Directed by | |||
| Alejandro Jodorowsky | (as Alexandro Jodorowsky) | ||
Writing credits(in alphabetical order) | ||
| Fernando Arrabal | play | |
| Alejandro Jodorowsky | adaptation (as Alexandro Jodorowsky) | |
| Alejandro Jodorowsky | screenplay (as Alexandro Jodorowsky) | |
Produced by | |||
| Juan López Moctezuma | .... | producer (as Juan Lopez Moctezuma) | |
| Moshe Rosemberg | .... | executive producer (as Mauricio Rosemberg) | |
| Samuel Rosemberg | .... | executive producer | |
| Roberto Viskin | .... | producer | |
Original Music by | |||
| Mario Lozua | |||
| Hector Morely | |||
| Pepe Ávila | (as Pepe Avila) | ||
Cinematography by | |||
| Rafael Corkidi | (as Corkidi) | ||
| Antonio Reynoso | (as Reynoso) | ||
Film Editing by | |||
| Fernando Suarez | |||
Music Department | |||
| Mario Lozua | .... | musician: percussion | |
Other crew | |||
| Manuel Rosano | .... | dubbing director | |
Thanks | |||
| Samuel Rosemberg | .... | in memory of | |
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| The Holy Mountain | Fellini Satyricon | Santa Sangre | Synecdoche, New York | My Own Private Idaho |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb Mexico section |
Shot using only a one page script and Jodorowsky's memory of the stageplay, Fando & Lis is a tale of the two people in the title, a man, Fando, and his disabled female partner, Lis, who can't walk but does stand up on one occasion. They set off together to search for the mystical city of Tar, with Lis most of time being on a four-wheel cart along with a gramophone and a drum, and Fando pushing her. He also carries her as well. This reminded me of the man and woman in Jean Luc Godard's Week-End from the same year. On their escapade they encounter some strange characters like the mud people and a man playing a burning piano. There is all the usual Jodorowsky elements with surreal and obscure symbolism and for ninety-six minutes all rational thought is disbanded. It is in Jodorowsky's words, "a pure piece of art without any concession". It is provoking and leads to a savage conclusion, but it is not as accomplished as Jodorowsky's later work.