Rick Richards is a helicopter pilot who wants to set up a charter flying service in Hawaii -- along the way he makes some friends, including a young Hawaiian girl and her father, romances Judy Hudson, and sings a few songs.
Michael D. Moore
When he finds out his boss is retiring to Arizona, a sailor has to find a way to buy the Westwind, a boat that he and his father built. He is also caught between two women: insensitive club singer Robin and sweet Laurel.
Tulsa, a soldier with dreams of running his own nightclub, places a bet with his friend Dynamite that he can win the heart of an untouchable dancer...but when Dynamite is transferred, Tulsa must replace him in the bet.
Mike and Danny fly a crop duster, but because of Danny's gambling debts, a local sheriff seizes it. Trying to earn money, they hitch-hike to the World's Fair in Seattle. While Danny tries ... See full summary »
When he completes his military service Walter Gulick returns to his birthplace, Cream Valley, New York. He was orphaned as an infant and grew up elsewhere but always wanted to return to ... See full summary »
Elvis' co-star from Paradise, Hawaiian Style (1966) was offered a role in this film, but according to her interview made in 1998, she turned down the offer and said Tom Parker (Elvis' manager) was one of the reasons why she did so. See more »
(at around 9 mins) Aafter the "love machine" song, Elvis puts the Fender Jazz bass down on a seat and a moment later, in the next shot, it reappears in his hand. See more »
I know what you think of me, and you're right! I'm a humbug, a double dealer, a regular Benedict Arnold.
You left out fink!
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By 1967 Elvis Presley had long since had enough of the formula of his movies, where he would triumph over the bad guys, kiss the girls and sing songs to all and sundry. Even when a good Presley movie surfaced, and there are a few bona fide good ones, casual film fans are required to be in a light and unforgiving mood to enjoy the malarkey on offer. Easy Come, Easy Go is pretty average stuff, both in quality of narrative and performances and that of the tunes within. Dialogue is unleashed in scattergun fashion without due care and attention for dramatic worth, there's no strong female lead for Presley to bounce back and forth from, and the humour is tired and weary.
Yet for all of the evident problems, it's a safe enough recommendation to those after a time filler who are armed with the knowledge this isn't going to tickle the cranium! It's all very colourful with nice exterior work at Long Beach Naval Station, Presley looks just terrific in uniform and the cast is spruced up by the presence of Elsa Lanchester and Jack McHugh; the former of which sings a bit and gets the giggles as a hippie type yoga teacher who ties "The Pelvis" in knots. Stand out tune is I'll Take Love, while the race for buried treasure plot remains airy enough to let the adventure yarn breathe.
Foot tapping assured and unintentional giggles, too, set the dial for family friendly fodder and wallow in the froth. 6/10
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