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Far from the Madding Crowd (1967)

 -  Drama | Romance  -  18 October 1967 (USA)
7.4
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Ratings: 7.4/10 from 2,749 users  
Reviews: 70 user | 14 critic

Bathsheba Everdine, a willful, flirtatious, young woman, unexpectedly inherits a large farm and becomes romantically involved with three widely divergent men.

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Nominated for 1 Oscar. Another 4 wins & 5 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Fiona Walker ...
Prunella Ransome ...
Alison Leggatt ...
Paul Dawkins ...
Julian Somers ...
John Barrett ...
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Andrew Robertson ...
Andrew Randle
Brian Rawlinson ...
Matthew Moon
Vincent Harding ...
Victor Stone ...
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Storyline

Based on Thomas Hardy's 19th century novel, Bathsheba Everdene is a willful, passionate girl who is never satisfied with anything less than a man's complete and helpless adoration. And she captures the lives and loves of three very different men: Gabriel Oak, a sheep farmer who is captivated by her beauty and proposes marriage; William Boldwood, a prosperous man in his early forties and a confirmed bachelor; and Sergeant Frank Troy, a handsome, reckless swordsman given to sudden fits of violence. Written by alfiehitchie

Plot Summary | Add Synopsis

Plot Keywords:

19th century | love | sergeant | sheep | farm | See more »

Taglines:

Her romance with three men becomes a bold adventure [UK theatrical] See more »

Genres:

Drama | Romance

Certificate:

PG | See all certifications »
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Details

Country:

Language:

Release Date:

18 October 1967 (USA)  »

Also Known As:

Lejos del mundanal ruido  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (uncut) | (cut)

Sound Mix:

(70 mm prints)| (35 mm prints)

Color:

(Metrocolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Dirk Bogarde was offered Boldwood. See more »

Goofs

During the "pie in the face" circus scene, the cream is piled on contemporary 1960s white paper plates with fluted edges. Disposable paper plates were invented in the early 1900s. The movie time frame (which differs slightly from the book) ends around 1868. See more »

Quotes

Gabriel Oak: At home by the fire, whenever I look up, there you will be. And whenever you look up, there I shall be.
See more »

Connections

Featured in Lionpower from MGM (1967) See more »

Soundtracks

""Seeds of Love"" (uncredited)
Words written by Mrs. Fleetwood Habergam around 1689
Maybe sung to a traditional tune by Sir George Macfarren, Come open the door sweet Betty
Sung by Joseph Poorgrass and friends at outdoor feast at request of Bathsheba
See more »

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User Reviews

This contains my favourite scene in cinema history
22 April 2000 | by (London) – See all my reviews

I have never read a good word about this film in any movie guide, which frankly baffles me. I think it's a masterpiece, and despite Hardy being one of my favourite authors, I think this is actually better than the novel. It also contains two absolutely perfect moments. But first some general comments. The photography is gorgeous, actually looking more realistic than idyllic, beautiful but sometimes cold and forboding, brooding over the tragic proceedings. Secondly, the remarkable soundtrack by Richard Rodney Bennett lends the movie a good deal of its emotiveness. The use of English folk songs to comment on the proceedings is ingenious, sometimes impressively reflective of the situations, and at points extremely unsettling.

Julie Christie is beautiful and I found her Bathsheba the precise mixture of headstrong independence and vulnerability. Terence Stamp's repulsive Troy is a triumph of casting and Alan Bates is wonderful as the simpliest of her suitors. The film is stolen for me though by Peter Finch, who begins a hat trick of devastating performances, here, in The Trials of Oscar Wilde and Sunday Bloody Sunday. His Boldwood is a remarkable creation, so eligible, so tragic, so lost and helpless. His scene with Bathsheba when she suggests Christmas to be a time when she will make a decision on their future is heartbreaking. "Christmas," he smiles. "I'm happier now." But the scene that should surely secure this movie a place in film history is that in the graveyard. Without spoling the plot for those who have yet to see it, the gargoyle spewing rainwater over the graves as the sound of "The Bold Grenadier" plays is as affecting an image as one is ever likely to see on screen. The Boldwood plot has a darker outcome here than in the book, which I'm sure Hardy would have approved of. This is a beautiful and disturbing movie that does not shy away from Hardy's bleak view of existence, and adds to the mix a strong sense of gritty 60s honesty. Beautiful, devastating and unforgettable.


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