A young man, inching his way up from working-class traditions via a white-collar job, finds himself trapped by the frightening reality of his girlfriend's pregnancy and is forced into ... See full summary »
During WWII, the United States set up army bases in Great Britain as part of the war effort. Against their proper sensibilities, many of the Brits don't much like the brash Yanks, ... See full summary »
Divorced working woman Alex and well-to-do Jewish family doctor Daniel Hirsh share not only the same answering service but also the favours of young Bob Elkin who bed-hops between them as ... See full summary »
Bengali Sushila Sen and her son, Manek, relocate from India to London after Sushila's relationship with her husband fails. Sushila struggles with everyday living. A child piano prodigy, ... See full summary »
An art director in the 1930's falls in love and attempts to make a young woman an actress despite Hollywood who wants nothing to do with her because of her problems with an estranged man and her alcoholic father.
The battle of the sexes and relationships among the elite of Britian's industrial Midlands in the 1920s. Gerald Crich and Rupert Berkin are best friends who fall in love with a pair of ... See full summary »
Based on Thomas Hardy's 19th century novel, Bathsheba Everdene is a willful, passionate girl who is never satisfied with anything less than a man's complete and helpless adoration. And she captures the lives and loves of three very different men: Gabriel Oak, a sheep farmer who is captivated by her beauty and proposes marriage; William Boldwood, a prosperous man in his early forties and a confirmed bachelor; and Sergeant Frank Troy, a handsome, reckless swordsman given to sudden fits of violence. Written by
For many the casting of sixties beauty Julie Christie as the vulnerable heartbreaker Bathsheba Everdene was erroneous, but Christie does a fine job, and makes the role her own. Schlesinger remains faithful to the romantic spirit of Hardy, drenching the magnificent cinematography in the exquisite pastoral music of Richard Rodney Bennett, who clearly wrote under the influence of Vaughan Williams and Delius, while interpreting the story for the cinema very much in his own way. The film is long; but craftmanlike, and characterised by superb performances, with Peter Finch as the tormented Boldwood, and Alan Bates as Gabriel, who is the moral force within the story, particularly excellent. The film's climax is one of the most hauntingly poignant in sixties cinema.
I like to see it as an oblique commentary on the essentially tragical (and doomed) nature of selfish or sensual or possessive love; and the innate nobility of the marriage state buttressed by genuine mutual respect, with Gabriel as the agent of reason and decency amid so much unbridled passionateness....
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