A Polish contractor, Nowak, leads a group of workmen to London so they can provide cheap labor for a government official based there. Nowak (Irons) has to manage the project and the men as ... See full summary »
Poland is under communist rule. An exiled Polish theater director is in England, enthusiastically preparing an abstract play which will criticize the authoritarian Polish government. His sons might not share his political views, though.
In 1840, a young Russian aristocrat, Dimitri Sanin, is returning home after a long tour of Europe. In Germany, he falls in love with a beautiful pastry shop girl, Gemma Rosselli, who soon ... See full summary »
Based on satirical short stories by Sir Arthur Conan Doyle about a vain, egotistical Etienne Gerard, a French brigadier serving during the Napoleonic Wars. He thinks he's the best soldier and lover that ever lived and intends to prove it.
15-year-old Mike takes a job at the local swimming baths, where he becomes obsessed with an attractive young woman, Susan, who works there as an attendant. Although Susan has a fiancé, Mike... See full summary »
Karl Michael Vogler
Charles is a young provincial coming up to Paris to study law. He shares his cousin Paul's flat. Paul is a kind of decadent boy, a disillusioned pleasure-seeker, always dragging along with ... See full summary »
On the death of his parents, Frank, a romantic teenager, moves in with his aunt and uncle He quickly falls in love with his beautiful, sophisticated aunt, Martha, and begins to fantasize ... See full summary »
Andrzej has left the army, and appears to drift around the country participating in boxing fights. In an industrial town, he runs into Teresa, a government engineer, who has arrived to ... See full summary »
A fast-paced comedy about a young Belgian car nut and hairdresser's apprentice, his girlfriend, and their legal and illegal attempts to get a Porsche under him for his nearing debut race. Written by
T P Uschanov <email@example.com>
I was glad when this one was over. Skolimowski had a big reputation in the 60's as an avant-guard director in Poland (Barrier) who had to leave for the West because of the government crackdown on artists. Here he is using Godard's actors--Leaud and Duport from Masculine-Feminine--and cameraman, and Polanski's favorite composer (Komeda). The story he tells is so trite, so lacking in human interest as to make the viewer lose all interest in what is happening, and sometimes there's a lot happening.
Leaud is encouraged to display all the worst features of this young man: the bratty, childish behavior, the forced cackling laugh, so ugly to hear. You won't laugh at the dumb fights that Marc gets into, or the scene at the hairdresser's when he gets his buddy to bloody his nose so he can get out of work. When you steal a car, as Marc does three times, don't the police go looking for you? No sign of that. Catherine Duport--well, the less said about her, the better. It was the third and last film for this ex-model, and a more bovine and boring performer could hardly be imagined.
Willy Kurant gives us the best scene by far; he's lit the car showroom very sharply and coldly for the car that splits in half with the two lovers in it. It's splendid.
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