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Directed by | |||
| John Schlesinger | |||
Writing credits | ||
| Thomas Hardy | (from the novel by) | |
| Frederic Raphael | (screenplay) | |
Produced by | |||
| Joseph Janni | .... | producer | |
| Edward Joseph | .... | associate producer | |
Original Music by | |||
| Richard Rodney Bennett | (music composed by) | ||
Cinematography by | |||
| Nicolas Roeg | (director of photography) | ||
Film Editing by | |||
| Malcolm Cooke | |||
Casting by | |||
| Miriam Brickman | (casting director) | ||
Production Design by | |||
| Richard Macdonald | |||
Art Direction by | |||
| Roy Forge Smith | (as Roy Smith) | ||
Set Decoration by | |||
| Peter James | |||
Costume Design by | |||
| Alan Barrett | |||
Makeup Department | |||
| Ivy Emmerton | .... | hairdresser | |
| Bob Lawrance | .... | makeup artist | |
| Philip Leakey | .... | makeup artist (as Phillip Leakey) | |
Production Management | |||
| Frank Ernst | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Kip Gowans | .... | assistant director | |
| David Bracknell | .... | second assistant director (uncredited) | |
| Nigel Wooll | .... | third assistant director (uncredited) | |
Art Department | |||
| Tom Jung | .... | poster designer (uncredited) | |
Sound Department | |||
| John Aldred | .... | sound recordist | |
| Alfred Cox | .... | sound editor | |
| Gordon Daniel | .... | sound editor | |
| Robin Gregory | .... | sound recordist | |
Special Effects by | |||
| Martin Gutteridge | .... | special effects (uncredited) | |
| Jimmy Harris | .... | special effects (uncredited) | |
| Brian Humphrey | .... | special effects (uncredited) | |
| Garth Inns | .... | special effects (uncredited) | |
| Malcolm King | .... | special effects supervisor (uncredited) | |
Stunts | |||
| Ian McKay | .... | fight director (uncredited) | |
Camera and Electrical Department | |||
| John Harris | .... | camera operator | |
| Anthony B. Richmond | .... | camera focus (as Tony Richmond) | |
| Edward Tucker | .... | camera grips | |
| Alex Thomson | .... | camera operator (uncredited) | |
Music Department | |||
| Isla Cameron | .... | advisor: folk song | |
| Marcus Dods | .... | conductor | |
| Marcus Dods | .... | musical director (uncredited) | |
Other crew | |||
| Max Faulkner | .... | horsemaster | |
| Ann Skinner | .... | continuity (as Anne Skinner) | |
| Derek Ware | .... | swordmaster | |
| Catherine O'Brien | .... | unit publicist (uncredited) | |
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| Far from the Madding Crowd | Feast of July | Giant | The Ruling Class | Three Brothers |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
In rural Victorian England, vain and beautiful Julie Christie (as Bathsheba Everdene) attracts three handsome marriage prospects - poor sheep herder Alan Bates (as Gabriel Oak), wealthy older Peter Finch (as William Boldwood), and sexy sergeant Terence Stamp (as Francis "Frank" Troy). Director John Schlesinger's "Far from the Madding Crowd" may be your finest way to see the English countryside, as it is expertly photographed by Nicholas Roeg. This is picturesque beauty at its finest, with an excellent cast.
Scenes are staged as if D.W. Griffith were filming a British "Gone with the Wind" (Ms. Christie doing "Scarlett O'Hara"). But, there is too little story. It takes a long time for something exciting to happen - the startling performance by Mr. Stamp as he shows Ms. Christie how he wields his sword - this livens the film up considerably. Another high point is the strong performance delivered by beautiful newcomer Prunella Ransome (as Fanny Robin). But, apart from Stamp's phallic symbolizing, the story seems castrated.
****** Far from the Madding Crowd (10/16/67) John Schlesinger ~ Julie Christie, Terence Stamp, Peter Finch, Alan Bates