterboxed so you could enjoy the full Panavision frame, and included the alternate main title sequences from the bastardized version as an extra. For some reason, though I wasn't a fan of the film, I thought this was a disc I had to get, but after I first viewed it I wondered if I hadn't wasted my money. I still couldn't see what was so great about it. However, I didn't get rid of the disc and over the past nine years I've viewed the movie several times. I can't remember when I started to appreciate it, but now "The Fearless Vampire Killers" is one of my favorite movies.
Right from the main title sequence this film is really quite wonderful. Christopher Komeda's score is weird and haunting. The day-for-night shots of the snowy countryside are a bit distracting, but kind of fit the fairy tale quality of the film's isolated, late 19th century Transylvanian winter never land. The movie is extremely well-mounted with wonderful sets, especially the vampires' castle. All the performances are excellent. Jack MacGowran's Professor Abronsius is an absolutely incredible characterization, unlike anything else MacGowran ever did on film. The same is true of Alfie Bass' Yoine Shagal, possibly the world's first Jewish vampire, and a terrible lecher. Sharon Tate was probably never lovelier than in this movie, and Roman Polanski is very good as Alfred, in fact amazing when you consider he was also directing. It is a tour de force on his part. Finally, Ferdy Mayne's Count Von Krolock is a king vampire equal to any screen Dracula, while Iain Quarrier is also appropriately creepy as his gay vampire son, Herbert.
Like the drinking of blood (I would imagine!), appreciation of "The Fearless Vampire Killers" is very much an acquired taste. I don't know what to say to those that don't like it except, Why don't you try watching it again? It might grow on you as it did me. This movie also has one of the best one-sheet posters from the sixties, with art by Frank Frazetta. I hope this movie comes to DVD soon, especially with commentary by Polanski, but I've read that MGM considers the elements in need of restoration, so it may be a while. However, it should look great when it does get to DVD. I can't wait.
13 of 16 people found this review helpful.
Was this review helpful to you?