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Eye of the Devil (1966)

 |  Crime, Horror, Mystery  |  July 1966 (UK)
5.9
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Ratings: 5.9/10 from 1,194 users  
Reviews: 39 user | 24 critic

Vineyard owner marquis Philippe de Montfaucon is called back to his castle Bellenac because of another dry season. He asks his wife and children to remain in Paris, but they still come ... See full summary »

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Title: Eye of the Devil (1966)

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Cast

Complete credited cast:
...
Catherine de Montfaucon
...
Philippe de Montfaucon
...
...
Jean-Claude Ibert
Flora Robson ...
Countess Estell
Emlyn Williams ...
Alain de Montfaucon
...
...
...
Dr. Monnet
Michael Miller ...
Grandec
Donald Bisset ...
Rennard
Pauline Letts ...
Servant
Robert Duncan ...
Jacques de Montfaucon
Suky Appleby ...
Antoinette de Montfaucon
Edit

Storyline

Vineyard owner marquis Philippe de Montfaucon is called back to his castle Bellenac because of another dry season. He asks his wife and children to remain in Paris, but they still come after him. His wife Catherine de Montfaucon soon discovers that her husband is acting mysteriously and that his employees are following old pagan rituals that call for the life of the marquis himself to save the crops. Written by Mattias Thuresson

Plot Summary | Add Synopsis

Plot Keywords:

vineyard | dove | ritual | estate | france | See All (33) »

Taglines:

This is the climax in mind-chilling terror! See more »

Genres:

Crime | Horror | Mystery

Certificate:

See all certifications »
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Details

Country:

Language:

Release Date:

July 1966 (UK)  »

Also Known As:

13  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (TCM print)

Sound Mix:

(Westrex Recording System)|

Aspect Ratio:

1.66 : 1
See  »
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Did You Know?

Trivia

This was the official film debut of Sharon Tate; in the opening credits, it says "and introducing Sharon Tate" See more »

Crazy Credits

"and introducing Sharon Tate" See more »

Connections

Referenced in Charles Manson Superstar (1989) See more »

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User Reviews

 
Stunning
9 February 2006 | by (Portugal) – See all my reviews

Atmospheric horror dealt in a skillful and very sober way: this movie works more through suggestion, weaving its narrative through grand scenarios of uncanny intensity which is greatly enriched by the black and white colouring that casts a certain aura all over the action and sharpens the characters' peculiarities.

The plot revolves around an ancient curse that plagues a family, linked with a superstitious awe that borders on paranoia. In itself, it is nothing too original: the distraught mother observes with alarm the sudden changes that take place when her so far devoted husband returns to the family estate, a magnific medieval castle, and tries to unravel what is behind the revolution. Yet, its the subtlety with which the theme is approached that distinguish the movie as above average, and raise it to the standard of artistic endeavor as well as story-telling. I'd say that imagery, especially the vibrant contrast between dark areas of film to which correspond luminescent patches, is one of the most relevant and outstanding elements that craft this movie into looking like an animated painting of bizarre overtones.

With some hints of psychological drama that pervade the atmosphere (not the extent that is achieved with such movies as "The Haunting", 1963, but using the same basic approach) the tense environment is stressed and developed as a succession of drama-infused situations that escalate into a stunning climax.

The horror, something organic, in the old Gothic tradition, relies on the architecture to project its full impact upon a solid cast of actors, whose performances are perfectly in sync the overall attitude of uncomfortable beauty that sets the leitmotiv for the whole movie.

To this we add an ambiguous collection of character that hint at the possibility of the supernatural as well as providing enough dark innuendos to undercut the apparently peaceful family relations, a certain order of blood ties being shown and (potentially) unnatural; and an all encompassing narrative frame that is perfect enacted through the curse: not that in itself but the scenes that finally disclose the secrets pertaining said curse.

Overall, a very worthy effort that has aged well, and that actually be more enjoyable now, stripped of its more direct content and perceived more for the great art work that is the heart of the movie.


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