In Southern Spain with a U.S. team, skydiver Fathom Harvill is approached by a Scottish colonel working for a top-secret Western agency. He's after a vital lost atomic device, and wants her... See full summary »
Yanni returns to his homeland, on a Greek island, after several years in London. Soon he is searching for his teenager passion, Elena. She is a married woman now, and adultery leads to ... See full summary »
George P. Cosmatos
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Reynolds plays Yaqui Joe, an Indian who robs a bank in order to buy guns for his people who are being savagely repressed by the government. Set in turn of the century Mexico, it tells the ... See full summary »
A father who experiments with his sons psychokinetic powers, is unaware that these experiments release a demon from hell, which lives in his sons closet, preparing to take over the young ... See full summary »
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A collection of sketches on prostitution through the ages. 1) "The Prehistoric Era": A caveman discovers that a cavewoman is more attractive when cave paint is applied to her face. And she ... See full summary »
In Southern Spain with a U.S. team, skydiver Fathom Harvill is approached by a Scottish colonel working for a top-secret Western agency. He's after a vital lost atomic device, and wants her to parachute into a house occupied by some Red Chinese agents to help get the thing back. Apart from all this there is a predatory continental doctor on his yacht to take account of. Fathom soon realizes nothing is what it seems to be, but can she fathom the truth out? Written by
Jeremy Perkins <email@example.com>
This 1960s spy comedy is bookended by aerial plane, parachuting and skydiving sequences. This movie was influenced by the James Bond franchise, and ironically, such above-mentioned aerial activities would actually make this picture prefigure the many aerial and flying stunt sequences which would dominate the Bond series from the 1970s onwards. See more »
Obvious stuntman portraying Fathom as she is chased by / knocked down by the bull in the bullring scene. See more »
Welch looks good in this, to be sure. But she also carries across the oddball charm this movie is attempting to convey. She looked good in Bedazzled and Myra Breckinridge as well, but wasn't given much to do. Here she gets some good dialogue to parry the men with, and she comes across as an exciting heroine that unlike Flynt or Matt Helm, should have been given more than one movie to do her thing. This film is very reminiscent of the more whacked-out Modesty Blaise. Just a little funnier. One could also find the roots of the current Charlie's Angels flix in this movie, albeit without the battering music.
Leslie H. Martinson is a director who should be studied more closely. He did so many TV shows, it would be easy to dismiss him as style-free. But from what I've seen (Hot Rod Girl, PT 109, Batman) he uses simplicity in his favor, and makes good little movies that stick with you.
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