A young man, inching his way up from working-class traditions via a white-collar job, finds himself trapped by the frightening reality of his girlfriend's pregnancy and is forced into ... See full summary »
The battle of the sexes and relationships among the elite of Britian's industrial Midlands in the 1920s. Gerald Crich and Rupert Berkin are best friends who fall in love with a pair of ... See full summary »
Divorced working woman Alex and well-to-do Jewish family doctor Daniel Hirsh share not only the same answering service but also the favours of young Bob Elkin who bed-hops between them as ... See full summary »
In a drunken and disheartened state, Michael Henchard sells his wife at a fair. When he becomes sober again he realises what he has done, and though unable to find his wife and child, ... See full summary »
An art director in the 1930's falls in love and attempts to make a young woman an actress despite Hollywood who wants nothing to do with her because of her problems with an estranged man and her alcoholic father.
Based on Thomas Hardy's 19th century novel, Bathsheba Everdene is a willful, passionate girl who is never satisfied with anything less than a man's complete and helpless adoration. And she captures the lives and loves of three very different men: Gabriel Oak, a sheep farmer who is captivated by her beauty and proposes marriage; William Boldwood, a prosperous man in his early forties and a confirmed bachelor; and Sergeant Frank Troy, a handsome, reckless swordsman given to sudden fits of violence. Written by
The song Bathsheba asks Joseph Poorgrass to sing, "Seeds of Love" describes her life: regrets of love, false young men, being trampled under foot, but she will rise again. See more »
During the "pie in the face" circus scene, the cream is piled on contemporary 1960s white paper plates with fluted edges. Disposable paper plates were invented in the early 1900s. The movie time frame (which differs slightly from the book) ends around 1868. See more »
Like another reviewer, I'm continuously amazed at detractors to this fine adaptation of Thomas Hardy's strongest novel. The reviewer who whines about it being "boring" should tune into a good TV sit-com and let the good cinema go-- it will always be "boring." Those reviewers, and there are several, who read Hardy can appreciate this fine film which builds on directly on Hardy's novel. One reviewer noted that Hardy "...gets into the heads of his characters..." Quite true, but unless you're goofy like the Coen Brothers or Terry Gilliam, you can't always do that in the cinema. So, Schlesinger does the next best thing in developing the characters with an excellent cast including Christie, Finch, Stamp and Bates. This is an excellent film and captures much of the rural English lifeways that Hardy wrote about in this and Tess of the D'Ubervilles, Return of the Native and others. Check it out.
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