A young American woman (Sydne Rome) traveling through Italy finds herself in a strange Mediterranean villa where nothing seems right. Her visit becomes an absurd, decadent, oversexed ... See full summary »
A young couple move into an apartment, only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins to control her life.
British couple Fiona and Nigel Dobson are sailing to Istanbul en route to India. They encounter a beautiful French woman, and that night Nigel meets her while dancing alone in the ship's ... See full summary »
Kristin Scott Thomas,
The elderly bat researcher, professor Abronsius and his assistant, Alfred, go to a remote Transylvanian village looking for vampires. Alfred falls in love with the inn-keeper's young daughter Sarah. However, she has been spotted by the mysterious count Krolock who lives in a dark and creepy castle outside the village... Written by
After Alfred and the professor have escaped the tower, they walk down a hallway next to the ballroom and approach three vampires that are sitting with their backs to them. The left vampire is wearing a blue coat with spots. and the lady in the middle a cream colored dress. The next shot we get a good view of the dancing in the ballroom itself and the gentleman and the lady are both visible in the foreground of this shot. The lady sitting just in frame at total left, and the gentleman standing in the foreground totally right of the screen. The next shot we again see them sitting together with a third vampire in the hallway. See more »
That night, fleeing from Transylvania, Professor Abronsius never guessed that he was carrying away with him the very evil he had sought to destroy. Thanks to him, this evil would now be able to spread itself across the world.
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In the opening credits the MGM-lion transforms into a vampire. See more »
This isn't the best horror/comedy. Mel Brooks' Young Frankenstein is. However, second place has just got to go to this one, and there's no shame in being second here. I don't know too much about Roman Polanski's career (I think I know more about his personal life): I've seen Rosemary's Baby and Chinatown, and FVK is the third of his that I've seen. I would never have imagined from those two movies that he could direct comedy, and thus I came into FVK very skeptical. At first, I thought that the laughs were few and far between. I also thought that Polanski's direction was too showy for a comedy. But as the film went on, the comic moments began to build. And the showy direction ceased seeming showy and began to seem wonderful. If you find yourself not laughing a lot, it's understandable. Just sit back and enjoy Polanski's amazing direction. And the laughs, although, to many, they may seem too few, those that there are are enormous. I'd also like to praise the actors, including Roman Polanski himself. The set design, especially in the castle, is more than amazing. It's simply beautiful. The film has a few slow spots, and the end is particularly disappointing. Polanski himself would probably be angry at me for rejecting his ending, but it's not the finale that I object to so much as the weak climax. The suspense (yes, suspense is plentiful in this comedy) was building so well during that climactic sequence, and it doesn't pay off.
And I really don't want to give too much away, because everything is best experienced freshly (I hadn't even heard of this film before I saw that it was to be on TCM), but, man, watch out for the dance scene. I LOVE Chinatown, but I think, from the three Polanski films that I've seen, that that scene is his crowning achievement. 9/10.
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