Triple Cross (1966)

Director:

Terence Young

Writers:

René Hardy (screenplay)
Frank Owen (book)

Release Date:

9 December 1966 (France)

Genre:

Adventure | Action | Thriller | War | Drama

Tagline:

MASTER-CRIMINAL! SUPER-SPY! AND ALL TRUE!

Plot:

Loosely based on a true story, Christopher Plummer plays British bank robber Eddie Chapman who finds himself caught between the waring parties in WW2...

Plot Keywords:

Spy | Nazi Soldier | Prison | Mock Execution | Factory

Cast

Christopher Plummer	...	Eddie Chapman
Romy Schneider	...	The Countess
Trevor Howard	...	Distinguished Civilian (Freddie Young)
Gert Fröbe	...	Colonel Steinhager (as Gert Frobe)
Claudine Auger	...	Paulette
Yul Brynner	...	Baron Von Grunen
Georges Lycan	...	Leo
Jess Hahn	...	Commander Braid
Harry Meyen	...	Lieutenant Keller
Gil Barber	...	Bergman
Jean-Claude Bercq	...	Major Von Leeb
Jean Claudio	...	Sergeant Thomas
Robert Favart	...	General Dalrymple
Bernard Fresson	...	French Resistant (Raymond)
Clément Harari	...	Losch (as Clement Harari)

Also Known As:

La fantastique histoire vraie d'Eddie Chapman (France)
Terence Young's Triple Cross (UK) (complete title)

MPAA:

Rated PG for language, violence and sensuality.

Runtime:

USA:126 min | UK:140 min

Country:

France | UK

Language:

English | Portuguese

Color:

Color (Technicolor)

Aspect Ratio:

1.66 : 1

Sound Mix:

Mono (Westrex Recording System)

Certification:

Australia:PG | Iceland:L | USA:Approved (MPAA rating: certificate #21447) | Finland:K-12 | Norway:16 | UK:A (original rating) | UK:PG (video rating) (2002)

Filming Locations:

Studios de la Victorine - 16 avenue Edoard Grinda, Nice, Alpes-Maritimes, France

Company:

Cineurop

Goofs:

Factual errors: The Lusitania is pictured on the newspaper's front page, with two stacks. But the Lusitania had four.

Quotes:

Eddie Chapman: I want the German commandant!
Jersey Prison Warder: Oh, *that* again...!
Eddie Chapman: Yes, "that again"... and tell him that I *don't* like to be kept *waiting*!
Jersey Prison Warder: You're a cocky one!
Eddie Chapman: Look, if we don't push *ourselves*, no one else ever will! And let me tell you something: the more scared you are, *talk louder*! You'll get away with *murder*!
[shouting]
Eddie Chapman: Now go and tell the commandant I want to see him!

Soundtrack:

Triple Cross

A good wartime thriller that could have been great

"One could give him the most difficult of missions knowing that he would carry it out and that he would never betray the official who sent him, but.. it was highly probable that he would rob the official who sent him out... He would then carry out his mission and return to the official whom he had robbed to report." Thus did a young filmmaker who found himself in British Intelligence during WW2 describe Eddie Chapman. Certainly if Chapman didn't exist, you'd have to invent him. Playboy, conman, burglar, spy, a member of the pre-WW2 'Gelignite Gang' and the only British citizen to be awarded the Iron Cross, during WW2 he was recruited by the Nazis as a spy only to end up spying on them for the British. Terence Young would appear to be the perfect director to bring his story to the screen - not only did he direct three Bond movies but he had been a friend of Chapman's: in fact, he was the young intelligence officer who gave that realistic appraisal of his abilities and weaknesses. Unfortunately, the book 1967's Triple Cross was based on was heavily vetted by MI5 and the film had even less to do with the truth, either as Chapman (who didn't care much for the film) told it or as it really happened.

One of those international co-productions so popular in the late Sixties (in this case Anglo-French), it has a good cast - Christopher Plummer as Chapman, Romy Schneider, Trevor Howard, Yul Brynner and Bond veterans Gert Frobe and Claudine Auger - and a more than healthy budget. On paper, the Private War of Eddie Chapman, Inc. certainly has everything it needs for an above-average thriller, with Chapman a potentially perfect 60's antihero. Arrested while posing as a financier ("I handle other people's money") in the Channel Islands and still imprisoned when the Germans invade, he's quick to offer his talents to the invaders on the grounds that "I'd rather live for Germany than die for England." After being vetted by Frobe's policeman and Schneider's Countess he finds himself under exclusive personal contract to Brynner's old school general and eventually sent back to England to destroy an aircraft factory, only to immediately offer his services to the even more suspicious British - for the right price.

Yet while it maps out a steady course it all seems a little unambitious, happy to settle for enjoyable enough Saturday night fare. Moments ring true, such as Chapman being paid in British Stirling taken from troops captured at Dunkirk or Howard refusing Chapman's request for a Distinguished Service Order because "I happen to wear it myself when I'm in uniform and I'm a snob about whoever else should wear it," while the film is particularly successful in showing the gradual defeatist attitude that overtakes the Germans, from generals merely grunting a reply to a Heil Hitler to Chapman's working for the British becoming an open secret in the German intelligence community that no-one cares enough to do anything about. Plummer's a convincingly amoral Chapman, blithely untroubled by any semblance of conscience and enjoying the ride, but it's Frobe's suspicious ex-policeman, secure in the knowledge that police are always needed whatever regime is in power, who is the most interesting character despite never being developed as enough of a potential threat. Unfortunately, there's rather a lack of threat throughout despite a couple of minor moments of suspense, Chapman's unshakeable self-belief being mirrored by a script that never seriously conveys the possibility of discovery.

If he's not as lazy as he'd later become, Young's die-hard bad habits are present, from the trademark dodgy dubbing of bit players (step forward Robert Rietty at the microphone) and casting of old pals like Anthony Dawson (Professor Dent in Dr No), with the film managing to be a rather slick package that's perhaps not as well wrapped as it could be in places - to use a metaphor the famed bon vivant probably would have approved of, a good wine delivered in a slightly cracked bottle. Chief among the cracks is the oh so happening Sixties title song that's so wrong it's almost lovable, with dementedly cast-off Bond-song lyrics -

"You've been crossed/And even crossed double/If you've been around, that's normal for the cooourrrsssse/But you won't believe the trouble/You'll find in just one man/The man of the Triple Cross!!!/Give him love/He will always keep taking/He can only win/And you will take the loss/So before your world is shaken/Escape him if you can/The maaa-aaa-aaannn of the Triple Cross!!!!"

There have subsequently been two books about Chapman's exploits this year, with Ben Macintyre's Agent Zigzag highly recommended if you want to find out the true story. But as rainy day take-it-with-a-grain-of-salt entertainment, Triple Cross does well enough.