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Far from the Madding Crowd (1967)

7.4
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Ratings: 7.4/10 from 2,772 users  
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Bathsheba Everdine, a willful, flirtatious, young woman, unexpectedly inherits a large farm and becomes romantically involved with three widely divergent men.

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Title: Far from the Madding Crowd (1967)

Far from the Madding Crowd (1967) on IMDb 7.4/10

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Nominated for 1 Oscar. Another 4 wins & 5 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Fiona Walker ...
Prunella Ransome ...
Alison Leggatt ...
Paul Dawkins ...
Julian Somers ...
John Barrett ...
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Andrew Robertson ...
Andrew Randle
Brian Rawlinson ...
Matthew Moon
Vincent Harding ...
Victor Stone ...
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Storyline

Based on Thomas Hardy's 19th century novel, Bathsheba Everdene is a willful, passionate girl who is never satisfied with anything less than a man's complete and helpless adoration. And she captures the lives and loves of three very different men: Gabriel Oak, a sheep farmer who is captivated by her beauty and proposes marriage; William Boldwood, a prosperous man in his early forties and a confirmed bachelor; and Sergeant Frank Troy, a handsome, reckless swordsman given to sudden fits of violence. Written by alfiehitchie

Plot Summary | Add Synopsis

Plot Keywords:

19th century | love | sergeant | sheep | farm | See more »

Taglines:

A willful passionate girl and...the three men who want her! See more »

Genres:

Drama | History | Romance

Certificate:

PG | See all certifications »
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Details

Country:

Language:

Release Date:

18 October 1967 (USA)  »

Also Known As:

Lejos del mundanal ruido  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (uncut) | (cut)

Sound Mix:

(70 mm prints)| (35 mm prints)

Color:

(Metrocolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

The song Bathsheba asks Joseph Poorgrass to sing, "Seeds of Love" describes her life: regrets of love, false young men, being trampled under foot, but she will rise again. See more »

Goofs

The Valentine's Day greeting card that Bathsheba sends to Mr. Boldwood is of a contemporary 1960s style. See more »

Quotes

Bathsheba Everdene: [to her workers] Don't anyone suppose that because I'm a woman, I don't understand the difference between bad goings-on and good. I shall be up before you're awake, I shall be afield before you're up, and I shall have breakfasted before you're afield. In short, I shall astonish you all.
See more »

Connections

Referenced in The Vicar of Dibley: The Vicar in White (2007) See more »

Soundtracks

Can-Can
(1858) (uncredited)
from "Orphée aux enfers"
Written by Jacques Offenbach
Played by the band at the circus
See more »

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User Reviews

This contains my favourite scene in cinema history
22 April 2000 | by (London) – See all my reviews

I have never read a good word about this film in any movie guide, which frankly baffles me. I think it's a masterpiece, and despite Hardy being one of my favourite authors, I think this is actually better than the novel. It also contains two absolutely perfect moments. But first some general comments. The photography is gorgeous, actually looking more realistic than idyllic, beautiful but sometimes cold and forboding, brooding over the tragic proceedings. Secondly, the remarkable soundtrack by Richard Rodney Bennett lends the movie a good deal of its emotiveness. The use of English folk songs to comment on the proceedings is ingenious, sometimes impressively reflective of the situations, and at points extremely unsettling.

Julie Christie is beautiful and I found her Bathsheba the precise mixture of headstrong independence and vulnerability. Terence Stamp's repulsive Troy is a triumph of casting and Alan Bates is wonderful as the simpliest of her suitors. The film is stolen for me though by Peter Finch, who begins a hat trick of devastating performances, here, in The Trials of Oscar Wilde and Sunday Bloody Sunday. His Boldwood is a remarkable creation, so eligible, so tragic, so lost and helpless. His scene with Bathsheba when she suggests Christmas to be a time when she will make a decision on their future is heartbreaking. "Christmas," he smiles. "I'm happier now." But the scene that should surely secure this movie a place in film history is that in the graveyard. Without spoling the plot for those who have yet to see it, the gargoyle spewing rainwater over the graves as the sound of "The Bold Grenadier" plays is as affecting an image as one is ever likely to see on screen. The Boldwood plot has a darker outcome here than in the book, which I'm sure Hardy would have approved of. This is a beautiful and disturbing movie that does not shy away from Hardy's bleak view of existence, and adds to the mix a strong sense of gritty 60s honesty. Beautiful, devastating and unforgettable.


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